Love, Gilda: Congratulations to Lisa D’Apolito and her documentary Love, Gilda, which opened the Tribeca Film Festival to phenomenal reviews (and received an emotional introduction from Tina Fey). The film was fiscally sponsored by NYWIFT.
Farewell Scandal: Last week we said goodbye to Shonda Rhimes’ groundbreaking series Scandal, which broke barriers, tackled controversial subjects, and proved not all anti-heroes have to be white and male.
Harlem Summit: Our friends at the Mayor’s Office of Media & Entertainment will host the first-ever “Made in NY” Media Summit in Harlem on May 10th.
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Meet the New NYWIFT Member: Lorena R. Valencia
Welcome to NYWIFT, Lorena R. Valenica! Lorena R. Valencia is a Mexican writer-director based in New York. Her directorial debut and MFA thesis film, Cuanacaquilitl (Dandelion), received the 2022 National Board of Review Student Award and is an Official Selection in several international film festivals, including the Morelia International Film Festival, the Atlanta Film Festival, the New York Latino Film Festival, and the NewFilmmakers Los Angeles Film Festival. Lorena is passionate about both narrative and documentary storytelling and is interested in addressing issues such as reproductive rights, identity, and belonging. Currently, she is directing Mi Ranchito, a documentary short film that explores resilience and love for the land, while she is developing her debut feature film, Mayahuel. Lorena spoke to us about inspiring empathy through storytelling, the overlap of narrative and documentary filmmaking, and her latest projects.
READ MORENYWIFT at DOC NYC: In Conversation with Elivia Shaw
NYWIFT Member Elivia Shaw is a producer and co-editor of the fascinating new documentary How to Have an American Baby, which just make its New York Premiere at DOC NYC 2023. The film is a a nuanced, behind-the-scenes look into the booming shadow economy catering to pregnant Chinese tourists who travel to America to give birth in order to obtain U.S. citizenship for their babies. Told through a series of observational vignettes, and with extraordinary access to the maternity hotel industry and their clients, the film outlines the invisible contours of the underground birth tourism industry and its unexpected actors in the U.S. and China, while probing deeply into the lives of several protagonists caught up in the phenomenon. What results is an intimate and compassionate portrait of women’s reproductive journeys, family, traditions, and capitalist desires. Shaw spoke to us about her collaboration with director Leslie Tai and the unique joys and challenges of the project.
READ MORENYWIFT at DOC NYC: In Conversation with Emily Sheskin
NYWIFT Member Emily Sheskin’s return to DOC NYC 2023 is particularly meaningful. In 2017, she attended the festival with her short film Girl Boxer, about a 10-year-old champion female boxer and her adoring father. Six years later, Sheskin returns with a feature-length film following the same family, now facing an entirely new set of challenges. In Jesszilla, New Jersey’s own Jesselyn Silva, a three-time national boxing champion, is on her way to superstardom, dominating the junior ranks at the age of 15. With her every step of the way is her father, Pedro, a single parent who helps her navigate coaches, training schedules, and the angst of teenage life. When a devastating diagnosis threatens the father-daughter tandem, the pair turn to each other to fight their greatest opponent yet: cancer. Director and Executive Producer Emily Sheskin spoke to us about her unique journey following this family.
READ MORENYWIFT at DOC NYC: In Conversation with Ilja Willems
NYWIFT member Ilja Willems heads to the 2023 DOC NYC Festival with not one but two exciting new short films. Friendly Fridges shows how the new heart of the community is popping up in every neighborhood—in the shape of refrigerators. And When the grass must go follows a landscaper from Nevada who is removing grass lawns under a first-of-a-kind state law that will save water during an ongoing drought. Willems spoke to us about how these two disparate films align with her creative sensibilities, the joy of screening in NYC, and more!
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