Partner Post: Universal Production Services Costume Department- The newest option in costume rentals in the city
Our friends at Universal Production Services Costume Department in NYC offer a look at their services.
READ MORE“Ask for Jane” Producer and Star Cait Cortelyou Brings Women’s History to Life on Screen
NYWIFT member Cait Cortelyou has performed on stage or film since childhood but makes a breakthrough debut as producer (and star) of Ask for Jane, which screens at the NYWIFT Member Screening Series on November 19th. Cait sat down with us to discuss how a slice of women's history inspired her to make her producing debut, and what opportunities she sees for women working in the industry today.
READ MORE#Muse40for40: Angela Bassett (1995)
Angela Basset is critically heralded actor whose prolific career has spanned four decades.
READ MORENYWIFT’s Women’s Film Preservation Fund Receives Archivists Round Table Award
NYWIFT’s Women’s Film Preservation Fund (WFPF), which has supported the preservation of nearly 150 American-made films by and about women since 1995, received The Archivists Round Table of Metropolitan New York’s 2019 Outstanding Support of Archives award on October 21st.
READ MORECynthia’s Picks: WFPF Award, DOC NYC, Kathryn Hahn
WFPF Award: Major congratulations to NYWIFT’s Women’s Film Preservation Fund (WFPF), which received the Archivist’s Round Table of Metropolitan New York’s 2019 Outstanding Support of Archives award last week. The award recognizes an individual or organization for notable contributions to archival records or archives programs through political, financial or moral support. DOC NYC: There are more...
READ MOREMeet the New NYWIFT Board Members: Gretchen McGowan
As summer heats up, New York Women in Film & Television gears up for the start of our new year – and with it, new faces join our leadership team! Next up, meet Gretchen McGowan, an award-winning producer and Head of Production at Goldcrest Features.
READ MOREDiane Paragas’ Timely Immigration Story “Yellow Rose” Arrives in NYC
In a media landscape dominated by outraged, emotional debates over our nation’s immigration crisis, DACA, ICE, detainment, and children’s immense suffering, writer/director Diane Paragas’ long-in-the-making film "Yellow Rose" has burst on to the scene. And it could not be more timely. Paragas discusses the film's long journey to the screen and what she hopes to contribute to our cultural conversation on immigration.
READ MOREFeelin’ Like Film Distribution Reality Bites? Bite [Me] back! Four ‘A’ Takeaways from the NYWIFT Bite Me Panel
The team behind the independent feature Bite Me recently joined NYWIFT for a panel case study on how they flipped the film distribution paradigm from something you “get” into something you “do.” As they journey on their 40-city Joyful Vampire Tour of America, we recap some key nuggets of wisdom.
READ MOREIndependent Filmmakers are Like Farmers and Bakers
What can independent producers learn from farmers and bakers? A lot more than you might think, according to NYWIFT member Jane Applegate.
READ MORENYWIFT Member Spotlight: ‘Love & Vodka’ at the Cannes Film Market
NYWIFT Member Heidi Philipsen and a team of University of Michigan alums are heading to Cannes in their efforts to obtain funding for Love & Vodka – a fish-out-of-water romantic comedy set in Ukraine. Personae Entertainment’s producer/director Heidi Philipsen (Darcy) has teamed up with screenwriter/co-producer R.J. Fox to bring his story to the big screen, along with co-producers Niko Meissner (Darcy), Kathryn McDermott (First Knight), and associate producer Jon Wilson.
READ MOREFive Takeaways: Finding the Right Documentary Lab for Your Film
Participating in a documentary film lab can be a great way to refine your story, develop your creative vision and build partnerships. But which one should you pick? NYWIFT member Janine McGoldrick has the scoop.
READ MORECynthia’s Picks: Latinx Stars, Expanded Opportunities, Listen In
Latinx Stars: The Hollywood Reporter wisely points out…amid the call for diversity in entertainment, particularly inclusive casting, why don’t we have more Latinx movie stars? Part of it, of course, comes down to unconscious bias – which we all need to work on identifying and correcting. Expanded Opportunities: The Academy has voted to expand the...
READ MOREHow I Built a Distribution Plan at Film Festivals
NYWIFT member Lara Stolman reflects on her unique path to success with her documentary "Swim Team" - using film festivals to expand her audience and find unique opportunities, even after the film's television debut.
READ MOREBelow the Line: A Cut Above – Jessie Maple
Jessie Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York. Her book, How to Become a Union Camerawoman , is an instructional guide illustrating the obstacles that she endured to get into the union. It details the court case she initiated to fight discrimination after she became a member.
READ MOREBelow the Line: A Cut Above – Director of Photography Rachel Morrison
Cinematographer Rachel Morrison's arresting and haunting imagery has graced the screen in indies like Fruitvale Station, Dope and Mudbound. Most recently, she lensed the big budget feature Black Panther.
READ MOREBelow the Line: A Cut Above – Costume Designer Ruth E. Carter
Ruth E. Carter is an American costume designer (and NYWFT Designing Women honoree!) with an unparalleled ability to develop an authentic story through costume and character. And this year she became the first African American woman to win an Academy Award for costume design for her work in Black Panther.
READ MOREBelow the Line: A Cut Above – Production Designer Hannah Beachler
Production Designer Hannah Beachler created the iconic looks of "Creed," "Moonlight," and Beyonce's "Lemonade" before taking on the fictional world of Wakanda in "Black Panther," which won her a 2019 Academy Award. She is the first-ever African American - male or female - to take home that honor.
READ MOREBelow the Line: A Cut Above – Film Editor Joi McMillon
Joi McMillon made Oscar history in 2018 when she became the first African American woman nominated for Best Achievement in Film Editing for Moonlight. But the road to the Oscars wasn’t straight or smooth.
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