Goodbye, Alicia: This weekend we bid farewell to The Good Wife, a classic made-in-New-York show with a marvelously complex female-driven storyline, starring our own 2009 NYWIFT Muse Honoree Julianna Margulies as power attorney Alicia Florrick. It will be missed.
Independent Women: A new study from Martha Lauzen at the Center for the Study of Women in Television and Film at San Diego State University shows that though women directors fared better in the independent realm than with major studios, the percentage of women behind the camera is “stagnant.” Women account for 28% of all directors working in indie film during the past year, a five-point increase over 2014-15 and slightly below the historical high of 29% in 2011-12. We must translate the growing awareness of gender disparity into actual change.
Preserving the Legacy: Did you know the NYWIFT Women’s Film Preservation Fund (WFPF) has preserved more than 100 films since its inception 21 years ago? Get to know this history of this amazing organization, and apply for a WFPF grant by June 1.
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To say Ruth Ann Harnisch is a force in the independent film industry is an understatement. She has contributed to the production of almost 400 documentaries and several acclaimed narrative features. Her strategic investments in films, filmmakers, and organizations supporting them have helped open almost every aspect of the business to underrepresented voices. This is evident with each of the seven films featured at this year’s festival that she has supported: She Runs The World, Runa Simi, State of Firsts, We Are Pat, Marlee Matlin: Not Alone Anymore, Move Ya Body, and Natchez. I spoke with Ruth Ann for The NYWIFT Podcast (listen here) about the importance of Tribeca, which she calls “arguably one of the most important festivals for any film,” how she picks her projects and what she has learned from them. Her wisdom could not be contained! So here is more from our conversation.
READ MORENYWIFT at Tribeca 2025: In Conversation with Chantel Simpson
Congratulations are in order for multi-hyphenate filmmaker Chantel Simpson, whose compelling short film A Drastic Tale will make its world premiere at the 2025 Tribeca Festival. As a proud member of New York Women in Film & Television (NYWIFT), Simpson brings a unique perspective to the screen, having served as the director, producer, screenwriter, and editor of the film. Centered around the Drastic Auto Club — one of the oldest lowrider groups in New York City — A Drastic Tale offers a raw and moving exploration of brotherhood, identity, and the soul of car culture in the urban Northeast. In this exclusive interview, Simpson shares her journey, creative process, and hopes for how her story will resonate with audiences everywhere.
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