NYWIFT Blog

Muse through the Years: 2003 Honoree Emma Thompson

By Katie Chambers

NYWIFT’s annual Muse Awards – now entering its 36th year – has honored an incredible group of women of vision and achievement and is a highlight of the New York entertainment industry’s holiday calendar. From our very first, film critic Pauline Kael in 1980, to last year’s group including Gabourey Sidibe, Patricia Clarkson and Marvel’s Victoria Alonso, the Muse honorees’ speeches always light up the room with warmth, inspiration…and often some laughs.

The 2003 Muse Awards in particular stand out in NYWIFT lore. That was the year we honored the great Emma Thompson who, sadly, got sick and was unable to travel from England. But thank goodness for pinch hitter Meryl Streep, who happily stepped in to accept the award on Emma’s behalf! (A past Muse honoree herself, Meryl later went on to fund our Writers Lab. Needless to say, we’re pretty big fans!) When Meryl’s car got stuck in traffic on the way to the midtown Hilton she did what any native New Yorker would do, glamorous Oscar winner or not: she hopped out of her limo and got on the subway to make it to Muse right on time. Meryl brought down the house with her speech and Emma herself made a surprise appearance – clad in her PJs – via video as well.

Emma Thompson’s 2003 Muse Awards acceptance speech is one of our very favorites. Here it is in full:

I asked my friend Lindsay Doran, who produced Sense and Sensibility, about Women in Film and she said she was at the early meets, when it was 15 bucks a plate and she remembered Jane Fonda turning up in a Volkswagon Rabbit and saying, “Well, a few years ago you’d be on a set and there was literally no one that you could ask for a tampon and that has certainly changed.” All I can say is that when I made a trip to New York and LA earlier this year, I was scheduled to meet powerful agents, studio executives, studio heads and so forth and almost every single person I met was female. So that’s changed too and will go on changing, undoubtedly.

So, in the face of a great deal of success for women in this industry, I thought I’d talk about failure, because I don’t think it has a very good name for itself and it needs some rehabilitation. My father, who was my writing muse, watched me failing to produce a decent hemline on the seam of a very nasty brown corduroy skirt, which I was being forced to make in a Domestic Science lesson. I gave up and in the end he said, “Em, if you can’t fail, you can’t do anything.” I still believe he’s right and so here are three examples of failure that I think taught me very good things.

The first is a failure that was disguised, at the time, as a success and it was my entrance interview at Oxford University during which I succeeded brilliantly in convincing the odd man in the lemon suit who was interrogating me that I was very interested in the theatre and would of course throw myself body and soul into the Oxford University Dramatic Societynot realizing that the one thing the man in the lemon suit wanted less in his nice college than a woman, was an actress. To thine own self be true is, of course, important, but make sure thou also knowest thine audience.

My next example is what I call “power-cut” failure, and this is when you begin something, realize that you’re failing and in consequence, lose the will to proceed. Whoopi [Goldberg, fellow Muse honoree] will identify with this: I was doing ten minute stand-up comedy on Nelson’s Column during the 1984 campaign for nuclear disarmament rally when the “power-cut” failure happened. My first joke about herpes and Margaret Thatcher, who were both big at the time, died a terrible nuclear winter of a death but I was standing on Nelson’s Column and couldn’t get off—so I carried on to stony silence and then had to walk through the crowd of 64,000 people, all of whom hated me deeply. It was a terrible journey and I can give you a single piece of categorical advice from it, which is never ever try to do stand up comedy at a political rally.

My last example of failure is a truly huge, crushing and abject one.

I wrote a comedy series for the BBC, which when aired, got the worst reviews for anything I have seen or heard of since. Remarks like, “sick-making rubbishwhoever it was at the BBC who decided to pay her for this should be fired immediately.” One reviewer even went so far as to suggest that questions about BBC’s sanity be asked in the House of Commons.

This dreadful failure has aired at 3 AM for a few nights in Los Angeles and luckily my friend Lindsay Doran was a great failure at sleeping and she happened to be up one night, caught an episode of it and thought, “mmm…that sketch was quite funny. I wonder if she likes Jane Austen?”

You get my point.

Failure can be the start of it all, the end of your problems, the very stuff that dreams are made of.

So don’t knock it.

My love to you all and my gratitude forever and a day.

