NYWIFT Blog

The WFPF Screens Four Experimental Films at MoMA’s “To Save and Project” Festival on January 22

By Ann Deborah Levy

The Women’s Film Preservation Fund: Four Experimental Films will screen January 22nd in The Museum of Modern Art’s annual festival, To Save and Project.

The four recently preserved films by Barbara Hammer, Victoria Hochberg, Peggy Ahwesh, and Sheila Paige, all carry a common thread of movement towards a future from the past.  The films reflect on this theme in different ways.  Some focus on the past to leave it behind, others train their eyes towards the future in reaction to an implicit past. All four filmmakers will be present to introduce the films.

SISTERS_WELCOME_SISTERS_lightened

Sisters! (Barbara Hammer, 1973)

Barbara Hammer’s Sisters!, 1973, a celebration of lesbians, begins, “I had a dream of women where men used to be: building, working, growing strong, building their bodies into strength for self-defense.” Presenting images of women doing physical “men’s” work, 1973 footage of the first Women’s International Day march in San Francisco, and joyous dancing from the last night of the First Annual Lesbian Conference at U.C.L.A. where Family of Woman played, the film envisions new possibilities in the future for women and lesbians.

Metroliner_PennStation

Metroliner (Victoria Hochberg, 1974-1975)

Victoria Hochberg’s Metroliner, 1974-1975, documents a journey on the Metroliner, the state of the art American train of the day, from the vantage point of the engineer’s cabin.  It interweaves this thread with archival footage of trains from the past, train wrecks, and workers strikes; and contemporary footage of the Amtrak management, kitchens that supply the trains, and the snack bar on the train. Gorgeous close up shots of the powerful engines celebrate the power and beauty of train travel past and present, while archival and modern footage of railroad workers and events associated with the railroad present a social history of train transportation.

Doppelganger-2_smaller_file copy

Doppelgänger (Peggy Ahwesh, 1987)

Peggy Ahwesh’s Doppelgänger, 1987, is a portrait of Ahwesh’s German born friend Renate, who shows us possessions from her past, reads in German lyrics from a book of church music from her childhood, and in English from a diary written later on. These symbols reflect stories of hardship, violence, sadness, and even beauty, but there is also a sense that Renate is releasing herself from her past and is in a new place. Shot in super 8 in several vérité-like segments, the film also includes hand-processed footage.

Womens_Happy_Time_Commune_nomarkers.01_23_54_20.Still009 copy

Women’s Happy Time Commune (Sheila Page, 1972)

Sheila Paige’s Women’s Happy Time Commune, 1972, billed as a “comedy/western,” is an improvised narrative about a visionary experiment.  A motley crew of young and middle-aged women, leave their former, constricted lives behind for the Old West to form a commune without men where they expect to be freer and to have more possibilities.  As they discuss, share dreams, and argue about what this utopia should be, Women’s Happy Time Commune offers a lively immersion into the feminist ferment of the early 1970’s.

 

The Women’s Film Preservation Fund: Four Experimental Films

Date: Monday, January 22nd

Time: 7:15 p.m.

Location: The Museum of Modern Art

Buy Tickets

 

The 15th edition of MoMA’s annual international festival of newly preserved films, To Save and Project, features a diverse selection of titles from Asia, Europe, Africa, Latin America, Australia, and the US, in formats ranging from 16mm to Cinerama.

Organized by Dave Kehr, Curator, Department of Film. Special thanks to Cindi Rowell and Brittany Shaw.

Electronic subtitling provided by Sub-Ti Ltd.

This exhibition is supported by the Annual Film Fund.

For more information on To Save and Project please visit: https://www.moma.org/calendar/film/3908?locale=en

For more information on the WFPF, please visit:
https://www.nywift.org/article.aspx?id=FPF

Email us at: wfpf@nywift.org

Follow us on Facebook at: https://www.facebook.com/TheWFPF

 

Ann Deborah Levy is Co-Chair of the Women’s Film Preservation Fund Steering Committee and makes experimental films. For more information on her films and videos, please visit: www.resonantimages.com

PUBLISHED BY

womens film preservation fund

womens film preservation fund The Women's Film Preservation Fund (WFPF) is the only program in the world dedicated to preserving the cultural legacy of women in the industry through preserving American-made films by women. Founded in 1995 by New York Women in Film & Television (NYWIFT) in conjunction with the Museum of Modern Art (MoMA), WFPF has preserved nearly 150 American films in which women have played key creative roles.

View all posts by womens film preservation fund

Related Posts

#SummerHours Summer Reading: Tina Fey

In her 2011 book Bossypants, Tina Fey recounts stories of her childhood, her rise to head writer on SNL, her experiences on 30 Rock, and...

READ MORE

Terry’s Picks: Harassment Statistics, Equal Pay, WE Legal

Harassment Statistics: Two new surveys reinforce what we all know: the Center for Talent Innovation’s study, “What #MeToo Means for Corporate America,” shows that the...

READ MORE

Terry’s Picks: Thumbs Down, Marvel-ous Director, Photo Exhibit

Thumbs Down: The latest study from Dr. Martha Lauzen from the Center for the Study of Women in Film & Television at San Diego State...

READ MORE

7 Tips to Building a Successful Partnership to Create an Oscar-Nominated Film

In the inaugural conversation of NYWIFT’s new series Master Collaborations: The Power of Creative Partnerships on May 23, 2018, director Kahane Cooperman and producer Raphaela...

READ MORE
JOIN OUR NEWSLETTER