Positive News for Filmmakers at the New York Film Conference
Entertainment industry experts speaking at the first annual New York Film Conference on October 10, 2017 had some great news for attendees: It’s getting easier to sell your content directly to consumers, consumers are more open to watching films with subtitles and big digital platforms are spending billions on buying new content. NYWIFT member Jane Applegate shares insights from the conference.
READ MOREWomen’s Stories in Film and the Need for an Authentic Ending
Why is it that when men make poignant films about a male’s coming-of-age, they are allowed to explore the pain, heartache, betrayal, danger, and the need for getting even or choosing a lesser evil to right a wrong—while women-centric films are expected to carry out a fairy tale romance? NYWIFT member Heidi Philipsen tackled this question as she made her first feature film.
READ MORENYWIFT February Programs: Nollywood, Women Running the Show & Audience as Collaborator
“Big Girl,” part of the NYWIFT Member Screening Series: Shorts Program on February 24 at Anthology Film Archives. New York Women in Film and Television’s February programs are filling up fast, so make sure to RSVP soon. Women Who Run the Show February 5, 6:30-8:30 PM Tribeca Film Center 375 Greenwich Street (Between N. Moore...
READ MOREMoMA & NYWIFT: WOMEN WRITING THE LANGUAGE OF CINEMA
Desperately Seeking Susan, 1985. USA. Directed by Susan Seidelman. Photo courtesy MoMA We are never more excited here at NYWIFT then when the spotlight shines on the many accomplishments of women in the film industry. For two weeks in February that is exactly what is happening. Celebrating the 20th anniversary of NYWIFT’s Women’s Film Preservation Fund...
READ MORERoad to Muse: Missed the NYWIFT Muse Awards? We Got You Covered!
(L-R) NYWIFT 2014 Muse Award honorees Wanda Sykes, Abigail Disney, Maggie Gyllenhaal, Mary Bailey, and Dawn Ostroff, and Muse host Judy Gold. Photo courtesy of NYWIFT. On December 11, 2014, New York Women in Film & Television held its annual Muse Awards, a fundraising gala luncheon that honors women of outstanding “vision and achievement,” as well as...
READ MOREWomen’s Film Preservation Fund & Alice Guy-Blaché
Still from Alice Guy-Blaché’s Mixed Pets (1911). New York Women in Film & Television and Alice Guy-Blaché make a perfect pair. The organization’s Women’s Film Preservation Fund (WFPF) helped to preserve two of her shorts, Matrimony’s Speed Limit (1913) and A House Divided (1913), as part of its inaugural project. Mixed Pets (1911), Guy-Blaché’s earliest extant film from her studio Solax, was preserved through a WFPF grant...
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