“We all want our f— you money,” ‘OITNB’ showrunner Jenji Kohan.
Six powerhouse women directors who are “flipping the script” in Hollywood big time!
Writers, are you developing a marketable screenwriting brand?
Christina Hendricks brings 1960s sensibility into the present day (Video).
Disney announces its 2014-2016 Directing Program participants.
Judy Greer loves to audition and never feels like she’s “made it.”
Call for entries: The New York Wild Film Festival.
Remembering Lauren Bacall’s and Robin Williams‘ legacies.
— KELLY GLOVER
Meet the New NYWIFT Member: Mohana Rajakumar
Welcome to NYWIFT, Mohana Rajakumar! Mohana is a South Asian American scholar, novelist, screenwriter, and stand-up comic whose work regularly explores feminist themes. Some of her most notable literary accomplishments include winning the She Writes New Novelist Award in 2011 for her coming-of-age novel An Unlikely Goddess and the Best Indie Book Award for Romance in 2013 for Love Comes Later. She co-wrote and appeared in the short film Me Against the World, directed by Kali Bailey, which appeared in NYWIFT’s “Women in Film Night” at the 2022 Montauk Film Festival. Mohana has resided in Qatar since 2005. She spoke to us about working across various art forms, her writing process, and the special honor that comes with writing a banned book!READ MORE
NYWIFT at Sundance: In Conversation with Liz Sargent
In the 2023 Sundance Film Festival short film Take Me Home, a cognitively disabled woman and her estranged sister must learn to communicate in order to move forward after their mother’s death. It captures of a moment of terror experienced by so many siblings of those with disabilities, when they are suddenly responsible for making a plan for a loved one who cannot live on their own, potentially upending both their lives as they also work through their grief. For writer and director NYWIFT member Liz Sargent, the story hits close to home. And she cast her own mother and younger sister to play versions of themselves. Sargent spoke to us about finding support in her identity as a sibling guardian, beautiful moments working on set with her family, and her joyous Sundance experience.READ MORE
6 Tips for Hooking a Reader in the First Pages of Your Pilot
The first pages of your pilot need to be solid — as in, a representation of your very best work — and they need to establish us in the world succinctly. Last year, NYWIFT Member and WWFC Co-Founder Katrina Medoff read hundreds of pilot scripts submitted for Women’s Weekend Film Challenge’s inaugural pilot accelerator, and she saw some general themes emerge for how to make the opening of your pilot stand out. Read on for her six tips, and learn how to apply to the next WWFC pilot accelerator.READ MORE
5 Exercises for Strengthening Your Pilot Script’s Cold Open
The first scenes of your pilot need to capture the reader’s attention, because you never know how far a busy Hollywood exec (or their assistant) will read before losing interest. You need to introduce your characters and story, show off your writing skills, and give the reader something they haven’t seen before — it’s a lot of pressure! Women’s Weekend Film Challenge Co-Founder NYWIFT Member Katrina Medoff offers some exercises to make those crucial first pages shine.READ MORE