Blockchain Technology: The industry is abuzz with excitement – and questions – about Blockchain technology, so NYWIFT is holding a panel this Thursday to discuss its potential power for filmmakers. Member Heidi Philipsen also recently wrote a guest post for Women and Hollywood exploring the technology’s possible impact on indie filmmaking.
The Tale: We are bursting with pride for NYWIFT President Simone Pero and member Jennifer Fox, the producer and director respectively of The Tale, which premiered on HBO this weekend. Simone and Jennifer sat down for an exclusive interview (with each other!) for the NYWIFT blog, discussing the unique way they brought Jennifer’s painful and deeply personal story to the screen.
Barbican Program: The NYWIFT Women’s Film Preservation Fund (WFPF) is crossing the pond this week to present a program with our partners at the prestigious Barbican Centre in London showcasing 1970s classics of feminist filmmaking.
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READ MOREMeet the New NYWIFT Member: Melisa Ramos
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READ MOREMeet the New NYWIFT Member: Aisha Amin
Welcome to NYWIFT, Aisha Amin! Aisha is an NYC-based writer and director. As a director, her work expands across narrative, documentary, and experimental forms to tell authentic stories built from real experiences. Her past film projects have explored and highlighted overlooked communities particularly in New York City, including formerly incarcerated mothers and communities struggling with the presence of gentrification in their neighborhoods. Amongst her directing, Aisha is an emerging screenwriting and was selected to participate in Cine Qua Non’s 2022 Screenwriting Lab. She is a 2022 recipient of NYFA’s Tomorrowland Grant and a 2021 recipient of the NYFA Women's Fund grant. She was a recipient of the 2019-2020 Sally Burns Shenkman Woman Filmmaker Fellowship at the Jacob Burns Film Center where she directed two short documentaries. She is also a recipient of The Shed's Open Call Fellowship where she expanded her film practice to installation art. Aisha spoke to us about her favorite styles of storytelling, the intersection of narrative and documentary, and her latest projects.
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