
photo via Go Into the Story
Real conflict is critical to getting your script past the first round of readers in a competition. All competition specs have an idea and an intent. Few of them deliver an emotional experience of that intent because writers avoid the serious conflict it takes to build an inevitable crisis.
Conflicts need to be a cage match. A dirty fight, a power play, a catastrophic failure of the plan. Spec writers tend to get squeamish about running their characters through that mill, or they hold them to finishing school codes of conduct that prevent the conflict the story needs to keep escalating.
Common cheats in place of serious conflict are:
- Wimpy arguments. Squabbling is as annoying to read as it is to listen to. To ramp your argument into real conflict, take the gloves off. No Queensbury Rules, no Geneva Convention, no therapeutic fair fighting techniques. Speak unvarnished truth. Hurt relationships, not just feelings.
- Toe stubbing. Busywork obstacles are inconveniences, which are dull to read. To create suspenseful obstacles, make them costly enough for the protag to consider giving up. If he fails, he could lose his house, his life, his livelihood, his dream. Build big risk in.
- Resolution. Prematurely resolving unfinished business with an apology or a compromise lets out all the tension. Keep the fires burning hot beneath those grudges. It’s emotional jet fuel.
-ANNIE LABARBA @annelabarba
Related Posts
Meet the New NYWIFT Member: Christine Oliva-Castillo
Welcome to NYWIFT, Christine Oliva-Castillo! Christine is a licensed clinician and award-winning screenwriter with over two decades of experience in substance abuse disorder treatment and public health. Drawing on lived experience and clinical expertise, she writes stories that challenge how we see addiction, recovery, and the systems people navigate to survive both. Her feature screenplay Worthy has earned recognition at the Toronto Female Film Festival, Love Wins Film Festival, Page Turner Awards, LGBTQ Unbordered International Film Festival, and the Script Hall of Fame, among others. She is currently producing YTHROW, a short film set over one night in a county jail holding cell — a story of hope that honestly confronts the barriers standing between people and the care they deserve.
READ MOREMeet the New NYWIFT Member: Rhona Silverbush
Welcome to NYWIFT, Rhona Silverbush! Rhona’s windy career path led to her co-writing the award-winning pilot for Dark Ladies, a series she and Sami Plotkin are poised to take into the marketplace. Rhona studied psychology and theater, acted regionally, became a lawyer representing asylum seekers, and worked with the Roosevelt Institute before returning to her first loves – theater and writing. She co-produced/co-directed Conversations with Shakespeare with Daniela Varon at Symphony Space. She’s written Speak the Speech! Shakespeare’s Monologues Illuminated with Sami Plotkin; ‘wichcraft: craft a sandwich into a meal–and a meal into a sandwich’ for chefs Tom Colicchio and Sisha Ortuzar; and the Terrific Toddlers picture books with Carol Zeavin. She’s also a story consultant for documentarian George Nierenberg. In our interview, Rhona shares insight on pivoting careers, the lessons she’s learned along the way, and all things Shakespeare.
READ MOREMeet the New NYWIFT Member: Ceilidh Michelle
Welcome to NYWIFT, Ceilidh Michelle! Ceilidh is the author of Butterflies, Zebras, Moonbeams, (Palimpsest Press 2019), shortlisted for the Hugh MacLennan Award for Fiction and Vagabond: Venice Beach, Slab City and Points In Between (Douglas & McIntyre 2021). Her novella, Living Waters, was shortlisted for the Malahat Review's Novella Prize and The Commonwealth Prize, she's received an honorary mention from Writers Digest, and has been shortlisted for the Eunice Williams Prize for Nonfiction. The CBC has listed her twice as an author to watch. Her work has appeared in Maclean’s Magazine, 49th shelf, Room, Saltwire, Long Reads, and others. Originally from Nova Scotia, she lives in New York.
READ MOREMeet the New NYWIFT Member: Sydney Sidner
Welcome to NYWIFT, Sydney Sidner! Sydney is an award-winning filmmaker, screenwriter and educator with an impressive resume of work appearing on TV, film and in the theater. In our interview, she encourages creators to be both passionate and flexible. Read on to learn more.
READ MORE