NYWIFT at Tribeca 2025: In Conversation with Ruth Ann Harnisch
To say Ruth Ann Harnisch is a force in the independent film industry is an understatement. She has contributed to the production of almost 400 documentaries and several acclaimed narrative features. Her strategic investments in films, filmmakers, and organizations supporting them have helped open almost every aspect of the business to underrepresented voices. This is evident with each of the seven films featured at this year’s festival that she has supported: She Runs The World, Runa Simi, State of Firsts, We Are Pat, Marlee Matlin: Not Alone Anymore, Move Ya Body, and Natchez. I spoke with Ruth Ann for The NYWIFT Podcast (listen here) about the importance of Tribeca, which she calls “arguably one of the most important festivals for any film,” how she picks her projects and what she has learned from them. Her wisdom could not be contained! So here is more from our conversation.
READ MORECracking the Code on Film Fundraising: Insights from NYWIFT’s Winter Film Festival Panel
On a brisk February afternoon, I found the perfect escape from the cold—diving into an eye-opening discussion at the 2025 Winter Film Festival. One of the standout moments? Navigating Film Fundraising with NYWIFT, a must-attend panel for any filmmaker tackling the most daunting part of filmmaking: raising money. Leading the conversation were Easmanie Michel, NYWIFT’s Director of Artists Programs and Finance, and NYWIFT Member Joanna Rudolph, executive producer of Burning Annie and The Co-op: The Kids of Dorie Miller. Their wealth of knowledge made for a powerful session, packed with real-world success stories and actionable strategies. Marchelle Thurman summarized some key takeaways to help you fund your next film.
READ MOREBest Practice Advice for Targeting Corporate Sponsorship to Help Fund Your Film
Learning the ins and outs of corporate sponsorship for your film projects can seem daunting, but Kim Skildum-Reid lays out all best practice principles to help you create a compelling pitch.
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