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Cynthia’s Picks: All In, WFPF Submissions, Production Resumes

All In: If you haven’t seen All In: The Fight for Democracy yet on Amazon, do it – it’s a must-see, especially now. Filmmakers Liz Garbus and NYWIFT member Lisa Cortes examine the history of voter suppression and the activists who fight for the rights of U.S. citizens. WFPF Submissions: The NYWIFT Women’s Film Preservation...

NYWIFT’s Women’s Film Preservation Fund Receives Archivists Round Table Award

NYWIFT’s Women’s Film Preservation Fund (WFPF), which has supported the preservation of nearly 150 American-made films by and about women since 1995, received The Archivists Round Table of Metropolitan New York’s 2019 Outstanding Support of Archives award on October 21st.

Cynthia’s Picks: WFPF Award, DOC NYC, Kathryn Hahn

WFPF Award: Major congratulations to NYWIFT’s Women’s Film Preservation Fund (WFPF), which received the Archivist’s Round Table of Metropolitan New York’s 2019 Outstanding Support of Archives award last week. The award recognizes an individual or organization for notable contributions to archival records or archives programs through political, financial or moral support. DOC NYC: There are more...

Sandra Schulberg Receives Berlinale Camera Award

Marking the 40th anniversary of the IFP (Independent Filmmaker Project), Sandra Schulberg, IFP founder and a long-time activist on behalf of filmmakers working outside the Hollywood studios, was awarded the Berlinale Camera for her 40 years of service to the field at the EFM (European Film Market). NYWIFT member Heidi Philipsen sat down with Schulberg to reflect on her legacy of film preservation, and how much work is left to be done.

Below the Line: A Cut Above – Jessie Maple

Jessie Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York. Her book, How to Become a Union Camerawoman , is an instructional guide illustrating the obstacles that she endured to get into the union. It details the court case she initiated to fight discrimination after she became a member.

Terry’s Picks: Seven Women, Late Legend, M.I.A.Screening

Seven Women: This Wednesday and Thursday September 26th and 27th, Quad Cinema is having a special screening of Seven Women, Seven Sins, the groundbreaking project by seven legendary female indie film directors whichreceived support from the NYWIFT’s Women Film Preservation Fund. Directors Maxi Cohen and Bette Gordon will do a Q&A after the Wednesday screening. Late...

Seven Women Sevens Sins: An Exceptional Collaboration of ’80s Indie Women Directors

Made as part of series for German Television (ZDF) in 1986, Seven Women Seven Sins, proved to be an exceptional collaboration of 1980’s independent #DirectedByWomen cinema. Women's Film Preservation Fund co-chair Kirsten Larvick discusses the film's relevance in advance of its screening at The Quad on September 26th and 27th, 2018.

Terry’s Picks: Reel Equity, Film Registry, Good News

Reel Equity: Tell the entertainment industry that you support members of historically female crafts in their demand for Pay Equity by signing your name to this Open Letter to the Entertainment Industry. Film Registry: The Library of Congress accepts 2019 recommendations from the general public for its National Film Registry via their online form through September...

Terry’s Picks: Blockchain Technology, The Tale, Barbican Program

Blockchain Technology: The industry is abuzz with excitement – and questions – about Blockchain technology, so NYWIFT is holding a panel this Thursday to discuss its potential power for filmmakers. Member Heidi Philipsen also recently wrote a guest post for Women and Hollywood exploring the technology’s possible impact on indie filmmaking. The Tale: We are...

The Women’s Film Preservation Fund Crosses the Atlantic with 1970s Classics of Feminist Filmmaking

A year ago, an email arrived in our Women’s Film Preservation Fund mailbox from Tamara Anderson, Cinema Curator at the Barbican Centre in London, who had discovered our 2015 Carte-blanche series at MoMA, Women Writing the Language of Cinema. Would we curate a smaller series, focusing just on Second Wave Feminist films, for their multi-arts celebration Art of Change? What has resulted, Artists and Activists: Second Wave Feminist Filmmakers, will screen as a series over Saturday and Sunday, June 2-3 at the Barbican.

Exploring Family and the Individual Search for Self

NYWIFT WFPF Co-Chair Kirsten Larvick previews the eighth and final installment of the From the Vault: Women’s Advocacy on Film series, co-presented with UnionDocs. Two documentaries, Joe and Maxi and Anything You Want to Be, explore the nature of womanhood and identity within the contexts of family and society at large.

Three unique and historic approaches to exploring gender on film

In their seventh program in the series From the Vault: Women’s Advocacy on Film, the Women’s Film Preservation Fund and UnionDocs present three significant films of the 1970s which consider ideas around gender in various contexts. WFPF Co-Chair Kirsten Larvick offers a sneak preview.

Camerawoman Angela Murray Gibson Films Herself into History, 1921-1925: Marsha Gordon and Buckey Grimm

Angela Murray Gibson, a silent era filmmaker receives due attention at Orphan Film Symposium’s line-up this April 11th – 14th, 2018 at the Museum of Moving Image. That Ice Ticket (1921), a recent NYWIFT Women’s Film Preservation Fund and Kino Lorber preservation, will screen on April 13th as part of the presentation, Camerawoman Angela Murray Gibson Films Herself into History, 1921-1925. Here, its presenters Marsha Gordon and Buckey Grimm offer some insights into this distinguishing filmmaker and her broader mark on American cinema.

Trailblazing Through the Decades: Jessie Maple (1980s)

Jessie Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York. Her book, How to Become a Union Camerawoman , is an instructional guide illustrating the obstacles that she endured to get into the union. It details the court case she initiated to fight discrimination after she became a member.

The Brookside Women’s Club of Harlan County

In 1973 the 13-month Brookside Strike brought almost 200 workers to battle Eastover Coal Company’s Brookside Mine and Prep Plant, a company owned by Duke Power. When filmmaker Barbara Kopple traveled to Harlan County, Kentucky, the resulting Academy award-winning documentary, Harlan County, U.S.A. (1976) captured a historic story. We look back on the film, which screens this Sunday, February 25th at UnionDocs.

Terry’s Picks: Black History, Nicole Kidman, Reese Witherspoon

Black History: The New York Times offers a list of 28 Films for the 28 Days of Black History Month, including our recent Muse honoree Julie Dash’s classic Daughters of the Dust, and Spencer Williams’ 1946 film Dirty Gertie of Harlem, USA, which was preserved by the NYWIFT Women’s Film Preservation Fund. Nicole Kidman: We...

One Big Union: A History of the Wobblies

Many have never heard of “Wobblies” or the Industrial Workers of the World (IWW), but in the early 1900s, The Wobblies were laborers working in a variety of fields, who joined the movement which became known as “industrial unionism” under the IWW organization and they made headlines. 70 plus years following the founding of IWW, filmmakers Deborah Shaffer and Stewart Bird came together to bring the story of early American industrial radical labor reform back into the spotlight. Their documentary, The Wobblies (1979), shows the relevance of this history that still holds true today. The WFPF will screen the film at UNDO on January 28.

The WFPF Screens Four Experimental Films at MoMA’s “To Save and Project” Festival on January 22

The Women’s Film Preservation Fund: Four Experimental Films will screen January 22nd in The Museum of Modern Art’s annual festival, To Save and Project. The four recently preserved films by Barbara Hammer, Victoria Hochberg, Peggy Ahwesh, and Sheila Paige, all carry a common thread of movement towards a future from the past. WFPF Co-Chair Ann Deborah Levy gives us a preview.

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