Black Agents: Of the hundreds of talent agents working at the major Hollywood agencies, only a few dozen are black. The New York Times ran a great interview with several of the reps, who discussed the systemic barriers they have faced and the change they hope to see.
Children’s Media: The Geena Davis Institute conducted an analysis of the top 100 grossing animated and non-animated family films between 2007-2017, called The Geena Benchmark Report, which studied the gender, racial, sexuality, and disability disparities within protagonists of these films. Male characters in family films constitute 71.3% of leading roles. There has been only a slight increase of less than three percentage points in women’s on-screen representation in children’s media over the 10 years studied. This disparity is a problem, since children – both male and female – look to the media for role models and stories that reflect what matters most in our culture. What are we teaching our kids?
Female Representation: Meanwhile, in films for “grown-ups,” the numbers are a little brighter. According to a new study put forth by USC Annenberg Inclusion Initiative, representation for women and people of color in top grossing films is higher than ever. 40% of the top 100 films of 2018 had female leads or co-leads, compared to only 20% in 2007; intersectionality across race and age also increased substantially this year.
Latinx Representation: Good news – the Geena Davis Institute on Gender in Media has partnered with Universal Filmed Entertainment Group to pilot its “Spellcheck for...READ MORE
Multi-hyphenate artist Leah Curney - an actor, writer, and director - shares what keeps her organized and inspired, from notebooks to podcasts and more. Plus, she expounds on the one piece of advice that frustrated her...until the truth of it finally clicked.READ MORE
NYWIFT member Jodie Alexandra Taylor's documentary Pennhurst, which screens at the Member Screening Series on February 25th, was inspired by her visit to what remains of one of the largest and oldest institutions for the intellectually and developmentally disabled. One chapter of the story ended when the institution closed, but the fight for equitable treatment and representation for the disabled continues to this day. Making the movie inspired a fervent commitment on Taylor’s part to continue that dialogue and, in so doing, change the future narrative. Taylor sat down with us to discuss the film and its potential impact.READ MORE
Production Women: It’s time for more women behind the lens. From lighting to sound to stunts, costumes, sets, and beyond, learn about the many career...READ MORE