7 Short Films -Bette Gordon
These seven short Bette Gordon films combine the formal concerns and
optical printing strategies, with a focus in landscape and the urban
environment, of the avant-garde structuralist film movement of which
Gordon was a major part. An M.F.A graduate of the University of
Wisconsin, Madison, Bette Gordon was first noticed alongside her former
husband, James Benning, in the mid-1970s.
Unusually, Gordon has worked successfully in both avant-garde and
narrative. Her use of color and of black or white tonalities is
especially note worthy in both forms. Called “an independent filmmaker
with a penchant for unorthodox subjects” by critic David Sterrit,
Gordon’s films have been celebrated for their willingness to tackle
topics like pornography, masculine identity and motherhood from a
decidedly feminist point of view. Still an active filmmaker of features
and experimental shorts, Gordon is a professor at the Columbia
University School of the Arts in New York City.
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NYWIFT programs, screenings and events are supported, in part, by grants from New York City Department of Cultural Affairs in partnership with the City Council, and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.