The 2016 Muse Awards are sure to bring even more inspiring speeches – don’t miss out! Join us on December 8th at the New York Midtown Hilton as we honor actors Mary-Louise Parker, Martha Plimpton and Debi Mazar; Bloomberg Media COO Jacki Kelley; Firelight Media President Marcia Smith; and Democrarcy Now! Host and Producer Amy Goodman. Buy tickets while you can!

Can’t be there? We’ll live tweet it. Stay tuned to #nywiftmuse for a play-by-play on December 8th.

PUBLISHED BY

Katie Chambers

Katie Chambers Katie Chambers is the Senior Director of Community & Public Relations at New York Women in Film & Television (NYWIFT). She is also a regular contributing writer for From Day One, an outlet focused on innovations in HR. She serves on othe Board of Directors of the New Jersey State Federation of Women's Clubs and is a freelance writer, copyeditor, and digital marketing strategist. Follow her @KatieGChambers.

View all posts by Katie Chambers

2 Comments

christabel

I was cured of herpes simplex virus in 14 days with herbal mixture from this Doctor…. Robi nsonb uckler @Yaho O. com !!

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

Meet the New NYWIFT Member: Lindsey Lambert

Lindsey Lambert is a Brooklyn-based filmmaker originally from Austin, Texas. She works as a location scout for film and television in the NYC area, currently on Law & Order: Organized Crime. After receiving her Master’s Degree in Human Rights from John Jay College of Criminal Justice in the spring of 2022, she began directing and producing her debut feature documentary Teaching Social Studies about public school education and the anti-critical race theory laws in Texas. It is currently in production and she hopes the film will be completed by the summer of 2025. In our interview, she discusses her decision to go back to school, her work on the new Amazon Prime series Étoile, how to educate young people about our challenging history, and the most memorable location she's scouted to date. 

READ MORE

Cracking the Code on Film Fundraising: Insights from NYWIFT’s Winter Film Festival Panel

On a brisk February afternoon, I found the perfect escape from the cold—diving into an eye-opening discussion at the 2025 Winter Film Festival. One of the standout moments? Navigating Film Fundraising with NYWIFT, a must-attend panel for any filmmaker tackling the most daunting part of filmmaking: raising money. Leading the conversation were Easmanie Michel, NYWIFT’s Director of Artists Programs and Finance, and NYWIFT Member Joanna Rudolph, executive producer of Burning Annie and The Co-op: The Kids of Dorie Miller. Their wealth of knowledge made for a powerful session, packed with real-world success stories and actionable strategies. Marchelle Thurman summarized some key takeaways to help you fund your next film.

READ MORE

Meet the New NYWIFT Member: Melody Gilbert

Welcome to our new NYWIFT member, Melody Gilbert! Melody is an Emmy-nominated and Alfred I. duPont award-winning documentary filmmaker. Over the course of her career, Melody has directed and produced 20 documentaries that have been screened at several film festivals and distributed internationally. Melody is also an educator committed to teaching new and emerging filmmakers. She has been on the faculty at several universities (including the American University in Bulgaria), teaching documentary production, multimedia, and journalism. Currently, Melody is traveling the world and spreading her love for film by teaching pitch training workshops and conducting her “Documentary Boot Camp” while working on her new documentary about the scandalous topless monokini bathing suit in 1964. The most recent documentary she helped produce, Queendom, was shortlisted for an Oscar in the feature documentary category. In our interview, Melody discusses her move from chilly Minnesota to NYC, her unconventional documentary subjects, and key lessons she shares with film students.

READ MORE

Meet the New NYWIFT Member: Amanda Deering Jones

Welcome to NYWIFT, Amanda Deering Jones! Amanda Deering Jones is the director of the new short film Little Mother Lies. She is also the Producer of the Academy Award-nominated animated short film Borrowed Time. She has over 20 years of experience working with Dreamworks Animation and Blue Sky Studios and is currently at Pixar. Her career began in Cooperstown, NY, as House Manager at Glimmerglass Opera before transitioning to film. Amanda is a zero-waste advocate and a published writer for the Producer’s Guild Magazine. She is an active member of the Producers Guild of America, Women in Film, Women in Animation, a Governor of the Emmy’s Northwest Chapter Board, and now a NYWIFT member. Amanda discusses her theatrical roots, getting into animation (without drawing!), and how she creates work that elevates our thinking and highlights the complexities of being human!

READ MORE
JOIN OUR NEWSLETTER
css.php