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The Women’s Film Preservation Fund Crosses the Atlantic with 1970s Classics of Feminist Filmmaking

A year ago, an email arrived in our Women’s Film Preservation Fund mailbox from Tamara Anderson, Cinema Curator at the Barbican Centre in London, who had discovered our 2015 Carte-blanche series at MoMA, Women Writing the Language of Cinema. Would we curate a smaller series, focusing just on Second Wave Feminist films, for their multi-arts celebration Art of Change? What has resulted, Artists and Activists: Second Wave Feminist Filmmakers, will screen as a series over Saturday and Sunday, June 2-3 at the Barbican.

Exploring Family and the Individual Search for Self

NYWIFT WFPF Co-Chair Kirsten Larvick previews the eighth and final installment of the From the Vault: Women’s Advocacy on Film series, co-presented with UnionDocs. Two documentaries, Joe and Maxi and Anything You Want to Be, explore the nature of womanhood and identity within the contexts of family and society at large.

Report from Tribeca: Isabella Olaguera on AD’ing, Celeb Encounters and Breaking into the Biz at 14

New Jersey-based assistant director Isabella Olaguera has worked professionally on over 50 feature films, television shows and commercials since 2010 – including an Oscar-nominated short. She has every right to brag, but she’s been keeping a big secret: she’s only 20 years old! She may very well be the youngest member of New York Women in Film & Television. Isabella discusses her work as the 2nd AD on the indie feature film All These Small Moments, a coming-of-age tale shot entirely in NYC, which premieres at the Tribeca Film Festival this month.

Terry’s Picks: Love Gilda, Farewell Scandal, Harlem Summit

Love, Gilda: Congratulations to Lisa D’Apolito and her documentary Love, Gilda, which opened the Tribeca Film Festival to phenomenal reviews (and received an emotional introduction from Tina Fey). The film was fiscally sponsored by NYWIFT. Farewell Scandal: Last week we said goodbye to Shonda Rhimes’ groundbreaking series Scandal, which broke barriers, tackled controversial subjects, and...

Three unique and historic approaches to exploring gender on film

In their seventh program in the series From the Vault: Women’s Advocacy on Film, the Women’s Film Preservation Fund and UnionDocs present three significant films of the 1970s which consider ideas around gender in various contexts. WFPF Co-Chair Kirsten Larvick offers a sneak preview.

Camerawoman Angela Murray Gibson Films Herself into History, 1921-1925: Marsha Gordon and Buckey Grimm

Angela Murray Gibson, a silent era filmmaker receives due attention at Orphan Film Symposium’s line-up this April 11th – 14th, 2018 at the Museum of Moving Image. That Ice Ticket (1921), a recent NYWIFT Women’s Film Preservation Fund and Kino Lorber preservation, will screen on April 13th as part of the presentation, Camerawoman Angela Murray Gibson Films Herself into History, 1921-1925. Here, its presenters Marsha Gordon and Buckey Grimm offer some insights into this distinguishing filmmaker and her broader mark on American cinema.

Trailblazing through the Decades: Gina Prince-Bythewood (2000s)

In 2000, writer, director, and past NYWIFT Writers Lab mentor Gina Prince-Bythewood blazed a trail with her film Love and Basketball. Not only was the film a critical and commercial success, it won the Humanitas Prize and an Independent Spirit Award for Best First Feature.

Trailblazing through the Decades: Cheryl Dunye (1990s)

Twenty years ago a young artist set out to make a documentary about women like herself: black queer filmmakers. She found nothing but homophobia and omission, and then… inspiration. The resulting film The Watermelon Woman marked Cheryl Dunye’s 1996 debut – a hybrid of autobiography, documentary, and comedy. It defies categorization and was the first feature film directed by an African American lesbian.

Trailblazing Through the Decades: Jessie Maple (1980s)

Jessie Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York. Her book, How to Become a Union Camerawoman , is an instructional guide illustrating the obstacles that she endured to get into the union. It details the court case she initiated to fight discrimination after she became a member.

Trailblazing Through the Decades: Ida Lupino (1950s)

British-American actress and producer Ida Lupino, got her start directing when the director of the 1949 film Not Wanted suffered a heart attack during pre-production. Lupino stepped in and shot the film guerilla style to keep the movie on budget and on schedule. Budgeted at just over $150,000, the film grossed $1 million, and Lupino’s reputation spread through Hollywood studios even though the original director retained credit.

Terry’s Picks: Feminist Films, Inclusion Rider, Patty Carey

Feminist Films: Celebrate Women’s History Month by watching these 30 feminist films. Inclusion Rider: Despite record Oscar nominations for women, not as many won as we had hoped – the fewest, in fact, since 2012. But kudos to past NYWIFT Muse honoree and Best Actress winner Frances McDormand, who made of a point of recognizing...

How to Work a Major Film Festival: A Report from Sundance

NYWIFT member Jane Applegate recaps the 2018 Sundance Film Festival and offers some key tips on how to make the most of any festival experience.

Chavela Director Catherine Gund Shares Lessons on Feminism, Women Filmmakers and Music

We sat down with director Catherine Gund to discuss her personal connection with the artist, how Chavela is still relevant today, and of course, the music.

Terry’s Picks: MoMA Event, Joosje Duk, Showing Support

MoMA Event: I hope you’ll join us at MoMA on Monday, January 22nd, where the Women’s Film Preservation Fund will show Four Experimental Films as part of the museum’s To Save and Project Festival. Joosje Duk: We are so proud of former NYWIFT intern Joosje Duk, whose short film Night, which we screened at our...

A Report from The American Film Market

NYWIFT member Jane Applegate reports back on her trip to the American Film Market in Santa Monica, CA, in early November.

Positive News for Filmmakers at the New York Film Conference

Entertainment industry experts speaking at the first annual New York Film Conference on October 10, 2017 had some great news for attendees: It’s getting easier to sell your content directly to consumers, consumers are more open to watching films with subtitles and big digital platforms are spending billions on buying new content. NYWIFT member Jane Applegate shares insights from the conference.

Signature Move Director Jennifer Reeder is Surrounded by Women Behind the Camera

Signature Move is a multi-cultural romance about life, love and lady Lucha-style wrestling is opening in NYC this Friday, October 13th. We caught up with filmmaker Jennifer Reeder as she heads to Friday’s opening screening event to get her perspective on breaking down doors.

#SummerHours: Book to Screen…and Back Again: The Girl on the Train

NYWIFT #SummerHours suggests watching the film adaptation of Paula Hawkins' novel - not just for the thrills, but for the makeup artistry.

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