editing Archives - New York Women in Film & TelevisionNew York Women in Film & Television

Meet the New NYWIFT Member: Taffy Lashley

Let’s give a warm welcome to our new NYWIFT member, Taffy Lashley! Taffy is of Afro-Caribbean roots and her love for telling underrepresented stories led her down the path of becoming an editor. She’s worked on interviews highlighting independent creators & their mental health, a documentary with the Ezra Jack Keats Foundation, as well as with A+E networks and Reel Works. She’s grateful to network with inspiring women in the media industry. Her involvement with NYWIFT began as an intern and she’s excited to now continue her journey with NYWIFT as an official member!

Meet the New NYWIFT Member: Brianne Neira

Let’s say hello to the fabulous Brianne Neira! She is a director and video editor with a commitment to representing and giving a voice to women and the queer community through her work. Since graduating with a BFA from Emerson College’s esteemed Media Arts Production program in Boston, Brianne’s most celebrated projects include the feminist short film Rotten Meat and her award-winning directorial debut A Place for Ashes. Get to know Brianne better as we chat about her fascination with horror and the genre’s ability to facilitate a platform that can engage an audience and simultaneously raise awareness on social issues, the warm reception A Place for Ashes received at film festivals, and the importance of loving your work while setting healthy boundaries.

Meet the New NYWIFT Member: Shiqin Gao

Welcome to NYWIFT, Shiqin Gao! Shiqin is an award-winning NYC-based filmmaker whose versatile range includes but is not limited to directing, editing, sound recording, and producing. Learn more about Shiqin as we chat about her distinct style, the genesis of some of her most intimate projects, and her collaborations with some rockstars and other remarkable artists.

Meet the New NYWIFT Member: Seeley Björkstén

Welcome to NYWIFT, Seeley Björkstén! Seeley is an NYC-based filmmaker and digital artist who is mostly interested in telling impactful nonfiction stories through film. Their passion for incorporating animation and other types of unconventional creativity into their work is reflected in their short film Who I Wasn’t, among other projects. Having studied at American University and FAMU, one of the oldest film schools in the world, Seeley is currently the Marketing & Social Media Manager at the Bushwick Film Festival. As someone who believes that art has the power to change the world, they consider their creations to be a form of activism. Seeley spoke to us about what drew them to animation, their creative journey, and their most personal project to date.

NYWIFT at DOC NYC: In Conversation with Editor Jill Woodward

NYWIFT member Jill Woodward edited the documentary 1946: The Mistranslation that Shifted a Culture, which won the Audience Award at DOC NYC 2022. In this deeply personal tale, a gay seminary scholar and a straight activist, seeking to uncover the origins of the rabid homophobia of the conservative church, make a shocking discovery: an erroneous translation of the term “homosexual” in the Bible in 1946 that has been weaponized against the LGBTQIA+ community ever since. Woodward spoke to us about the editing process, what she learned along the way, and which types of projects excite her the most.

Meet the New NYWIFT Member: Fay Gartenberg

Let’s give a warm NYWIFT welcome to new member Fay Gartenberg! Gartenberg is an Assistant Editor and a member of the Motion Picture Editor's Guild (IATSE Local 700). Their projects span across narrative film, documentary film, scripted television, and finishing. Prior to working in the film industry, they provided video therapy for patients and families at Mount Sinai Kravis Children’s Hospital. Gartenberg talked to us about their favorite projects, latest binge-watch recommendations, and approach to work/life balance.

Meet the New NYWIFT Member: Elizabeth Ramjit

Let’s give a warm NYWIFT welcome to new member Elizabeth Ramjit! Elizabeth is an accomplished film/video editor with 10 years of experience in film and tv production and advertising. Elizabeth loves bringing awareness to current events and pressing world issues, to inspire important conversations among her audience. She’s always interested in new opportunities to explore new avenues of content, and enjoys brining her unique perspective to her collaborators’ projects. Elizabeth spoke to us about what stories inspire her, her dreams for the future, and why she could be #YourFavoriteFemaleEditor.

NYWIFT @ Tribeca: In Conversation with Editor Véronique N. Doumbé

Longtime NYWIFT Member Véronique N. Doumbé comes to the 2022 Tribeca Festival as the editor of Carrie Hawks' short film Inner Wound Real, which was supported by Black Public Media. The 15-minute experimental animated short relays the story of three BIPOC folks who self-injure, then find new ways to cope. Doumbé discusses the editing process and what she hopes audiences will take away from this powerful film.

NYWIFT Members Doing Justice to True Crime

Death Row Stories explores the fallibility of the ultimate criminal penalty, capital punishment. Narrated by current and former death row inmates, each episode of Death Row Stories seeks to unravel the truth behind a different capital murder case and poses tough questions about the U.S. capital punishment system. Six NYWIFT members who worked on the show, including Board Member Kathryn O'Kane, share the insight they gained into the criminal justice system through their work on the show.

Below the Line: A Cut Above – Film Editor Joi McMillon

Joi McMillon made Oscar history in 2018 when she became the first African American woman nominated for Best Achievement in Film Editing for Moonlight. But the road to the Oscars wasn’t straight or smooth.

Cynthia’s Picks: Thelma Schoonmaker, Unequal Representation, Inclusion Commitment, Record Breaker

Thelma Schoonmaker: Congratulations to 1995 NYWIFT Muse honoree Thelma Schoonmaker, who was honored this weekend with a BAFTA fellowship for her incredible 50-year editing career. Unequal Representation: The Women’s Media Center’s “Investigation 2019: Gender and Non-Acting Oscar Nominations” found that women are once again missing from the picture. No women were nominated in Directing, Cinematography,...

Cynthia’s Picks: Sundance Fest, It’s Time, Fair Credits

Sundance Fest: Congratulations to all the NYWIFT members with films screening at Sundance! The festival opens on Thursday and runs through February 3rd. It’s time: Variety noted the uptick in feminist stories featured in Oscar contenders this year. Of course, this female focus didn’t extend to the directing nominations – women were shut out of...

NYWIFT’s May Events: Reality TV, Crowdfunding, and More

//embed.gettyimages.com/embed/132037876?et=icW4txOvQHdEavSB5nAJxA&SeoLinks=off&sig=xMCXtqKMEzUUksWEohaXF06lItNujTkOruxSvSGgjqw= Sign up for New York Women in Film & Television’s programs in May: Producing a Dynamite Sizzle Reel: The Key to the Sale Thursday, May 1, 6 pm Tribeca Film Center (375 Greenwich Street) TV and digital packaging agent Jim Arnoff will moderate an expert panel who will give you the insider’s take on how...

Women in Post

Thelma Schoonmaker, the last woman to win an oscar for editing. She won for The Departed in 2006. It shouldn’t surprise us that stats of women in post-production are just as scary as percentages of female directors in Hollywood. “Among 2012′s top 250 domestic grossing films, women represented 20 percent of editors,” film and television editor...

NYWIFT Blog