By Paige Hapeman
We are pleased to welcome new NYWIFT member, Isabella (Bella) Pechaty!
Bella Pechaty is a young professional working in freelance film journalism programming. She has worked at a number of arts nonprofits, independent publications, and in film publicity. She is interested in pursuing a career in film PR, creative development, and film criticism. She holds a BA in Film Studies from Barnard College of Columbia University, and is currently based in New York City.
Continue reading to learn more about Bella and her creative journey!

New NYWIFT Member Isabella Pechaty (image courtesy of Isabella Pechaty)
Tell us about your creative journey so far.
My creative journey is at its beginning! I got to hone my writing skills and interests a lot while in school, taking classes on film history and theory, screenwriting, and various filmmaking workshops. I’ve also spent a fair share of time on sets in the city, as PA or AD, and helping friends get their projects made.
How did you come across NYWIFT and what about being a member are you most looking forward to?
I encountered NYWIFT while speaking with people whose careers I aspire to and became interested in what it had offered them. I was able to join through the Next Wave Membership. I’m still early in my career, so I’m most looking forward to learning from other members! The film industry is changing so much, and I want to know more about where my abilities and interests will fit in best.
What inspired you to pursue a degree in Film Studies at Barnard?
Barnard has always had a talented community of alumni working in drama and entertainment. I chose to attend because of the many writers and filmmakers that I admired who had come from there, and because of the Athena Film Festival itself.
Barnard and Columbia take a more academic approach to teaching film, but I think there’s such a benefit to approaching it from a liberal arts background. It gives you an appetite for and an understanding of the many mediums that a film can draw from – visual arts, history, philosophy, psychology, and music. I’m so grateful for the foundation it gave me.

Bella backstage during a shoot (image courtesy of Isabella Pechaty)
You are a Postbaccalaureate Fellow for the Athena Film Festival. How did you come across this opportunity and what has your experience been like in this position so far?
The Post-Bacc Fellowship is a valuable opportunity that the festival offers to recent graduates, allowing you to get hands-on film programming and festival operations experience. I’ve found programming and curation to be super rewarding, and there’s a magical quality to making a live event happen.
I enjoy screening and programming short films the most. They’re an often slept-on section of festivals, but include some of the most original, boundary-pushing work out there. Through the fellowship, I’ve had the opportunity to program a short film block for the 2024 festival, to attend Sundance, Gotham Week, and so many other memorable experiences.

Bella at Sundance 2024 (image courtesy of Isabella Pechaty)
What sparked your interest in film criticism and how do you hope to continue to integrate this into your career?
I was always interested in journalism but was specifically attracted to how film and cultural critics have a closer relationship with readers. The lines of objectivity have to be blurred when you discuss art, and the writer’s identity factors in heavily. I like that. I like the dialogue it creates between the writer, reader, and subject. My favorite critics integrate their own lives into their work in this way.
Alongside what I was learning in class, I was also heavily plugged into online discourse, which made me interested in what film criticism will look like in the digital and information age. The Internet has the potential to fully democratize film journalism or overwhelm it entirely. It’s a concept that I think will be increasingly prevalent, and one I hope to continue writing about.
How do you decide which films you would like to write a review for?
I definitely have my favorite genres – horror, science fiction, documentary, and international films. With how much content and criticism is out there, I like to choose films that will be tied to current discourse and intertwine it with political and social life. I think a piece of criticism is most useful when it helps us name larger cultural movements. The speed at which information travels now is incredible, and we can make more direct connections between our media and our world than ever before.

