Our friends at Universal Production Services Costume Department offer a look at their services:
The Universal Production Services Costume Department in New York offers a tailored, industry-exclusive service for your costume rental needs. Located in Long Island City, the warehouse has a growing collection of 70,000 assets including clothing from the 1950s to present day, police, SWAT, and FBI uniforms, scrubs, and more. We also have a variety of winter coats available to dress your background.
Their goal is to create a quick, one-stop shopping experience for costume professionals. A costumer or stylist can start their day at 8:00am at the facility and check off several items from their list before most retail stores are open. They have a client lounge where costumers can catch up on emails and calls, and there are large fitting rooms available for talent. The facility even has enclosed loading docks and convenient parking.
Follow them on Instagram to stay up-to-date on exciting new inventory pieces! @UniversalCostumesNY
Please call, email, or visit them in person if you have any questions or would like to check their inventory. Open 8am to 5pm, Monday to Friday.
646.762.5888
38-20 Review Ave, Lower Level
Long Island City, NY 11101
nyuniversal.costume@nbcuni.com
https://www.universalproductionservices.com/nyc
nywift
Related Posts
Cynthia’s Picks: All In, WFPF Submissions, Production Resumes
All In: If you haven’t seen All In: The Fight for Democracy yet on Amazon, do it – it’s a must-see, especially now. Filmmakers Liz...
READ MORECreativity and Angst through the Ages
In early August, NYWIFT made Kris Rey’s new feature I Used to Go Here available for streaming and presented a conversation with the writer/director and lead actress Gillian Jacobs. I Used to Go Here is the story of a young woman in her mid-thirties, Kate Conklin, whose first novel has been released and the consequences of a lack-luster response to the book.
READ MOREBest Practice Advice for Targeting Corporate Sponsorship to Help Fund Your Film
Learning the ins and outs of corporate sponsorship for your film projects can seem daunting, but Kim Skildum-Reid lays out all best practice principles to help you create a compelling pitch.
READ MORERecap of Denise Ho: Becoming the Song Virtual Event with Sue Williams
Filmmaker Sue Williams has a love affair with the city of Hong Kong. So when a friend introduced her to the Cantopop superstar Denise Ho, she knew she had the subject of her next film. But, what happens when current events upend the planned story arch of your film at the end of production?
READ MORE
Comments are closed