By Margarita Sophia Cortes
Jennifer Reeder is an award-winning filmmaker who is best known for her short films, including Blood Below the Skin (2015), which debuted at the Berlin International Film Festival, and A Million Miles Away (2014), which was celebrated at the Sundance Film Festival.
Reeder’s narrative feature debut film, Signature Move, premiered at 2017’s SXSW Film Festival, where it was nominated for “Gamechanger” award. It received the Grand Jury Award for “Outstanding American Narrative Feature” at L.A. Outfest, and Reeder took home the “Best Director Award” at FilmOut San Diego. The film was featured as “one of the 50 most anticipated American films of 2017” by Filmmaker Magazine.
This multi-cultural romance about life, love and lady Lucha-style wrestling is opening in NYC this Friday, October 13th. We caught up with Jennifer Reeder as she heads to Friday’s opening screening event to get her perspective on breaking down doors.
It’s something that I’ve been aware of for quite a while, in terms of casting or who I want to write a story about or who I want to put in front of my camera because that’s their story but also as a form of social justice. We made a commitment to have lots of women behind the camera. It wasn’t just me as a director. The first assistant director was a woman, there were two female producers, the art department was all women, the makeup department was all women, the camera department was women. The amazing Indian cinema legend Shabana Azmi, who plays ‘Parveen,’ made a point to say, ‘This set feels different with all of these women in front of and behind the camera.’
There was so much scrutiny on Patty Jenkins’ Wonder Woman but it held up under such a different kind of microscope than Guardians of the Galaxy or Captain America or any of these other superhero movies, and I love that it obliterated the box-office worldwide. If we continue to be vocal in demanding equality, studios are going to start giving female directors these jobs because they’ll be tired of getting so much shit about it. They’ll be like, ‘fine, find a woman to direct this film.’ They should be like, ‘Awesome, she’s a great director, let’s give her a chance on this,’ but if they’re simply responding to a backlash, that’s fine. I don’t care how the door opens, I’m just like, ‘open the fucking door.’
I am fascinated by how particular and precise our coping mechanisms are as humans. There are so many films that get it wrong, especially when it comes to how women respond to trauma. We’re so used to seeing a woman who turns into a raging bitch or is just crying all the time. In real life we do the most beautifully strange things, and trauma can be quite a small thing for some people or a catastrophe for others.I have never made a film that is about masculinity, so I’m curious about that. I have three young sons so I’m surrounded by a lot of boy energy. I owe it to them to make a film that has a lot of that masculine energy, but also that comes from my perspective as a feminist filmmaker. With fire and explosions and car chases… Let’s do it!
Signature Move (Newcity) is directed by Jennifer Reeder, co written by Fawzia Mirza and Lisa Donato and stars Fawzia Mirza and Sari Sanchez. The film opens in New York City at the Village East beginning Friday, October 13th.
Margarita Sophia Cortes serves on the executive board of NYWIFT as the Vice President of Communications. Follow her on @BKprgal and @MSophiaPR for more.
Margarita Sophia Cortes
Related Posts
NYWIFT at Sundance: In Conversation with Louis E. Perego Moreno
For NYWIFT Member Louis E. Perego Moreno and the team behind TheyDream, the road to the 2026 Sundance Film Festival was 18 years long. The feature documentary is a deeply personal tale from Writer, Director, Producer, DP, Animator, Editor and fellow NYWIFT Member William D. Cabellero. After 20 years of chronicling his Puerto Rican family, Cabellero and his mother face devastating losses. Through tears and laughter, they craft animations that bring their loved ones back to life, discovering that every act of creation is also an act of letting go. Consulting Producer Moreno has been with the project since it started as a short film nearly two decades ago. And there is extra sweetness to the team’s Sundance success: TheyDream, which debuted in the Next category, won the NEXT Special Jury Award for Creative Expression. He spoke to us about TheyDream’s journey to Park City and its timely cultural message.
READ MOREMeet the New NYWIFT Member: Ginelle Bamfo
Welcome to NYWIFT, Ginelle Bamfo! Ginelle is a talented young filmmaker and recent graduate from NYU Tisch’s Film and TV school. With a background in acting and theater, Ginelle has expanded her creative pursuits into many realms of the filmmaking industry. Having won NYU’s Best Undergraduate Film award for her project Talk Yo’ Shit, her talents and ambitions have quickly proven worthwhile. Ginelle is a staunch advocate of amplifying diverse voices. Her role as President of The Collective at NYU – a club which connects and highlights the work of Black students – is only one example of her commitment to this goal. Ginelle is a flexible and dynamic creative, drawing inspiration from ever-evolving sources. Always excited to learn and collaborate, she is an exciting addition to the entertainment industry. In our interview, Ginelle discusses what her journey to filmmaking has looked like and her current artistic ambitions.
READ MORENYWIFT at Sundance: In Conversation with Carolyn Hepburn
NYWIFT Member producer Carolyn Hepburn attended the 2026 Sundance Film Festival with her latest project with EPSN Films, The Brittney Griner Story. This documentary, directed by Alexandria Stapleton, explores the circumstances that led to Brittney Griner playing basketball outside the U.S. despite being one of the best players in the sport, including her harrowing detainment, unwavering determination to secure her freedom, and her advocacy for the release of other wrongful detainees. Carolyn Hepburn is an Emmy, Peabody, Gotham, and Critics’ Choice Award-winning producer who joined ESPN Films in 2022. She spoke to us about her return to Sundance, the power of her latest doc, and the ethical responsibilities of producing socially impactful work.
READ MORENYWIFT @ Sundance: In Conversation with Ruth Ann Harnisch
NYWIFT Member and organizational supporter Ruth Ann Harnisch heads to the 2026 Sundance Film Festival as an executive producer of two wildly different but equally impactful documentary films: Seized and Cookie Queens. Seized, directed by Sharon Liese and premiering in the U.S. Documentary Competition, follows along as the small town of Marion, Kansas, is thrust into the international spotlight after a police raid on the Marion County Record and the death of its 98-year-old co-owner. A fierce debate ignites about the abuse of power, journalistic ethics, local journalism, and the United States Constitution. Cookie Queens, directed by Alysa Nahmias, premieres in the Family Matinee lineup. It’s Girl Scout Cookie season, and four tenacious girls strive to be a top-selling “Cookie Queen,” navigating an $800 million business in which childhood and ambition collide. On screen and off, Ruth Ann has been a bold first-money funder of people and projects that challenge entrenched power and move culture toward greater equity. She spoke to us about her two exciting new projects.
READ MORE
