By Itu Phalane
Welcome to NYWIFT, Erin LoCascio!
Erin is a storyteller and producer with a passion for big moments, sharp edits, and seamless collaboration. As a story-driven producer and editor, her Clio-winning reel reflects her talent for transforming raw footage into cinematic experiences. She has built worlds at SYFY, earned millions of views at MTV, and shaped narratives from the Super Bowl to Comic-Con.
We interviewed Erin in late summer, where she shared her behind-the-scenes experiences at some of pop culture’s biggest events, and described the immense pressure and excitement involved in bringing unforgettable stories to life.

NYWIFT member Erin LoCascio
Can you give our readers a short introduction to who you are?
I’m Erin LoCascio! I’m a producer/writer/editor who’s worked across TV, digital/social for networks like NBC, MTV, the network formerly known as Spike TV (now Paramount), in digital sports content with Underdog, and entertainment marketing with Trailer Park, where I crafted campaigns for a number of clients (Warner Bros, Amazon, Hulu, Red Bull, PBS, etc). I’ve done everything from running editorial teams to producing live shoots at major events. I love shaping stories, whether that’s a docuseries, a YouTube series, or a BTS featurette.

Erin conducting an interview.
What brought you to NYWIFT?
I’ve been a long-time follower of NYWIFT, attending events here and there over the years. I finally made the leap to join as I wanted to connect with other women in the industry, especially after a turbulent few years within the industry of disruption and change. Our field can be intense, and having a community that not only supports but celebrates each other is huge and important. I really want to connect with others and step out of my comfort zone a bit!

Erin on location.
How do you handle the balance between editorial vision and technical execution?
This can be one of the more challenging aspects to producing. It’s for sure a juggling act of trying to keep the vision intact while also keeping in mind all the production realities. Our strength as producers is building the best foundation possible for everyone to build up from. I will usually have a laundry list of questions before I get to doing (what I honestly love) the “putting together the puzzle” part. You can’t jam pieces into make them fit; you have to find the right ones, and that sometimes just takes time and a lot of focus. I assess all the answers and try to find a few different ways of execution to discuss. Successful projects come from communication and discussion–always.

Erin observing an interview.
You have overseen major event shoots, including the Super Bowl, NFL Combine, and NBA All-Star Weekend. How have these experiences influenced your career?
I worked on a lot of live productions early in my career (E3, XBOX and PS4 Launches to name a few), working with humans I very much admire. It showed me how to work under pressure and think on my feet because, guess what? We’re live and there’s no take two or “Can I start over?” I’ve always brought that cool, calm disposition to the projects I run now, because I’ve always wanted to lead with respect and a quiet confidence within the chaos.

Erin at a basketball game
How do you handle collaboration with top-tier talent and partners, like the NFL?
Preparation and research. I make sure talent and partners feel supported, while also keeping production needs on track. I feel better when I know I’ve done my homework and it helps build a trust between us. Production is a trust system and once that’s broken, it’s incredibly hard to get back.
What are some of the most important lessons you have learned in your career?
This may sound simple, but it’s harder in execution, but be yourself and don’t try to be someone you’re not to get ahead. I used to think I had to be aggressive and extremely extroverted to succeed in this industry, but I’ve learned I don’t have to be that person if that’s not me. I could find my own way to do things that felt true to who I am and the stories I want to tell.

Erin in the control room.
What advice would you offer to aspiring producers and post supervisors?
Don’t be afraid to ask questions, utilize the people in your network, and talk to them. Learn from everyone, not just necessarily people working in the exact job you want. Great producers understand what it takes for everyone to do their job and can have more meaningful conversations with them. When people feel supported, the work is always stronger.
What upcoming projects or goals are you most excited about?
I just started freelancing again, so I’m excited to build new connections and work on different types of projects. I’m starting to write again and I’m looking to shoot a short film by early 2026!
Connect with Erin LoCascio on LinkedIn and website (www.erinlocascio.com), and follow her on Instagram at @thelocabat.
(All images courtesy of Erin LoCascio.)
Related Posts
Meet the New NYWIFT Member: Ginelle Bamfo
Welcome to NYWIFT, Ginelle Bamfo! Ginelle is a talented young filmmaker and recent graduate from NYU Tisch’s Film and TV school. With a background in acting and theater, Ginelle has expanded her creative pursuits into many realms of the filmmaking industry. Having won NYU’s Best Undergraduate Film award for her project Talk Yo’ Shit, her talents and ambitions have quickly proven worthwhile. Ginelle is a staunch advocate of amplifying diverse voices. Her role as President of The Collective at NYU – a club which connects and highlights the work of Black students – is only one example of her commitment to this goal. Ginelle is a flexible and dynamic creative, drawing inspiration from ever-evolving sources. Always excited to learn and collaborate, she is an exciting addition to the entertainment industry. In our interview, Ginelle discusses what her journey to filmmaking has looked like and her current artistic ambitions.
READ MOREMeet the New NYWIFT Member: Trish Appello
Welcome to NYWIFT, Trish Appello! For Trish Appello, turning 55 sparked a bold new chapter. The executive producer of the comedic series The EffYou 50s proudly declared, “I can thrive at 55,” and from that moment, her journey into the independent film and television world began. Appello recognized the importance of on-set experience and chose to pursue an educational path, enrolling in the UCLA Extension independent film-producing certificate program. Upon graduation, Appello realized it was time to tell the story that had lived inside her for almost two decades. Appello spoke to us about her career transition, finding her writing voice, and what she is currently working on.
READ MOREMeet the New NYWIFT Member: Hyten Davidson
Welcome to NYWIFT, Hyten Davidson! Hyten Davidson is a SAG-AFTRA actor and award-winning screenwriter, currently serving as one-third of Maternity Leave Films after years of touring the festival circuit with various films. Her short film The West Virginian Starfish, which she wrote and co-directed, won the Long Island Film Expo award for Best Short Film, in addition to a host of other nominations and screenwriting wins. Hyten has additionally been a Featured Female Filmmaker nominee at the Shortcut 100 International Film Festival, PANO grant recipient, and Mary W. Shelley Scholarship winner from the Horror Writers Association. In our interview, Hyten discussed her approach to writing horror, representing motherhood and female-driven stories in film, and her upcoming film Something of a Monster.
READ MOREMeet the New NYWIFT Member: Dolores Diaz
Welcome to NYWIFT, Dolores Diaz! Dolores Diaz is a Queens, NY native who grew up in a theater and musical theater world through Once Upon a Time in Richmond Hill. She later attended the American Academy of the Dramatic Arts and joined Angry Jellow Bubbles, an all-female sketch comedy group directed by Eva Minemar. While attending the MA Media and Social Change program at CUNY Queens College, Dolores served as an assistant to media theorist Douglas Rushkoff and co-produced the 1st Annual Queens College Arts Festival. She founded the production company Mulberry Queens Films LLC with Eva Minemar in 2018, and the duo has worked together on features, shorts, music videos, and documentaries. Dolores is now the Chair of the Board for Once Upon a Time Inc. and the Co-League Director for NICA (National Interscholastic Cycling Association), NY. In our interview, Dolores discussed her production company, transitioning from theater to film, and the project that left the biggest impact on her.
READ MORE
Itu Phalane is a student at CUNY Hunter College, where she studies film and media. In addition to her academic pursuits, she is an aspiring photographer, a passion that complements her interest in film.
Comments are closed