New Kids’ Series Featuring Native American Character Launches This Summer
Indigenous representation is scarce in children’s programming – and TV programming in general. The new PBS animated children's series "Molly of Denali" hopes to change that.
READ MORENYWIFT Members Doing Justice to True Crime
Death Row Stories explores the fallibility of the ultimate criminal penalty, capital punishment. Narrated by current and former death row inmates, each episode of Death Row Stories seeks to unravel the truth behind a different capital murder case and poses tough questions about the U.S. capital punishment system. Six NYWIFT members who worked on the show, including Board Member Kathryn O'Kane, share the insight they gained into the criminal justice system through their work on the show.
READ MORENew Four-Part Comedy Series “Half Life” by Patty Carey Debuts May 10
#GreenlightHer Winner Patty Carey’s Comedy Series ‘Half Life’ Premieres May 10 on NYC Life Winner of NYC’s First-Ever Pilot Competition for Stories by, for, and about Women Offers Hilarious Insider’s Look at the Film Industry from a Mom’s Perspective Larisa Oleynik, Finnerty Steeves, and Nancy Giles star in four-part series Patty Carey’s Half Life,...
READ MOREThe Art of Directing and Running a Show: Takeaways from a Conversation with Annetta Marion and Kathryn O’Kane
At a recent NYWIFT program, board members (and director/showrunners) Kathryn O’Kane and Annetta Marion discussed the unique role of the showrunner, and the combination of skill, gumption, and inspiration essential in helming a show.
READ MORETrue Crime: Relationships and Responsibilities
There is no doubt that the “true crime” documentary genre is thriving and that such film and television projects are enjoying unprecedented buzz. Studies show that women are their biggest audience, and broadcasters are taking notice. By the nature of their work, non-fiction storytellers are always considering how to present and represent their subjects through the creative process. But how is that further complicated in the “true crime” space, when the stakes might literally be life or death? Where do they draw the line between journalism and entertainment?
READ MORESound Advice: Avoid (or Fix) the Two Biggest Mistakes in Sound Design
Mismatched ambient noise and clothing rustle are the two biggest mistakes in sound design, according to award-winning sound designer, editor and mixer Paul Michael. At a recent NYWIFT program, he explained to how to avoid - or fix - these problems.
READ MOREMade in NY: Comedy Makers Brings Laughs and Insight to Carolines
"Made in New York." What could be better? As New York Women in Film & Television, it's who we are and what we do. NYWIFT presented an eclectic group of talented and dynamic comedy makers who "make it all happen" in NYC - from behind the scenes to the front lines – at this year’s Women in Comedy panel at Carolines on Broadway. Member Jean Criss recounts the highlights of the evening.
READ MOREThere is No “Right” Way: 14 Things Directors Need to Know about Directing Actors
NYWIFT member Erica Fae is an actor/director/writer who teaches acting at both Yale and The New School, and just wrapped her first feature as a writer/director, called To Keep the Light - so she knows a thing or two about the complex relationship between directors and their stars. She recently wrote a piece for Filmmaker Magazine with great tips on how to direct actors (spoiler alert: there is no "right" way).
READ MOREThe Top 3 Tips to Get Your Documentary Financed and Broadcast to Millions
Advice from the “Opportunities in Public Television for Documentary Filmmakers” panel at NYWIFT’s Documentary Film Financing Day By Terisa Thurman When the public television broadcasters took the stage at NYU’s Tisch School of the Arts for the “Opportunities in Public Television” panel, part of NYWIFT’s Film Financing Day: Documentary Features on June 4, 2016, practically...
READ MOREA Look Back at Designing Women: Feeling the Love for Hair Stylists
After honoring costume designers annually starting in the year 2000 at what was then called Designing Hollywood, NYWIFT added a category for hair stylists in 2006. After all, hair literally - and figuratively - is what tops off a character's look on screen! Our very first hair stylist honoree was Lyndell Quiyou.
READ MOREA Look Back at Designing Women: The Diverse Range of Makeup Artists
In 2004, four years after NYWIFT began honoring costume designers at what was then called Designing Hollywood, we added a category for makeup artists to the mix. We began paying tribute to the subtle artistry of designing an actor's, well, face - how makeup artists use their tools to catch the light a certain way, portray age, stress, culture and other factors that make a character real, alive and unique.
READ MOREA Look Back at Designing Women: Costume Legends Patricia Field and Ann Roth
They say "clothes make the man" - or woman - which is one reason why every year NYWIFT honors costume designers at our Designing Women awards. When a character appears on screen, his or her clothes are often the first thing we see. Costume designers don't just make actors look pretty (though they sometimes do that too) - they pack a wealth of information into every thread. We look back at two costume legends we honored, including one from our very first ceremony.
READ MOREA Look Back at Designing Women: Orange is the New Black
Every year at Designing Women, in addition to honoring an individual costume designer, hair stylist and make up artist, we recognize the full costume, hair and make up team of one New York production with the Variety Ensemble Award. Past honorees include Boardwalk Empire and Sex and the City 2 but none was perhaps quite so buzzworthy as last year’s honoree, Netflix’s Orange is the New Black.
READ MOREJessica Jones: A Kick Ass Show Women Can Be Proud Of
How Marvel's latest Netflix series raises the bar for women characters and social issues.
READ MOREFor Indie Projects: An Actor’s Table Read Offers Best Results
On an indie film set there is little to no time to rehearse and most of the times the story is shot out of sequence, so it makes sense to have an actor table read before you start shooting.
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