By Panayiota Pagoulatos
Preparing to attend MIPCOM Cannes this year was really quite something (and not because I’d be back in Cannes). If you work in global television, this is really the crème de la crème of events and it was the first fully in-person MIPCOM market since 2019. Trade media was abuzz with news, pre-market announcements of sales slates and onsite deal closings.

Palais des Festivals at MIPCOM
MIPCOM (Marché International des Programmes de Communication) boasted an impressive 10,896 attendees, with the Palais des Festivals packed with exhibitors and the seaside prominently featuring the might of the studios. Everyone was riding high on being back in person and, of course, to talk everything television. And what an amazing time to be in TV. With non-English language content finally getting its due in the U.S. (better late than never), there has been some serious competition from countries like South Korea, Germany, India, Spain, Brazil, France, and Japan, among others.

Cara Delevingne at MIPCOM
With all this rich global content freshly available (thank you, streamers), it was great to see a MIPCOM conference program showcase this diversity which included a few personal highlights: Planet Sex, a panel featuring Cara Delevingne discussing her new series that explores gender and sexuality across cultures; and the 10th annual Women in Global Entertainment Power Lunch featuring actress and activist Alyssa Milano as this year’s keynote speaker.

Alyssa Milano at WGE lunch

WGE lunch
Another major highlight for me was attending the sixth edition of MIPCOM’s Diversify TV Awards, hosted by British TV presenter and diversity advocate Femi Oke. The projects nominated are excellent shows and very deserving to be recognized on one of the most prestigious stages in the world. Categories included Representation of Race & Ethnicity, LGBTQIA+, Disability, Diversity in Kids Programing, and two new categories unveiled this year: Premio MIP Cancun (honoring programs originating in and for Latin America, the Caribbean, and/or U.S. Hispanic) and Behind the Scenes Impact Award (honoring a person or team whose influence, actions, and/or vision behind the scenes supports and champions diversity & inclusion).

Diversify TV Award Winners
Nominations were announced in September and I was delighted to find I had already seen three of the projects included: Sort of premiered last year on HBO Max and is a funny and poignant series that follows gender-fluid protagonist Sabi Mehboob (Bilal Baig); L.A.: A Queer History aired this past summer on PBS, an excellent docuseries depicting the start of the Gay Rights movement in Los Angeles; and Audrey’s Back, a series I had a chance to see because—full disclosure—I consult for the show’s Quebec-based production company, Pixcom, and was there to support them. The series follows Audrey (Florence Longpré) who wakes up after a 16-year coma to a radically different world she must re-learn. It’s full of humor and heart and will be available in the US soon.

Diversify host Femi Oke
Aside from these three, there were so many nominated shows that I can’t wait to watch. And I hope you do too. These stories deserve to be told, to be promoted, to be seen, and to push more diverse stories out in the world. It’s encouraging to see a market like MIPCOM give a tremendous international platform to content that doesn’t always get the recognition and marketing push that they should (and to the production companies and distributors that champion these projects, bring them to Cannes, and make a big splash—kudos to you and please do more like this, thanks). Especially as some countries push back on LGBTQ+ content, it’s important to double down since it clearly makes an impact and people get to see themselves represented onscreen.
This MIPCOM was full of hope, full of excitement for content and content creators alike. This is a trend I hope continues despite the consolidation and industry disruption, but that’s for a different post. Till then, see you at the next one.
(Photos Courtesy of RX France)
Related Posts
Meet the New NYWIFT Member: Alyssa Lomuscio
Welcome to NYWIFT, Alyssa Lomuscio! Alyssa Lomuscio is a TV editor, story producer, and assistant director based in NYC. Her work as a story producer has earned her two Daytime Emmy award nominations in the Outstanding Lifestyle Program category. She is also a science fiction writer of short stories, novels and screenplays under the pen name A.M. Lomuscio. A 2019 Clarion writer’s workshop alum, her short fiction can be found in Apex magazine and Uncharted. In our interview, Alyssa discussed her time balancing being an AD and a writer and shared stories of working in TV.
READ MOREMeet the New NYWIFT Member: Aurora Caruso
Welcome to NYWIFT, Aurora Caruso! Italian-Belgian artist and former journalist and production assistant Aurora Caruso works with video to explore the relationship between reality and art. After several years in the Italian film industry, she is currently studying Communication and Art & Design at John Cabot University, an American university in Rome. Driven by her passion for cinema, she moved to New York to continue her studies at The New School and has just returned to Italy after a semester there, with the goal of finding work in the United States. She aims to become a director, and her work is shaped by innovation, curiosity, and critical thinking.
READ MOREMeet the New NYWIFT Member: Carol Welter
Welcome to NYWIFT, Carol Welter! Carol grew up in the United Kingdom, steeped in classical theatre, before crossing the Atlantic in 1977 and making the United States her home. Trained on the English stage from girlhood, she spent years acting and directing before discovering that writing was her true creative playground. Through Masters-level workshops and decades of artistic exploration, she turned her talents toward stage plays, screenplays, and poetry—crafting stories that blend imagination, humor, and heart. A woman who has worn more hats than a Shakespeare festival costume rack, Carol has directed, designed, and shaped productions from the ground up. Now a spirited senior storyteller, she writes across continents and galaxies, drawn to tales of transformation, unlikely heroes, and tender love stories. In our interview, Carol reflects on her journey from the stage to the page, the themes that inspire her work, and the new projects she’s most excited to share.
READ MOREMeet the New NYWIFT Member: Maria Giese
Welcome to NYWIFT, Maria Giese! Maria Giese is an American film director, screenwriter, and longtime advocate for equity for women directors in Hollywood. She wrote and directed the feature films When Saturday Comes (starring Sean Bean) and Hunger (based on the classic Knut Hamsun novel). A member of the Directors Guild of America for over 25 years, Giese is widely recognized for her role in initiating the 2014 ACLU and 2015 EEOC investigations into systemic discrimination against women directors. Her work is featured in the documentaries This Changes Everything (2018 Netflix), Half the Picture (2018 Amazon), and the Sundance hit Brainwashed: Sex-Camera-Power (2022 Kino-Lorber). Maria spoke to us about her career trajectory, her turn to advocacy, and what she sees for the industry moving forward.
READ MORE
With over 15 years in the global entertainment industry, Panayiota developed a unique perspective and expertise in international marketing, sales, and production for top brands and content companies. In 2017, Panayiota founded Pink Orchid International and now advises global Film & TV content companies as well as collaborating with MJ Global Communications advising major Asian entertainment brands including China's CITVC (CCTV's international distribution arm), South Korea's Something Special, and the Mongolian National Film Council.
1 Comment