
photo via Go Into the Story
Real conflict is critical to getting your script past the first round of readers in a competition. All competition specs have an idea and an intent. Few of them deliver an emotional experience of that intent because writers avoid the serious conflict it takes to build an inevitable crisis.
Conflicts need to be a cage match. A dirty fight, a power play, a catastrophic failure of the plan. Spec writers tend to get squeamish about running their characters through that mill, or they hold them to finishing school codes of conduct that prevent the conflict the story needs to keep escalating.
Common cheats in place of serious conflict are:
- Wimpy arguments. Squabbling is as annoying to read as it is to listen to. To ramp your argument into real conflict, take the gloves off. No Queensbury Rules, no Geneva Convention, no therapeutic fair fighting techniques. Speak unvarnished truth. Hurt relationships, not just feelings.
- Toe stubbing. Busywork obstacles are inconveniences, which are dull to read. To create suspenseful obstacles, make them costly enough for the protag to consider giving up. If he fails, he could lose his house, his life, his livelihood, his dream. Build big risk in.
- Resolution. Prematurely resolving unfinished business with an apology or a compromise lets out all the tension. Keep the fires burning hot beneath those grudges. It’s emotional jet fuel.
-ANNIE LABARBA @annelabarba
Related Posts
NYWIFT Member Juleyka Lantigua Brings The Lorraine to Tribeca Festival’s 25th Anniversary Celebration
For filmmaker, writer, and producer Juleyka Lantigua, storytelling has always been rooted in truth, history, and the voices too often left out of the conversation. Now, the award-winning creative and proud member of New York Women in Film & Television is bringing one of those powerful stories to the forefront as an Executive Producer and Co-Writer of The Lorraine, which will have its World Premiere during the 25th anniversary of the Tribeca Festival. Through the lens of The Lorraine, Juleyka helps illuminate the legacy of the Lorraine Motel and the Bailey family, whose impact stretched far beyond the historic events forever tied to the Memphis landmark. The documentary explores Black excellence, resilience, entrepreneurship, music history, and the enduring fight for justice during one of America’s most turbulent eras.
READ MOREMeet the New NYWIFT Member: Alyssa Lomuscio
Welcome to NYWIFT, Alyssa Lomuscio! Alyssa Lomuscio is a TV editor, story producer, and assistant director based in NYC. Her work as a story producer has earned her two Daytime Emmy award nominations in the Outstanding Lifestyle Program category. She is also a science fiction writer of short stories, novels and screenplays under the pen name A.M. Lomuscio. A 2019 Clarion writer’s workshop alum, her short fiction can be found in Apex magazine and Uncharted. In our interview, Alyssa discussed her time balancing being an AD and a writer and shared stories of working in TV.
READ MOREMeet the New NYWIFT Member: Sophia Baldassari
Let’s welcome screenwriter, script supervisor, and playwright Sophia Baldassari to NYWIFT! She was most recently an Associate Producer on the Radio Silence thriller LOSER, directed by Colleen McGuinness. Her plays and pilots have been developed/produced at Luna Stage, George Street Playhouse, the McCarter Theatre Center, Haddonfield Plays and Players, and Manhattan Repertory Theatre, and have received accolades from the O’Neill Center Young Playwrights, Theatremania Young Playwrights, Beardance International Playwriting Festival, the Neil LaBute New Theatre Festival, the Austin Film Festival, among others. She’s studied Writing at Sarah Lawrence and Egyptology at the University of Oxford, an experience she used to write a buddy comedy about the mummy of a Pharaoh’s 29th Favorite wife. She is a member of the Writers Guild of America East, The New York Script Supervisors Network, and IATSE Local 111. In our interview, we discussed uniting accessible and female driven stories with comedy and surrealism, the structural switches between playwriting and screenwriting, and the unexpected comedy of life in ancient Egypt. Let’s dive in!
READ MORENYWIFT Member Spotlight: Kristen Golden
Kristen Golden is a writer and producer whose creative work runs the gamut of genres. She wrote the screenplay AWE, for which she won the 2023 Athena Film Festival’s Chinonye Chukwu Emerging Writer Award, and was selected as a 2025 Screenplay Semi-finalist by the Cordillera International Film Festival. Kristen is a producer of the narrative short film Irving Berlin’s View of the East River, shot in Spring 2025. She is the co-author with her wife, Barbara Findlen, of the book Remarkable Women of the Twentieth Century: 100 Portraits of Achievement. Kristen is the speechwriter for the Women's Media Center. In our interview, Kristen discussed her award-winning screenplay AWE, the connection between advocacy and storytelling, and her advice for future female leaders.
READ MORE