Below the Line: A Cut Above – Jessie Maple
Jessie Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York. Her book, How to Become a Union Camerawoman , is an instructional guide illustrating the obstacles that she endured to get into the union. It details the court case she initiated to fight discrimination after she became a member.
READ MOREBelow the Line: A Cut Above – Director of Photography Rachel Morrison
Cinematographer Rachel Morrison's arresting and haunting imagery has graced the screen in indies like Fruitvale Station, Dope and Mudbound. Most recently, she lensed the big budget feature Black Panther.
READ MOREBelow the Line: A Cut Above – Costume Designer Ruth E. Carter
Ruth E. Carter is an American costume designer (and NYWFT Designing Women honoree!) with an unparalleled ability to develop an authentic story through costume and character. And this year she became the first African American woman to win an Academy Award for costume design for her work in Black Panther.
READ MOREBelow the Line: A Cut Above – Production Designer Hannah Beachler
Production Designer Hannah Beachler created the iconic looks of "Creed," "Moonlight," and Beyonce's "Lemonade" before taking on the fictional world of Wakanda in "Black Panther," which won her a 2019 Academy Award. She is the first-ever African American - male or female - to take home that honor.
READ MOREBelow the Line: A Cut Above – Film Editor Joi McMillon
Joi McMillon made Oscar history in 2018 when she became the first African American woman nominated for Best Achievement in Film Editing for Moonlight. But the road to the Oscars wasn’t straight or smooth.
READ MOREBelow the Line: A Cut Above – Audio Engineer Ai-Ling Lee
This Women's History Month we celebrate women working below the line! Originally from Singapore, Ai-Ling Lee is the first Asian woman to be nominated for an Academy Award for sound editing. In 2016 she was nominated for sound editing and sound mixing for the modern musical La La Land.
READ MOREBelow the Line: A Cut Above – Costume Designer Edith Head
This Women’s History Month, we’re highlighting the oft unsung yet always vital contributions of those working below the line. Join NYWIFT blog contributors Kathryn O’Kane and Mellini Kantayya as they celebrate a few of the many women in history and making history—“Below the Line: A Cut Above.” We start with costume legend Edith Head.
READ MOREBlack Girl Magic in Film
It may seem Black Girl Magic in film is everywhere these days. But NYWIFT Board Member Leslie Fields-Cruz will share a secret with you: That “magic” isn’t really magic at all. It’s the result of more than a century of hard work, perseverance, and phenomenal endurance by black women media makers who’ve paved the way for a future that demands inclusivity, parity, and equal representation.
READ MOREThe WFPF Screens Four Experimental Films at MoMA’s “To Save and Project” Festival on January 22
The Women’s Film Preservation Fund: Four Experimental Films will screen January 22nd in The Museum of Modern Art’s annual festival, To Save and Project. The four recently preserved films by Barbara Hammer, Victoria Hochberg, Peggy Ahwesh, and Sheila Paige, all carry a common thread of movement towards a future from the past. WFPF Co-Chair Ann Deborah Levy gives us a preview.
READ MORE
