NYWIFT Blog

Meet the New NYWIFT Member: Rianne Pyle

By Ozzi Ramirez 

Welcome to NYWIFT, Rianne Pyle! Rianne an award-winning filmmaker whose New York City upbringing greatly influences her film projects, some of which raise awareness of societal issues and focus on providing an outlet for people of color to share their stories.

In addition to directing documentaries such as Vic Barrett: Youth Voice, which centers on a young climate change activist intending to sue the U.S. government, Rianne has also contributed her directorial talents to the short film Burning, along with several music videos, which have acquired more than five million views collectively, while featured on platforms such as BET Jams and Lyrical Lemonade.

Rianne spoke to us about the intersection of film and social change, her approach to documentary filmmaking, how gentrification has impacted her filmmaking as a native New Yorker.

 

NYWIFT member Rianne Pyle

 

As a born and raised New Yorker, can you describe any specific encounters that you experienced growing up that directly influenced your career interests?

Being a native New Yorker is such a novelty (says every New Yorker), but it’s true – the intersectionality of cultures, the art, fashion, and community are truly unique. Every corner of New York is filled with beautiful and engaging stories waiting to be told. Coming from the East Village, which is a predominantly Puerto Rican and African American community, I became invested in representing and telling the stories of people from these communities and communities just like it.

One of the reasons I focus on telling stories of people of color and underrepresented communities is because of the gentrification that I see happening in my own community. I don’t want people to forget about the abundance of mom-and-pop shops that once lined the streets but were replaced with beaming new high rises and franchise stores. Documenting these people and their community is an important way to pay homage to the same village that continues to inspire me.

 

There are numerous ways to tell stories. What is it about directing and writing specifically that sparks your interests?

With documentary directing especially, there’s such an inherent challenge. Not only are you thinking of the look and feel of the documentary, but you’re constantly trying on “new coats” to see how all the pieces can be threaded together.

I always feel like directing documentaries is similar to putting together a puzzle without the reference photo and the magic and thrill of documentary filmmaking exists within the trial-and-error period. You are able to stand inside as the story begins to tell itself.

 

Kirsty O’Donnell and Rianne Pyle at Montclair Film Festival Q&A

 

As an artist who has worked in a variety of mediums from documentaries to music videos and commercials to photography, from your perspective, are there any overlapping similarities between these art forms?

I would say the biggest crossover between the different mediums is the amount of planning and creativity that is required amongst all of them. There’s no shortage of dedicated teams, resourcefulness, and creative ideas to make each project happen. The collective energy of the team that makes each and every project great is found across every medium and I think that’s a beautiful thing!  

 

Two of the three documentaries that you directed, Freedom Day and Vic Barrett: Youth Voice, are centered on raising awareness on social issues. Do you see yourself more as an activist who directs documentaries or as a filmmaker who is interested in exploring current events? 

I am someone who cares deeply about social and cultural events and making sure that important historical moments are documented. I don’t want to say I’m an activist in that sense, but rather a filmmaker who feels obligated and deeply compelled to share these stories in order to wield some change in our communities.

I know that filmmaking doesn’t have to be created for the sole purpose of helping change the world, but after making these short docs, I would like my films to explore current events.

 

 

Kirsty O’Donnell (left) and Rianne Pyle at Montclair Film Festival for Millie Moon

 

What is the best and worst advice you ever received? 

The best advice I have received so far was from my college mentor who advised me to learn as many different skills and trades in the industry. It not only opens up more employment opportunities, but allows you to be a more informed filmmaker when making creative choices on your projects.

The worst advice I’ve received was that overworking is the only way to make it in this industry. It took me a while to truly unlearn that working hard and overworking are two separate things. And the latter can lead to a “burnout” that is hard to recover from.

 

 

What brings you to NYWIFT?

I was really looking for a sense of female community in the film industry. It can be hard to find your place at times and being able to network and collaborate with other female creatives is imperative as you learn how to navigate certain situations.  

 

Did the pandemic influence your work experience? If so, how?

The pandemic certainly influenced my work and shifted my film focal points. Prior to the pandemic, for my thesis film at SVA, I was set on making a documentary about a musician. With the pandemic halting all live events which were central to the story, I instantly had to switch gears.

When the social and cultural shift happened in 2020 after the murder of George Floyd, I wanted to find some way to use my art and become involved. I felt compelled by the story of the Freedom Day Foundation because it reflects the tale of so many activists and leaders in our community who set up protests and programs to help enact social change. I aspired to seek out projects and subjects that have cultural and social significance.

 

Rianne Pyle on set

 

Do you have any upcoming projects in development?

