Meet the New NYWIFT Member: Hyonok Kim
Welcome to NYWIFT, Hyonok Kim! Hyonok is an award-winning filmmaker and choreographer who creates innovative and experimental film. Hyonok was born in South Korea, then studied film and dance in Paris and New York. Rather than dialogue, her films use dance to express interactions, bringing the emotional experience to the viewer. She choreographed and directed 15 dance films including Weeping Water, For Sunrise, Dance with Horses, Ode on a Korean Urn, Isle of Waiting Souls, Passion & Rebirth, South Sea to Isang Yun and L’Heure de Coq. Her films were shown at international film festivals and broadcasted in France, Germany, Australia, China, Korea, the Netherlands, and the USA. Now, she lives and works in the Bronx. Hyonok shares her inspirations in nature, as a choreographer and as a storyteller here!
READ MOREMeet the New NYWIFT Member: Natalie Cash
It is always a treat to be reminded of the expertise and talent of NYWIFT members, especially new members. The diverse range of interests and the storytelling that supports these interests is inspiring. Join us in welcoming new member Natalie Cash, Executive Video Producer at the Wildlife Conservation Society (WCS)! WCS works to conserve the world’s largest wild places in 14 priority regions, home to more than 50% of the world’s biodiversity. WCS also runs four zoos and an aquarium in NYC, educating four million visitors each year about the importance of conservation. Natalie produces short-form programming about WCS projects for multiple platforms to advance conservation and understanding of our natural world, to advocate for stronger policy, and to raise funds in support of this work.
READ MOREStorytelling in the Wake of Disaster – Buffalo Creek Flood: An Act of Man
On December 3rd the NYWIFT Women’s Film Preservation Fund and UnionDocs will host a screening of Buffalo Creek Flood: An Act of Man, followed with a panel discussion with filmmaker Mimi Pickering (via Skype) and fellow artist/activist Sylvia Ryerson, moderated by labor rights activist, Michelle Miller. WFPF co-chair Kirsten Larvick describes the harrowing story of disaster, heartbreak, and government and corporate neglect that inspired the film.
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