NYWIFT Blog

Notes from a Screenreader

image

photo via Go Into the Story

A vast majority of spec scripts submitted to competitions open with mundane images.

It seems like a logical choice. Establishing normal life is an explicit instruction in many structure templates. Filmmakers often open with shots of unremarkable details. That is misleading to writers. It’s one thing to watch eggs frying and hands tying neckties in mirrors, but it is a world of Proustian hurt to read pages of familiar things meticulously described.

You can make a reader eat right out of your hand with an opening engineered to make them pay attention.

  • Show inside knowledge, preferably in action. Give readers a backstage pass by revealing a trick of a trade, a behind the scenes peek, a lifestyle out of the mainstream.
  • Lie. Give the reader a strong impression of a character or situation, then reveal it was false. If you can fool them, they will love you.
  • Create questions. Set your characters in motion without explanation. Hidden motives pique curiosity.
  • Be unique. If you have ever seen it running under credits before, give it a twist. 

The opening is your grand entrance to the ballroom. Please do not use that opportunity to describe loading the dishwasher.

-ANNIE LABARBA @annelabarba

PUBLISHED BY

nywift

nywift New York Women in Film & Television supports women calling the shots in film, television and digital media.

View all posts by nywift

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

Meet the New NYWIFT Member: Sophia Baldassari

Let’s welcome screenwriter, script supervisor, and playwright Sophia Baldassari to NYWIFT! She was most recently an Associate Producer on the Radio Silence thriller LOSER, directed by Colleen McGuinness. Her plays and pilots have been developed/produced at Luna Stage, George Street Playhouse, the McCarter Theatre Center, Haddonfield Plays and Players, and Manhattan Repertory Theatre, and have received accolades from the O’Neill Center Young Playwrights, Theatremania Young Playwrights, Beardance International Playwriting Festival, the Neil LaBute New Theatre Festival, the Austin Film Festival, among others. She’s studied Writing at Sarah Lawrence and Egyptology at the University of Oxford, an experience she used to write a buddy comedy about the mummy of a Pharaoh’s 29th Favorite wife. She is a member of the Writers Guild of America East, The New York Script Supervisors Network, and IATSE Local 111. In our interview, we discussed uniting accessible and female driven stories with comedy and surrealism, the structural switches between playwriting and screenwriting, and the unexpected comedy of life in ancient Egypt. Let’s dive in!

READ MORE

NYWIFT Member Spotlight: Kristen Golden

Kristen Golden is a writer and producer whose creative work runs the gamut of genres. She wrote the screenplay AWE, for which she won the 2023 Athena Film Festival’s Chinonye Chukwu Emerging Writer Award, and was selected as a 2025 Screenplay Semi-finalist by the Cordillera International Film Festival. Kristen is a producer of the narrative short film Irving Berlin’s View of the East River, shot in Spring 2025. She is the co-author with her wife, Barbara Findlen, of the book Remarkable Women of the Twentieth Century: 100 Portraits of Achievement. Kristen is the speechwriter for the Women's Media Center. In our interview, Kristen discussed her award-winning screenplay AWE, the connection between advocacy and storytelling, and her advice for future female leaders.

READ MORE

Meet the New NYWIFT Member: Sophie Ostrove

Welcome to NYWIFT, Sophie Ostrove! Sophie is a thoughtful and funny storyteller who graduated with honors from NYU’s Tisch School of the Arts, where she earned her BFA in Film and Television with a focus on comedy. As a queer, disabled, and Jewish writer, Sophie is passionate about creating stories that center joy and offer authentic representation. Based in New York City, she splits her time between writing, freelancing, background acting, teaching filmmaking, ushering — and watching as much TV as possible (a job requirement she’s more than happy to meet). In our conversation, Sophie reflected on her creative journey, the role of comedy in her work, and why representation truly matters.

READ MORE

Meet the New NYWIFT Member: Cassie Rubio

Welcome to NYWIFT, Cassie Rubio! Cassie Rubio is a Brooklyn-based screenwriter, educator, and community organizer. Whether it’s running free art labs for QTBIPOC youth or teaching guerrilla filmmaking workshops aimed at documenting climate change, Cassie believes in the transformative power each of our creative voices have. A recent graduate of Stony Brook’s MFA in Television Writing program and a 2024 Television Academy Drama Writing Fellowship Finalist, they use their voice to author stories about the harm and healing found in collective spaces. In our interview, Cassie discusses the intersections between activism and filmmaking, their writing inspiration, and an upcoming project!

READ MORE
JOIN OUR NEWSLETTER
css.php