“Thank God for television.” Get On Up’s Octavia Spencer on life after her Oscar win.
It’s still a tough road, but women prevail in Hollywood nonetheless.
Lisa McNulty named Artistic Director of Women’s Project Theater. “I can’t wait to come back to an organization that feels like home…”
Screenwriters, be confident and stop overthinking.
Courtney Kemp Agboh, a female showrunner with Power and 50 Cent’s ear.
Girls star Allison Williams’ career takes flight.
Solid career tips for women in improv. Keep the laughs coming, ladies!
— KELLY GLOVER
nywift
Related Posts
NYWIFT Women’s History Month Spotlight: Leah Curney
We continue to celebrate our creative members who are making innovative impacts through entertainment, media, film, and television, with a special spotlight our NYWIFT Women Crush Wednesdays Podcast team members. Today writer, director, producer and performer Leah Curney discusses her latest short film, her introduction to NYWIFT through the New Works Lab, women's history inspirations and more.
READ MORENYWIFT Women’s History Month Spotlight: January Green
Happy Women's History Month! At NYWIFT as we continue to celebrate our creative members who are making innovative impacts throughout entertainment, media, film, and television, we would like to spotlight our NYWIFT Women Crush Wednesdays Podcast team members. Today's spotlight is January Green, a Manager of Digital Marketing Copy, SEO & product description pages, aspiring screenwriter, and imaginative feature film writer.
READ MOREWild Nights with Emily: A Retake on What You May Have Believed about Emily Dickinson
What happens when an esteemed comic actress like Molly Shannon, a screenwriter with a quirky perspective and a penchant for cinematic originality, political causes and literary scholarship, and a legendary American poet who some say has been misunderstood and misinterpreted by decades of academic critics collaborate?
"Wild Nights with Emily" happens. The unique film, thoroughly original and entertaining, is inspired by the life of Emily Dickinson. It’s also a creative spin on a literature professor’s reinterpretation of Emily Dickinson’s life and personal relationships.
READ MOREThe Business of Adaptations: Top Takeaways
Movies like Brokeback Mountain, The Irishman, and Little Women have more in common than mere artistry, critical acclaim or commercial success. They were all adaptations of literary works. But before getting your pens out, there’s more to it than you think. Literary works are great resources for screenwriters in search of stories, but to negotiate the business end and avoid pitfalls or potential legal liabilities, you need advice from experts. The NYWIFT Business of Adaptations for Film and TV virtual program brought a panel of industry powerhouses to weigh in.
READ MORE
