Creativity and Angst through the Ages
In early August, NYWIFT made Kris Rey’s new feature I Used to Go Here available for streaming and presented a conversation with the writer/director and lead actress Gillian Jacobs. I Used to Go Here is the story of a young woman in her mid-thirties, Kate Conklin, whose first novel has been released and the consequences of a lack-luster response to the book.
READ MOREWhat’s in Your Toolkit: Caitlin McCarthy
Writer Caitlin McCarthy's strategy when times get tough? "Routine is my savior."
READ MOREWhat’s in Your Toolkit: Leah Curney
Multi-hyphenate artist Leah Curney - an actor, writer, and director - shares what keeps her organized and inspired, from notebooks to podcasts and more. Plus, she expounds on the one piece of advice that frustrated her...until the truth of it finally clicked.
READ MORECynthia’s Picks: Empowering Advice, Kyra Sedgwick, Roku Channel
Empowering Advice: Forbes offers 10 top tips for navigating Hollywood as a female creative. Kyra Sedgwick: Kyra Sedgwick’s Big Swing Productions has partnered with SeriesFest for the Women Writing Competition to discover and celebrate bold new series with a distinctly female perspective. The winning female artist(s) will receive a year-long development deal with Big Swing Productions and a...
READ MOREWriter Patty Carey Gets the #Greenlight from NYC
NYWIFT member Patty Carey discusses MOME, her #GreenlightHer pilot competition win, life as a multi-hyphenate, the NYWIFT New Works Lab and more!
READ MORE#SummerHours Memoirs: Mellini Kantayya
Kathryn O'Kane praises fellow #NYWIFT #SummerHours blogger Mellini Kantayya's brave essay collection on making it in the entertainment business.
READ MORENotes from a Screenreader: Start by Finishing
Photo via Go Into the Story. In the same way that a recipe is not a batch of warm cookies on a baking sheet, an unfinished draft is merely an intention — and like raw dough, a story won’t show its shape until it comes out of the oven. Most contest submissions suffer from a half-baking....
READ MORENotes from a Screenreader: The Deep Freeze Script
Photo via Go Into the Story. Scripts that feel rote turn readers off right away even though rote scripts are written by people who know exactly what they’re doing. The plot moves forward, the conflicts are in place, the beats come and go like clockwork. Scoring high marks for plot and structure, these scripts still feel...
READ MORENotes From A Screenreader
photo via Go Into the Story You need a logline for your screenplay. It is your script’s calling card. You can’t submit to a competition, pitch or write a query without one. A logline reduces an entire screenplay to a single sentence that expresses its premise. It should include a sketch of the protag, what...
READ MORETerry’s Picks: October 1
Still Image from The Dog Congratulations To: NYWIFT Member Joanna Plafsky, Executive Producer of My Reincarnation, up for a News and Documentary Emmy this week. Crossing fingers for her tonight. Hope To See You At: the NYFF51 LIVE: Spotlight on Documentary Filmmakers panel at the New York Film Festival on October 7 at 7:45 – 8:45...
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