Goodbye, Alicia: This weekend we bid farewell to The Good Wife, a classic made-in-New-York show with a marvelously complex female-driven storyline, starring our own 2009 NYWIFT Muse Honoree Julianna Margulies as power attorney Alicia Florrick. It will be missed.
Independent Women: A new study from Martha Lauzen at the Center for the Study of Women in Television and Film at San Diego State University shows that though women directors fared better in the independent realm than with major studios, the percentage of women behind the camera is “stagnant.” Women account for 28% of all directors working in indie film during the past year, a five-point increase over 2014-15 and slightly below the historical high of 29% in 2011-12. We must translate the growing awareness of gender disparity into actual change.
Preserving the Legacy: Did you know the NYWIFT Women’s Film Preservation Fund (WFPF) has preserved more than 100 films since its inception 21 years ago? Get to know this history of this amazing organization, and apply for a WFPF grant by June 1.
nywift
Related Posts
NYWIFT at Sundance: Spotlight on Paula Eiselt
An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system – and it is a crisis that has been largely ignored thus far. In the Sundance 2022 documentary Aftershock, Directors Paula Eiselt and Tonya Lewis Lee follow the bereaved partners of two of these women as they fight for justice and build communities of support, bonding especially with other surviving Black fathers. The story is presented within the historical context of racism throughout the U.S. healthcare system, and the deadly tendency to ignore or minimize Black women’s pain and concerns.
NYWIFT Member Paula Eiselt spoke to us about how she and Lewis Lee approached this harrowing topic, and why community activists are the natural heroes of her creative work.
NYWIFT at Sundance: Spotlight on Jen Heck
NYWIFT member Jen Heck returns to Sundance this year as part of a special retrospective celebrating the 40th anniversary of the festival’s short film program that welcomes back past Sundance projects. Heck wrote and associate produced the comedic short Hold Up, in which a robber is after more than just money during an NYC convenience store hold up. It originally premiered at Sundance in 2006 and has strong ties to the NYWIFT community, as it was directed by member Madeleine Olnek and features Muse Awards host Nancy Giles in one of the three starring roles.
Jen discusses her Sundance experiences both traditional (i.e. sleeping on the floor in Park City) and virtual, as well as her current projects.
Best Practice Advice for Targeting Corporate Sponsorship to Help Fund Your Film
Learning the ins and outs of corporate sponsorship for your film projects can seem daunting, but Kim Skildum-Reid lays out all best practice principles to help you create a compelling pitch.
READ MOREWhat’s in Your Toolkit: Nan Gill-Wilson
Producer Nan Gill-Wilson shares the path of her varied career, the story behind her partnership with David Wilson, and how she is coping during COVID-19.
READ MORE