Bella at the 2024 Athena Film Festival (image courtesy of Isabella Pechaty)
What are some of your career aspirations? What are you most excited about with upcoming projects?
In the short term, I plan on improving my writing and growing my connections! In the future, I would like to be a contributing critic to a film publication (or whatever those writing roles will look like in the future), and possibly teaching and programming for festivals and art-house theaters. I’m planning on always being a person who enjoys writing about films, and talking about them too much with people who feel the same.
Connect with Bella Pechaty on LinkedIn, on Instagram at @bella_pechaty, and on Letterboxd at @bella_pechaty.
Related Posts
Meet the New NYWIFT Member: Ginelle Bamfo
Welcome to NYWIFT, Ginelle Bamfo! Ginelle is a talented young filmmaker and recent graduate from NYU Tisch’s Film and TV school. With a background in acting and theater, Ginelle has expanded her creative pursuits into many realms of the filmmaking industry. Having won NYU’s Best Undergraduate Film award for her project Talk Yo’ Shit, her talents and ambitions have quickly proven worthwhile. Ginelle is a staunch advocate of amplifying diverse voices. Her role as President of The Collective at NYU – a club which connects and highlights the work of Black students – is only one example of her commitment to this goal. Ginelle is a flexible and dynamic creative, drawing inspiration from ever-evolving sources. Always excited to learn and collaborate, she is an exciting addition to the entertainment industry. In our interview, Ginelle discusses what her journey to filmmaking has looked like and her current artistic ambitions.
READ MORENYWIFT at Sundance: In Conversation with Carolyn Hepburn
NYWIFT Member producer Carolyn Hepburn attended the 2026 Sundance Film Festival with her latest project with EPSN Films, The Brittney Griner Story. This documentary, directed by Alexandria Stapleton, explores the circumstances that led to Brittney Griner playing basketball outside the U.S. despite being one of the best players in the sport, including her harrowing detainment, unwavering determination to secure her freedom, and her advocacy for the release of other wrongful detainees. Carolyn Hepburn is an Emmy, Peabody, Gotham, and Critics’ Choice Award-winning producer who joined ESPN Films in 2022. She spoke to us about her return to Sundance, the power of her latest doc, and the ethical responsibilities of producing socially impactful work.
READ MOREMeet the New NYWIFT Member: Trish Appello
Welcome to NYWIFT, Trish Appello! For Trish Appello, turning 55 sparked a bold new chapter. The executive producer of the comedic series The EffYou 50s proudly declared, “I can thrive at 55,” and from that moment, her journey into the independent film and television world began. Appello recognized the importance of on-set experience and chose to pursue an educational path, enrolling in the UCLA Extension independent film-producing certificate program. Upon graduation, Appello realized it was time to tell the story that had lived inside her for almost two decades. Appello spoke to us about her career transition, finding her writing voice, and what she is currently working on.
READ MORENYWIFT @ Sundance: In Conversation with Ruth Ann Harnisch
NYWIFT Member and organizational supporter Ruth Ann Harnisch heads to the 2026 Sundance Film Festival as an executive producer of two wildly different but equally impactful documentary films: Seized and Cookie Queens. Seized, directed by Sharon Liese and premiering in the U.S. Documentary Competition, follows along as the small town of Marion, Kansas, is thrust into the international spotlight after a police raid on the Marion County Record and the death of its 98-year-old co-owner. A fierce debate ignites about the abuse of power, journalistic ethics, local journalism, and the United States Constitution. Cookie Queens, directed by Alysa Nahmias, premieres in the Family Matinee lineup. It’s Girl Scout Cookie season, and four tenacious girls strive to be a top-selling “Cookie Queen,” navigating an $800 million business in which childhood and ambition collide. On screen and off, Ruth Ann has been a bold first-money funder of people and projects that challenge entrenched power and move culture toward greater equity. She spoke to us about her two exciting new projects.
READ MORE
Paige Hapeman moved to NYC after graduating from Lehigh University in 2019 and began her corporate career as a consultant. Ready to get back to her roots, she traded in her powerpoints and presentations for scripts and screenplays and began pursuing acting full time in 2022. She recently had her NYC theatre debut with the new play Someone ExtraordinariX. Paige’s recent film credits include Before We Begin, and First Fall. Paige completed the summer intensive with The American Academy of Dramatic Arts in 2023 and studies with The Barrow Group and Second City.
Comments are closed