By Margarita Sophia Cortes
Jennifer Reeder is an award-winning filmmaker who is best known for her short films, including Blood Below the Skin (2015), which debuted at the Berlin International Film Festival, and A Million Miles Away (2014), which was celebrated at the Sundance Film Festival.
Reeder’s narrative feature debut film, Signature Move, premiered at 2017’s SXSW Film Festival, where it was nominated for “Gamechanger” award. It received the Grand Jury Award for “Outstanding American Narrative Feature” at L.A. Outfest, and Reeder took home the “Best Director Award” at FilmOut San Diego. The film was featured as “one of the 50 most anticipated American films of 2017” by Filmmaker Magazine.
This multi-cultural romance about life, love and lady Lucha-style wrestling is opening in NYC this Friday, October 13th. We caught up with Jennifer Reeder as she heads to Friday’s opening screening event to get her perspective on breaking down doors.
It’s something that I’ve been aware of for quite a while, in terms of casting or who I want to write a story about or who I want to put in front of my camera because that’s their story but also as a form of social justice. We made a commitment to have lots of women behind the camera. It wasn’t just me as a director. The first assistant director was a woman, there were two female producers, the art department was all women, the makeup department was all women, the camera department was women. The amazing Indian cinema legend Shabana Azmi, who plays ‘Parveen,’ made a point to say, ‘This set feels different with all of these women in front of and behind the camera.’
There was so much scrutiny on Patty Jenkins’ Wonder Woman but it held up under such a different kind of microscope than Guardians of the Galaxy or Captain America or any of these other superhero movies, and I love that it obliterated the box-office worldwide. If we continue to be vocal in demanding equality, studios are going to start giving female directors these jobs because they’ll be tired of getting so much shit about it. They’ll be like, ‘fine, find a woman to direct this film.’ They should be like, ‘Awesome, she’s a great director, let’s give her a chance on this,’ but if they’re simply responding to a backlash, that’s fine. I don’t care how the door opens, I’m just like, ‘open the fucking door.’
I am fascinated by how particular and precise our coping mechanisms are as humans. There are so many films that get it wrong, especially when it comes to how women respond to trauma. We’re so used to seeing a woman who turns into a raging bitch or is just crying all the time. In real life we do the most beautifully strange things, and trauma can be quite a small thing for some people or a catastrophe for others.I have never made a film that is about masculinity, so I’m curious about that. I have three young sons so I’m surrounded by a lot of boy energy. I owe it to them to make a film that has a lot of that masculine energy, but also that comes from my perspective as a feminist filmmaker. With fire and explosions and car chases… Let’s do it!
Signature Move (Newcity) is directed by Jennifer Reeder, co written by Fawzia Mirza and Lisa Donato and stars Fawzia Mirza and Sari Sanchez. The film opens in New York City at the Village East beginning Friday, October 13th.
Let’s give a warm NYWIFT welcome to Mariluz Guerra! Originally from Colombia, she is a proud indigenous Kankuaman filmmaker with experience directing, scriptwriting, producing, and editing. Her commitment to helping others heal through art is channeled in her films Body Stories: Suraj & Julieta and Body Stories: Together. Learn more about Mariluz as we discuss how her cultural roots are an ongoing influence on her projects, the innovative filmic style of Body Stories: Together, and the significant role that smartphones contributed towards helping her create an original and cost-efficient film!READ MORE
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During the 40th edition of The Sundance Film Festival, Tammy Reese interviews fellow NYWIFT member Amanda Culkowski, the Executive Producer of As We Speak, a thought-provoking documentary that delves into the intersection of art and justice. Focusing on Bronx rap artist Kemba, the film sheds light on the alarming trend of rap lyrics being weaponized within the United States criminal justice system and beyond.READ MORE