From Set to Screen: Katherine Filaseta and Ellie Sachs Celebrate Lucy Shulman at Tribeca
The 25th anniversary of the Tribeca Festival is shining a spotlight on bold storytelling, unforgettable voices, and films that capture the spirit of New York City — and Lucy Shulman is doing exactly that. Premiering as part of the festival’s prestigious U.S. Narrative Competition, the sharply funny and deeply heartfelt feature follows a young woman navigating heartbreak, family dynamics, bad dates, and the complicated journey of finding herself again. Written, directed by, and starring filmmaker Ellie Sachs, the film blends humor with emotional honesty in a way that feels both intimate and universally relatable.
Behind the scenes, NYWIFT member Katherine Filaseta played a vital role as Second Assistant Director, helping keep the ambitious production moving while supporting the creative vision that brought the story to life. In this exclusive conversation, Ellie Sachs and Katherine Filaseta open up about collaboration, creative trust, independent filmmaking, the realities of balancing multiple roles on set, and what it means to premiere a deeply personal New York story at one of the city’s most celebrated film festivals.
State of the Industry: A Conversation with Film Production Freelancer Isabella Olaguera
Throughout the coming weeks, NYWIFT will sit down with members of the film and television community for a look at how the global COVID-19 pandemic is affecting the industry, particularly those who work in the indie and art house world. Our first conversation is with NYWIFT Member Isabella Olaguera, a 1st AD who is organizing an initiative to help feed freelancers who are struggling. She shares her insight into how life has come to a halt with so many productions on hold.
READ MOREAdvice from an Indie Producer: Hiring the Crew
Preparation for an indie project is crucial for finishing on time and under budget. The budget is finite (in most cases) because you cannot go to the studio and ask for more money. You have to get it right the first time. In Robert Rodriquez’s Rebel Without a Crew, he credits detailed preparation as to how he shot...
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