NYWIFT Blog

Notes from a Screenreader: Texas Hold ‘Em

Photo via Go Into the Story. The difference between a yes and a no in the first round of a screenplay competition can be summed up by a hand of Texas hold ‘em. You fold early, you didn’t post a blind, and your cards were bad enough to make you think, Why am I being punished...

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Notes from a Screenreader: Why Now?

Photo via Go Into the Story. To perform well in a competition, your script has to be able to answer the critical question, “Why now?” Successful, readable scripts hinge on an event, the outcome of which has the power to change the life of the protagonist. A showdown, a mountain to climb, a home run to...

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Notes from a Screenreader: Start by Finishing

Photo via Go Into the Story. In the same way that a recipe is not a batch of warm cookies on a baking sheet, an unfinished draft is merely an intention — and like raw dough, a story won’t show its shape until it comes out of the oven. Most contest submissions suffer from a half-baking....

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Notes from a Screenreader: Writing IKEA Style

Photo via Go Into the Story. A script, ideally, is one of those 300 square foot IKEA show apartments with every nook and cranny made useful two or three times over. Static placeholder scenes stick out like a farmhouse table. Written to clarify the writer’s thoughts on a single element, it sneaks through rewrites without ever...

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Notes from a Screenreader: Your Tenth Idea

Photo via Go Into the Story. No amount of technique can make up for a weak story. Weak stories are bland and predictable; they treat familiar themes and conflicts in familiar ways. They feel recycled. A fresh and original take on your story does 75% of the work for you. Give or take. To put the...

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Notes from a Screenreader: Meaningful Images

Photo via Go Into the Story. A script is a story that will be told with images. It feels like that goes without saying, but spec scripts are so often crushed under the weight of their own dialogue that it bears repeating. Meaningful images are revealing, memorable, interesting to read, and space saving. To rewrite for...

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Notes from a Screenreader: The Deep Freeze Script

Photo via Go Into the Story. Scripts that feel rote turn readers off right away even though rote scripts are written by people who know exactly what they’re doing. The plot moves forward, the conflicts are in place, the beats come and go like clockwork. Scoring high marks for plot and structure, these scripts still feel...

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Notes from a Screenreader: Lie to Me

Photo via Go Into the Story. Lie to me. Most spec scripts have an importance of being earnest problem. They tell the reader the truth, all of it, all the time. All the backstory, all the exposition, all of what everyone is doing and precisely why, before it even happens. Lying to the reader in your...

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