Notes from a Screenreader: Rethinking Dialogue
Photo via Go Into the Story. Dialogue is a necessary evil, according to legendary director Fred Zinnemann, and writers of spec scripts should print that out and tack it up over their monitors. It is the polar opposite of telling your story visually. So why do you need it at all? As director Kelly Reichardt...
READ MORENotes from a Screenreader: Dialogorrhea
Photo via Go Into the Story. There are scripts about people doing things and there are scripts about people talking about things. One of them has a much better chance of making it past the first round of readers in a competition. Visualize the beat. What is the visual information in the scene? Do your...
READ MORENotes from a Screenreader: Discuss
Photo via Go Into the Story. Discussions are the enemy of drama in a spec script. They are info swaps to give the reader story information, which is like putting stale bagels out for guests: unwelcoming and hard to swallow. It’s more accomplished work to compose images that do the same job. Crazy, Stupid, Love opens...
READ MORENotes from a Screenreader: Boo
Photo via Go Into the Story. Does your conflict pass The Haunting Test? You’re a ghost. A traveler from another dimension who can be neither seen nor heard by the people around you, not even the person you seem to be glued to, whom you are compelled to shadow. Always. You have no choice but...
READ MORENotes from a Screenreader: Speech Exhaustion
Photo via Go Into the Story. Speeches in early pages give readers creeping dread because they are weapons-grade tools and should not be brought out casually and waved around for piddly little tasks like exposition. Speeches put the brakes on. Is it more than three sentences long? Read it out loud. See how long it...
READ MORE
