Love: the NO CANNES DO info graphic by Melissa Silverstein of Women and Hollywood showing the appalling lack of opportunities extended to women directors by the Cannes Film Festival—a reflection of the situation of the industry as a whole, but this does not excuse it.
Checking Out: the report on women working in independent film by Martha Lauzen that shows women are 18% of the directors of independent narrative features (three times as many as the number of women working as directors in the top 250 narrative films released last year) but a long, long way from equal opportunity.
Stacking Up: my reading list with these goodies, which include recent 2014 Pulitzer Prize winner Donna Tartt’s The Goldfinch. Here’s to hoping, especially with Joanna Walsh’s recent Twitter efforts to #readwomen2014, there are more lists like this headed our way.
Terry Lawler is NYWIFT’s Executive Director. Tune in every Tuesday for her picks.
Welcome to NYWIFT, Sara Robin! Sara is a German filmmaker bringing her stories of humane futures to New York. She directed and wrote the award-winning short coming-of-age film Cranberry Nights starring Inde Navarrette (13 Reasons Why, Superman & Louis). Her script Switch explores virtual relationships and won the 2023 HollyShorts screenwriting contest. She is in production on feature documentary Your Attention Please, investigating how to overcome the addictive pull of the attention economy. She has also brought her talents into commercial work, directing and producing for clients including Netflix, Jordan Brand, and Dunkin’ Donuts. Sara tells us about her exciting works in progress here!READ MORE
Welcome to NYWIFT, China L. Colston! China is a SAG-AFTRA actress and award-winning filmmaker. As an actress, she has embodied emotional women, from the guilt-ridden mother in Strings Attached to the dealer in Sweet Thang. China’s unwavering dedication as the star, writer, director, and producer of Dark Seed led the film to acclaim from the Validate Yourself Film Festival, African American Arts Alliance of Chicago, and the Dramatist’s Guild Success In The Arts Award aka SITA. She is the recipient of a 2021 NYFA grant for her script To Cook or Not to Cook, which follows a chef in Harlem repairing his relationship with his family through food. She is the recipient of a 2021 NYFA grant for her script To Cook or Not to Cook, which follows a chef in Harlem repairing his relationship with his family through food. China brings us through her incredible journey as a creator here!READ MORE
Welcome to NYWIFT, Amy Tiong! Amy is a director, writer, and production coordinator whose stories bring underrepresented voices to the forefront. She directs both narrative films and documentaries, which received recognition from Bustle, NBCNews, PictureStart, Coverfly, and the NAACP. The vulnerability in her work empowers others and shines a light on topics such as disordered eating, grief, and sibling love. Amy tells us about working on a microbudget project during pandemic times, collaborating with friends and her new horror immigration feature film, When You’re Ready to Go. Read all about it here!READ MORE
Please join us in welcoming Toni Short to NYWIFT! Toni Short is an Aussie on a mission to tell the textured stories of women from around the world and heal the world through the arts. Following a personal breakthrough, Toni paved her own path towards artistic creation and invites others to walk beside her. This led her to found The Camp, an immersive space for children to learn about creative self-expression. Her project Sister Spirit Stories is a platform to highlight the stories of inspiring women. We Go High Productions produces both Sister Spirit Stories and Toni’s short film Meeting Mr. Oscar, which she wrote, produced, directed, and acted in. Toni told us about her personal healing journey, her most meaningful projects so far, and what’s coming up on the horizon.READ MORE