Thrilled to hear: Marvel sets Nicole Pearlman and Meg Lefavue to write its forthcoming tent-pole feature Captain Marvel.
Gotta give a shout-out to: guys like Paul Feig and Joss Whedon who support and showcase women in film.
I’m obsessed: with Tatiana Maslany in Orphan Black – bringing not just one but more than eight strong women to life on screen! Season 3 premiered this weekend.
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NYWIFT at DOC NYC: In Conversation with Amy Nicholson
Finding your tribe is one of life’s greatest pleasures—and losing it is one of the greatest sorrows. In NYWIFT Member Amy Nicholson’s beautifully observed film Happy Campers, working-class Americans gather every summer at a seaside trailer park in Chincoteague, Virginia, to enjoy the simple pleasures of a scrappy, no-frills vacationland, and each other’s company. When a developer buys the land and reimagines the property, the inhabitants of this shabby Shangri-La wistfully eke out the joys of one last summer together as a melancholic twilight hangs in the air. Happy Campers just made its world premiere at DOC NYC, where it received a Special Mention for the Grand Jury Prize. Amy spoke to us about her unique process making this film, biggest challenges and triumphs, and the commodification of some of life’s simplest pleasures.
READ MOREMeet the New NYWIFT Member: Melisa Ramos
Welcome to NYWIFT, Melisa Ramos! Melisa is a filmmaker and professor from Puerto Rico, bringing 14 years of post-production and motion graphics experience to New York. Her first production, Puerto Rican Voices, a docu-series about the aftermath of Hurricane Maria. Following Puerto Rican Voices, Melisa continued to share Puerto Rican and Latin American stories. In 2020, she directed and produced From Performers to Spectators, a doc-series showcasing New York City performers during lockdown. She is currently in production on Hoop Warrior, her first feature film. Read all about Melisa’s journey as an editor and artist here!
READ MOREMeet the New NYWIFT Member: Aisha Amin
Welcome to NYWIFT, Aisha Amin! Aisha is an NYC-based writer and director. As a director, her work expands across narrative, documentary, and experimental forms to tell authentic stories built from real experiences. Her past film projects have explored and highlighted overlooked communities particularly in New York City, including formerly incarcerated mothers and communities struggling with the presence of gentrification in their neighborhoods. Amongst her directing, Aisha is an emerging screenwriting and was selected to participate in Cine Qua Non’s 2022 Screenwriting Lab. She is a 2022 recipient of NYFA’s Tomorrowland Grant and a 2021 recipient of the NYFA Women's Fund grant. She was a recipient of the 2019-2020 Sally Burns Shenkman Woman Filmmaker Fellowship at the Jacob Burns Film Center where she directed two short documentaries. She is also a recipient of The Shed's Open Call Fellowship where she expanded her film practice to installation art. Aisha spoke to us about her favorite styles of storytelling, the intersection of narrative and documentary, and her latest projects.
READ MOREMeet the New NYWIFT Member: Lorena R. Valencia
Welcome to NYWIFT, Lorena R. Valenica! Lorena R. Valencia is a Mexican writer-director based in New York. Her directorial debut and MFA thesis film, Cuanacaquilitl (Dandelion), received the 2022 National Board of Review Student Award and is an Official Selection in several international film festivals, including the Morelia International Film Festival, the Atlanta Film Festival, the New York Latino Film Festival, and the NewFilmmakers Los Angeles Film Festival. Lorena is passionate about both narrative and documentary storytelling and is interested in addressing issues such as reproductive rights, identity, and belonging. Currently, she is directing Mi Ranchito, a documentary short film that explores resilience and love for the land, while she is developing her debut feature film, Mayahuel. Lorena spoke to us about inspiring empathy through storytelling, the overlap of narrative and documentary filmmaking, and her latest projects.
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