NYWIFT Blog

NYWIFT at Sundance: Spotlight on Rachel Lears

Rachel Lears returns to Sundance on the heels of her 2019 festival smash-hit Knock Down the House, which sold to Netflix for a record $10 million, making it the biggest documentary sale ever brokered at a film festival. The film followed female insurgent candidates hoping to topple incumbents in an electric primary race for Congress, and focused heavily on Alexandria Ocasio-Cortez as she became the youngest member of the U.S. Congress.

Ocasio-Cortez now appears again in Lears’s To the End, this time as an established leader raising up another generation of young activists. We spoke to Lears about her process, watching Ocasio-Cortez develop as a politician, and why she still has hope in the face of the climate crisis.

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Meet the New NYWIFT Board Members: Audrey Rosenberg

New NYWIFT Board Member Audrey Rosenberg says 'The whole community of creators in New York is really special and there's an aspect of the term “Keeping It Real” that I feel is always very appreciated. It’s a special experience to be in our industry and be a New York biased person and in my case, it’s been an incredible experience and gift to be able to live here and work in this incredible community of people. I am highlighting the special nature of being in the industry in New York. And I think there's something to it. It’s part of what NYWIFT taps into so I’m incredibly honored to be part of it and to be on the board.'

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FOUND: Highlights from an interview with the Director Amanda Lipitz and Producer Anita Gou (Part 2)

Found is a compassionately told story of the girls finding one another, finding their homeland, and finding themselves. Director Amanda Lipitz and Producer Anita Gou spoke with NYWIFT Board Member Christina Kiely about the experience of making the film and the powerful and often unexpected stories that emerged in the process. This is part two of their conversation.

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FOUND: Highlights from an interview with the Director Amanda Lipitz and Producer Anita Gou (Part 1)

Found is a compassionately told story of the girls finding one another, finding their homeland, and finding themselves. Director Amanda Lipitz and Producer Anita Gou spoke with NYWIFT Board Member Christina Kiely about the experience of making the film and the powerful and often unexpected stories that emerged in the process. This is part one of their conversation.

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Helping a Mentee Spread Her Wings

Each and every individual whom I’ve mentored has been special—and I’m proud of them all in what they have achieved; however, one mentee and her achievement in particular stands out for me. Her name is Sophie Meissner and her achievement is a short film called, Keep Your Head Up, Sweet Pea!

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The Dilemma of Desire Empowers Women through a Greater Understanding of Their Sexuality

Maria Finitzo's film "The Dilemma of Desire," a documentary about female sexual desire, was difficult to pitch and sell because, according to Finitzo, “People were afraid of it, they think it's about porn or are worried they're going to see people having sex." Instead, the film delves into the essential, surprising, and often sad truth about most women’s understanding of their own sexual desires and their own bodies.

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S. Casper Wong on Her Filmmaking Journey: Global Peace Film Festival

NYWIFT Board Member S. Casper Wong is an award-winning New York-based filmmaker, technology lawyer, social entrepreneur, activist, and Founder of OO Media. She is also the founding chair of Asian American Women Media Makers and is on the board of directors at NYWIFT, leading the innovation initiative. She recently spoke to Global Peace Film Festival about her 20-year journey in filmmaking.

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The Mole Agent: Highlights from the NYWIFT Goes to the Oscars Q&A with Maite Alberdi, Marcela Santibañez, Julie Goldman

The team behind The Mole Agent, Oscar-nominated for Best Documentary, discusses its powerful impact, and how they created a film both so visually stunning and rich with character that The New York Times review believed the film to be partly dramatized. It wasn’t!

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What’s in Your Toolkit: Anne del Castillo

As the Commissioner of the NYC Mayors Office of Media and Entertainment, Anne del Castillo has a very full and challenging job, juggling a lot of balls, especially now during COVID-19. A native New Yorker, del Castillo has more than 25 years of experience in film and TV production, public media, and arts and nonprofit administration. She discusses what's in her toolkit, and how she has led MOME "from cheerleader to crisis manager" during the the pandemic.

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NYWIFT Women’s History Month Spotlight: Janine McGoldrick

Janine McGoldrick is a veteran entertainment executive who has created and implemented strategic distribution and communications campaigns for television and film, including for the 2017 Academy Award-winner "The Salesman." She discusses her work on that campaign, her initial transition from politics to entertainment, and making her first documentary, about an invisible disease that confounds doctors.

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NYWIFT Women’s History Month Spotlight: Tammy Reese

Tammy Reese is a multimedia content creator who loves everything theatre, entertainment, media, and film. She is an award-winning actress, writer, and journalist, and the Founder & Lead Publicist of Visionary Minds Public Relations and Media. She discusses her inspirations, balancing work and family, her favorite interviews and more.

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NYWIFT Women’s History Month Spotlight: January Green

Happy Women's History Month! At NYWIFT as we continue to celebrate our creative members who are making innovative impacts throughout entertainment, media, film, and television, we would like to spotlight our NYWIFT Women Crush Wednesdays Podcast team members. Today's spotlight is January Green, a Manager of Digital Marketing Copy, SEO & product description pages, aspiring screenwriter, and imaginative feature film writer.

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Recognizing Our Shared Humanity: Idil Ibrahim on Her Film “Sega”

Women filmmakers throughout history have often been at the forefront of advancing social change, and NYWIFT member Idil Ibrahim is no exception. Ibrahim sat down with us to discuss the making of her award-winning short film "Sega" and how she hopes it might change viewers’ perception of modern immigrant stories.  

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Cynthia’s Picks: Black History Month

In celebration of Black History Month, let’s shine a light on the artists and changemakers in media.

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NYWIFT Program Recap: Alison Klayman’s Flower Punk

"Flower Punk," Alison Klayman’s film recently released on The New Yorker documentary site, delights visually and aesthetically with the bonus of illuminating Japanese cultural traditions regarding the natural world. We recap our conversation with Alison following the NYWIFT screening of the film.

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Recap: NYWIFT Talks with Julie Taymor and Kimberly Guerrero About “The Glorias” and Getting Out the Vote

NYWIFT blogger Kristin Reiber Harris reflects on our powerful conversation with the team behind The Glorias, including Julie Taymor's creative process, the celebration of Native voices, and how we as women live in constant dialogue with our former selves.

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All In: The Fight for Democracy – A Conversation with Lisa Cortés (Part II)

The second part of Christina Kiely's two-part interview with All In: The Fight for Democracy co-director Lisa Cortés, conducted on Zoom in anticipation of her participation at the NYWIFT 2020 Creative Workforce Summit: Documentary Makers, Industry and Funders in Conversation next week. 

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All In: The Fight for Democracy – A Conversation with Lisa Cortés (Part I)

All In: The Fight for Democracy is the essential new documentary the LA Times called “an eloquent history lesson on voting rights.” Co-directed by Lisa Cortés and Liz Garbus, the film tells the painful history of voter suppression in America as it traces the story of gubernatorial candidate Stacey Abrams and her 2018 run in Georgia. Oscar-nominated producer NYWIFT Member Lisa Cortés (Precious, The Apollo, Remix: Hip Hop X Fashion) joined NYWIFT Board Member Christina Kiely to discuss All In: The Fight for Democracy, why it matters so much right now, how they pulled it off during the pandemic, and why Stacey Abrams’s story needed to be the spine of the film – apart from the fact that we love her.

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