NYWIFT Blog

Notes From a Screenreader: Mamet-ize It

image

Photo via Go Into the Story.

THIS is the supreme last word on screenwriting from David Mamet. It is a memo from Mamet to his writing staff on The Unit, which you may or may not recall ran for 69 episodes between 2006 and 2009.

It is glorious, true, funny, useful and brilliant. It’s not long. It will turn you into a much better writer immediately.

— ANNIE LABARBA 

Annie is a screenwriter, story consultant, and reader for major screenplay competitions.

PUBLISHED BY

nywift

nywift New York Women in Film & Television supports women calling the shots in film, television and digital media.

View all posts by nywift

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

Becky Morrison is Championing a Better Future for Film While Bringing “Stand Clear ‘ the Closing Doors” to Tribeca

As the entertainment industry continues to evolve, producers like Becky Morrison are helping lead the charge toward a more thoughtful, people-centered future in filmmaking. A producer, entrepreneur, and advocate for safer production environments, Becky brings both heart and vision to every project she touches — including Stand Clear ‘ the Closing Doors, the powerful short film making its World Premiere at the 25th anniversary of the Tribeca Festival. Set against the backdrop of New York City’s subway system, Stand Clear ‘ the Closing Doors transforms a seemingly ordinary interaction into a gripping reflection on space, respect, tension, and human behavior. The film captures the emotional complexity hidden within everyday moments, offering audiences a story that feels distinctly New York while speaking to universal experiences of dignity and connection.

READ MORE

NYWIFT Member Juleyka Lantigua Brings The Lorraine to Tribeca Festival’s 25th Anniversary Celebration

For filmmaker, writer, and producer Juleyka Lantigua, storytelling has always been rooted in truth, history, and the voices too often left out of the conversation. Now, the award-winning creative and proud member of New York Women in Film & Television is bringing one of those powerful stories to the forefront as an Executive Producer and Co-Writer of The Lorraine, which will have its World Premiere during the 25th anniversary of the Tribeca Festival. Through the lens of The Lorraine, Juleyka helps illuminate the legacy of the Lorraine Motel and the Bailey family, whose impact stretched far beyond the historic events forever tied to the Memphis landmark. The documentary explores Black excellence, resilience, entrepreneurship, music history, and the enduring fight for justice during one of America’s most turbulent eras.

READ MORE

Meet the New NYWIFT Member: Alyssa Lomuscio

Welcome to NYWIFT, Alyssa Lomuscio! Alyssa Lomuscio is a TV editor, story producer, and assistant director based in NYC. Her work as a story producer has earned her two Daytime Emmy award nominations in the Outstanding Lifestyle Program category. She is also a science fiction writer of short stories, novels and screenplays under the pen name A.M. Lomuscio. A 2019 Clarion writer’s workshop alum, her short fiction can be found in Apex magazine and Uncharted. In our interview, Alyssa discussed her time balancing being an AD and a writer and shared stories of working in TV. 

READ MORE

Meet the New NYWIFT Member: Sophia Baldassari

Let’s welcome screenwriter, script supervisor, and playwright Sophia Baldassari to NYWIFT! She was most recently an Associate Producer on the Radio Silence thriller LOSER, directed by Colleen McGuinness. Her plays and pilots have been developed/produced at Luna Stage, George Street Playhouse, the McCarter Theatre Center, Haddonfield Plays and Players, and Manhattan Repertory Theatre, and have received accolades from the O’Neill Center Young Playwrights, Theatremania Young Playwrights, Beardance International Playwriting Festival, the Neil LaBute New Theatre Festival, the Austin Film Festival, among others. She’s studied Writing at Sarah Lawrence and Egyptology at the University of Oxford, an experience she used to write a buddy comedy about the mummy of a Pharaoh’s 29th Favorite wife. She is a member of the Writers Guild of America East, The New York Script Supervisors Network, and IATSE Local 111. In our interview, we discussed uniting accessible and female driven stories with comedy and surrealism, the structural switches between playwriting and screenwriting, and the unexpected comedy of life in ancient Egypt. Let’s dive in!

READ MORE
JOIN OUR NEWSLETTER
css.php