Yes, I’m currently working on developing my first feature doc that follows a beloved New York basketball coach’s journey into coaching, as well as helping my very close collaborator develop her first feature film based on a book she recently read!

 

Learn more about Rianne Pyle on her website www.riannepyle.com and connect with her on Instagram at @ri_pyle and Twitter at @pylerianne.

PUBLISHED BY

Ozzi Ramirez

Ozzi Ramirez Ozzi Ramirez is a current intern at NYWIFT and aspiring film producer and programmer. He studied English Literature and Theater at the University of Vermont and later received a Master's Degree in Mass Communications from Florida International University in Miami. Having moved to NYC in 2019, his interests include moseying through Manhattan with his headphones on full blast, most dogs and cats, coffee, discovering good deals on theater tickets, politics, traveling, and of course, experiencing great storytelling through movies, TV shows, and books.

View all posts by Ozzi Ramirez

Comments are closed

Related Posts

Meet the New NYWIFT Member: Courtney DeStefano

Welcome to NYWIFT, Courtney DeStefano! Courtney grew up in a small town, where she spent hours devouring old movies and pouring through every indie-film magazine she could get her hands on. She graduated with a BFA in Film & Television from NYU Tisch School of the Arts before embarking on her editing career where she worked with clients like CBS, Bravo, Showtime, BET, NatGeo, Discovery & TLC. She’s spent the last several years dividing her time between chasing after her three young sons and hiding in her home office to write. Her work has been recognized by the Los Angeles International Screenplay Awards, PANO Network, Hollyshorts and the PAGE Awards, among others. In our interview, Courtney discussed her small-town inspirations, how editing informs her writing and directing, and her latest short film.   

READ MORE

Meet the New NYWIFT Member: Alex Kokenis

Welcome to NYWIFT, Alex Kokenis! Alex Kokenis (she/her) is a queer filmmaker and editor living in Brooklyn, NY. Her last short film, A Pickle and a Coke, is currently in its festival run, recently winning Best Script at Chicago Film Frenzy. Through her production company, It’s a Long Story Productions, Alex has co-written and co-directed two short films, Wednesday, and The Root, as well as directed and edited music videos. When she is not creating her own work, she is a passionate editor and loves to bring others’ stories to life. Alex is currently an Assistant Editor for narrative features and a proud member of IATSE Local 700. She cites Steven Soderbergh and the Duplass Brothers as her main inspirations for storytelling. She loves a good vest and to go bowling.

READ MORE

Meet the New NYWIFT Member: Sara Newton

Welcome to NYWIFT, Sara Newton! Sara is a director and cinematographer based in New York and Los Angeles. She is the creator of the MDR Sketch Comedy Show on PBS and has recently returned from an expedition in Antarctica, where she filmed a documentary. Her digital comedy sketches, produced under brands like Made by Tom and Sara, Nightpantz, and Conservation Comedy, have collectively garnered over 5 million views. With a strong foundation in television production, Sara has coordinated hit reality shows such as Love & Hip Hop (VH1), Bridezillas (WEtv), and Nellyville (BET). Her extensive experience in physical production led her to spend six years at Gunpowder & Sky, where she managed production across various platforms and developed sizzle reels for network pitches. Additionally, she served as the cinematographer for the experimental film Dust Flow: A Meditative Experience, also produced by Gunpowder & Sky. As of 2025, Sara is Head of Content for the Sea Shepherd Conservation Society and is set to direct a feature film this fall. Sara shares her journey as an unconventional storyteller who is not afraid to explore new platforms and storytelling formats.

READ MORE

Meet the New NYWIFT Member: Stephanie Lynn Jones

Welcome to NYWIFT, Stephanie Lynn Jones! Stephanie is a filmmaker, TV writer, and multi-disciplinary creative with two decades in screen and stage storytelling. She directed the short doc memoir The Jones Twins: Bebop Souls in a Muzak™ World (BRIC TV) and launched her film career on Spike Lee’s production teams. An Emmy nominee for Nickelodeon’s Gullah Gullah Island, she has developed her own TV projects with Universal Kids, PBS Kids, and TIME Studios.  With her twin, Suzanne, The Jones Twins’ performance work has appeared at major venues in NYC and beyond; they also lent their vocals to the Slamdance Festival award-winning film System Noise. Stephanie holds a B.A. from Howard University and an MFA from NYU Tisch. Read on to get to know Stephanie, learn about her roots in the industry, and get a preview of her short documentary film, The Jones Twins!

READ MORE
JOIN OUR NEWSLETTER
css.php