It Felt Like Love, winner of the Nancy Malone Marketing and Promotion Grant and a 2013 Sundance Film Festival Official Selection.
New York Women in Film & Television (NYWIFT) provides grants to women filmmakers to complete and promote their film projects. This year, those grants include a new addition: the Ravenal Foundation Grant, supporting a woman second-time feature film director who is over 40 years of age in the production of a dramatic feature film.
The submission deadline for the grants has been extended to June 22, 2014 — except for the Ravenal Foundation Grant; its deadline is July 15, 2014.
Loreen Arbus Disability Awareness Grant for $7,500 is awarded to a U.S.-based woman filmmaker for a film on physical or developmental disability issues. For details and to apply.
In-Kind Post-Production Grants provide services to documentary films directed and produced by New York area–based women filmmakers, thanks to Park Avenue Post and Bridge Multimedia. For details and to apply.
Nancy Malone Directing Award provides $1,000 to a New York area–based woman director for a narrative short or feature film. For details and to apply.
Nancy Malone Marketing and Promotion Grant provide resources to help an emerging woman director get her film recognized and ready for distribution. For details and to apply.
NEW! Ravenal Foundation Feature Film Grant supports a woman second-time feature film director who is over 40 years of age in the production of a dramatic feature film. For details and to apply.
nywift
Related Posts
NYWIFT @ Sundance: In Conversation with Ruth Ann Harnisch
NYWIFT Member and organizational supporter Ruth Ann Harnisch heads to the 2026 Sundance Film Festival as an executive producer of two wildly different but equally impactful documentary films: Seized and Cookie Queens. Seized, directed by Sharon Liese and premiering in the U.S. Documentary Competition, follows along as the small town of Marion, Kansas, is thrust into the international spotlight after a police raid on the Marion County Record and the death of its 98-year-old co-owner. A fierce debate ignites about the abuse of power, journalistic ethics, local journalism, and the United States Constitution. Cookie Queens, directed by Alysa Nahmias, premieres in the Family Matinee lineup. It’s Girl Scout Cookie season, and four tenacious girls strive to be a top-selling “Cookie Queen,” navigating an $800 million business in which childhood and ambition collide. On screen and off, Ruth Ann has been a bold first-money funder of people and projects that challenge entrenched power and move culture toward greater equity. She spoke to us about her two exciting new projects.
READ MORENYWIFT at Tribeca 2025: In Conversation with Ruth Ann Harnisch
To say Ruth Ann Harnisch is a force in the independent film industry is an understatement. She has contributed to the production of almost 400 documentaries and several acclaimed narrative features. Her strategic investments in films, filmmakers, and organizations supporting them have helped open almost every aspect of the business to underrepresented voices. This is evident with each of the seven films featured at this year’s festival that she has supported: She Runs The World, Runa Simi, State of Firsts, We Are Pat, Marlee Matlin: Not Alone Anymore, Move Ya Body, and Natchez. I spoke with Ruth Ann for The NYWIFT Podcast (listen here) about the importance of Tribeca, which she calls “arguably one of the most important festivals for any film,” how she picks her projects and what she has learned from them. Her wisdom could not be contained! So here is more from our conversation.
READ MOREBest Practice Advice for Targeting Corporate Sponsorship to Help Fund Your Film
Learning the ins and outs of corporate sponsorship for your film projects can seem daunting, but Kim Skildum-Reid lays out all best practice principles to help you create a compelling pitch.
READ MOREDiane Paragas’ Timely Immigration Story “Yellow Rose” Arrives in NYC
In a media landscape dominated by outraged, emotional debates over our nation’s immigration crisis, DACA, ICE, detainment, and children’s immense suffering, writer/director Diane Paragas’ long-in-the-making film "Yellow Rose" has burst on to the scene. And it could not be more timely. Paragas discusses the film's long journey to the screen and what she hopes to contribute to our cultural conversation on immigration.
READ MORE
