Goodbye, Alicia: This weekend we bid farewell to The Good Wife, a classic made-in-New-York show with a marvelously complex female-driven storyline, starring our own 2009 NYWIFT Muse Honoree Julianna Margulies as power attorney Alicia Florrick. It will be missed.
Independent Women: A new study from Martha Lauzen at the Center for the Study of Women in Television and Film at San Diego State University shows that though women directors fared better in the independent realm than with major studios, the percentage of women behind the camera is “stagnant.” Women account for 28% of all directors working in indie film during the past year, a five-point increase over 2014-15 and slightly below the historical high of 29% in 2011-12. We must translate the growing awareness of gender disparity into actual change.
Preserving the Legacy: Did you know the NYWIFT Women’s Film Preservation Fund (WFPF) has preserved more than 100 films since its inception 21 years ago? Get to know this history of this amazing organization, and apply for a WFPF grant by June 1.
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To say Ruth Ann Harnisch is a force in the independent film industry is an understatement. She has contributed to the production of almost 400 documentaries and several acclaimed narrative features. Her strategic investments in films, filmmakers, and organizations supporting them have helped open almost every aspect of the business to underrepresented voices. This is evident with each of the seven films featured at this year’s festival that she has supported: She Runs The World, Runa Simi, State of Firsts, We Are Pat, Marlee Matlin: Not Alone Anymore, Move Ya Body, and Natchez. I spoke with Ruth Ann for The NYWIFT Podcast (listen here) about the importance of Tribeca, which she calls “arguably one of the most important festivals for any film,” how she picks her projects and what she has learned from them. Her wisdom could not be contained! So here is more from our conversation.
READ MORENYWIFT at Tribeca 2025: In Conversation with Chantel Simpson
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READ MORENYWIFT at Tribeca 2025: In Conversation with Eileen Zyko Wolter
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READ MORENYWIFT at Tribeca 2025: In Conversation with Director, Producer, and Screenwriter Toby Perl Freilich
Award-winning filmmaker, writer, and NYWIFT member Toby Perl Freilich returns to the spotlight with her latest documentary, Maintenance Artist, making its world premiere in the Documentary Competition at the 2025 Tribeca Festival. Known for her deeply researched and socially resonant films such as Moynihan and Inventing Our Life: The Kibbutz Experiment, Freilich turns her lens to pioneering feminist artist Mierle Laderman Ukeles, whose groundbreaking concept of “maintenance art” challenged the boundaries between art, labor, and gender. In this compelling new work, Freilich not only brings Ukeles’ vision to life but also preserves a vital historical record of performance art. In our exclusive interview, she opens up about the inspiration behind the film, the importance of platforms like Tribeca, and her journey as a multi-hyphenate creator paving the way for women in documentary filmmaking.
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