NYWIFT Blog

Best Practice Advice for Targeting Corporate Sponsorship to Help Fund Your Film

By Janine McGoldrick

Have you thought about using corporate sponsorship to help raise funds for your independent narrative or documentary film? No? Well you are probably not alone. Many independent filmmakers, and industry panels, seem to focus mainly on crowdfunding and financial grants as sources of revenue either because they are either unaware of sponsorship opportunities, or feel having corporate sponsorship means they have “sold out.” That is far from true.

Recently, I had the pleasure of talking about his very topic with Kim Skildum-Reid, best-selling author of The Sponsorship Seeker’s Toolkit 4th Edition, on the latest episode of NYWIFT’s Women Crush Wednesdays podcast.

Kim Skildum-Reid

 

Kim is unquestionably one of the sponsorship industry’s most influential thought leaders with over 29 years of experience. She is one of the  professionals credited with defining and setting the best practice benchmark for the sponsorship industry and provides content and commentary to business and industry media around the world, including Harvard Business Review, CNN, CNBC, Bloomberg, Marketing News among many more.

Corporate sponsorship is different than product placement. In basic terms, it is a deeper and longer partnership as a company provides payment in return for a series of actionable items that will increase awareness for their brand in ways that go beyond just a 30 second appearance in the film.

Learning the ins and outs of corporate sponsorship can seem daunting, but Kim lays out all best practice principles to help you create a compelling pitch. Below are some quick highlights, but be sure to listen to the podcast episode to gain more great insight. A link is featured below.

 

 

  • Start thinking about incorporating sponsorship into your project during development. It’s much harder to provide leverage-able services to a company if you are at the end of your production.
  • Target corporations that are an organic fit with your film’s theme or topic. If keeping kosher is a chief trait of your main character, don’t put Oscar Mayer on your list. But, if your documentary profiles the inner workings of the world’s largest airport, then definitely give Delta Airlines a call.
  • Do your research. You need to know the sponsors business, objectives, priorities and audience before you pitch.
  • Be creative! Corporations are looking for ways to leverage their brand in meaningful and impactful ways. You need to provide them with unique opportunities that go beyond providing a few tickets to the premiere and logo slapping.
  • Providing multiple sponsorship levels to pick from for your film project is outdated. Don’t do it. Tailor your ideas to each company you target and include the appropriate monetary value for that proposal. They will take your seriously and be willing to negotiate.

Listen here to my full interview with Kim and be sure to subscribe so you don’t miss upcoming episodes! If you have an interview suggestion, a project you’d like to spotlight or a great story to tell, you can contact the Women Crush Wednesdays podcast team at communications@nywift.org, we’d love to hear from you!

 

 

Go to https://powersponsorship.com/ for more key learnings from Kim Skildum-Reid her informative guide The Sponsorship Seeker’s Toolkit 4th Edition.

 

PUBLISHED BY

Janine McGoldrick

Janine McGoldrick Janine McGoldrick is a veteran entertainment executive who has created and implemented strategic distribution and communications campaigns for television and film, including the 2017 Academy Award winner "The Salesman." Through her company 2nd Chapter Productions, she works as an entertainment strategist and is developing the documentary film "Unheard: The Ears of Meniere's."

View all posts by Janine McGoldrick

Comments are closed

Related Posts

Meet the New NYWIFT Member: Joyce Hills

Welcome to NYWIFT, Joyce Hills! Joyce Hills is a recent graduate of NYU Tisch, where she co-wrote and directed the culturally-rich epic Viking short film The Feather, featuring out-of-this-world SFX hair and makeup, practical stunts, and generative workflows on a virtual production volume. She was the First Assistant Director and VFX Supervisor on the Seed & Spark-awarded short film Night of Melancholia, interned in Virtual Production at Gum Studios in Brooklyn, and performed as Sugarsop, The Widow, and assorted household servants in Will Kempe’s Players’ The Taming of the Shrew. Joyce is developing her first feature film, a dark fantasy inspired by mystical quests, heroes’ journeys, and time and destiny in popular culture. She is also developing a science fiction feminist short, and is pursuing additional education in XR mediamaking and STEM. In our interview, she discussed her childhood inspirations, emerging technologies, and the future of storytelling.

READ MORE

NYWIFT Member Spotlight: Kelcey Edwards

NYWIFT Member Kelcey Edwards found her way into documentary filmmaking through Iron Gate Studios, a nonprofit gallery and artist workspace she cofounded in her early twenties in Austin, Texas. At the time, she was making small narrative films alongside many other Austin-based filmmakers involved in the “mumblecore” scene; her first film, Letter, screened at SXSW in 2006. Since cameras and equipment were always present in the gallery, she began interviewing many of the artists who visited the space. Over time, the habit of recording conversations and documenting artists’ lives became a steady part of her practice. That interest eventually led her to pursue an MFA in Documentary Film at Stanford and later to move to New York, where she continued developing their work. About a decade later, she directed The Art of Making It, a feature documentary about the art world, which won the Audience Award at SXSW in 2022. It’s currently available on most streaming platforms.   Kelcey’s films have received support from the MacArthur Foundation, Sundance, and Tribeca Film Institute, among others, have been broadcast internationally, and have screened at top-tier festivals including SXSW, Berlinale, and Hamptons International. In our interview, Kelcey discussed her teaching philosophy, approach to filmmaking, and upcoming projects. 

READ MORE

Meet the New NYWIFT Member: Therese Cayaba-Jones

Welcome, Therese Cayaba-Jones, to NYWIFT.  Therese is a filmmaker with over 15 years of experience with films, documentaries, and series across the Philippines, Singapore, and the U.S.  She just finished the feature screenplay for UnMarry, which was recently announced as one of the entries for the Metro Manila Film Festival 2025.  Currently, Therese is producing the film Tales My Father Told, and raising money through NYWIFT fiscal sponsorship.  Read on to see Therese’s story of moving to New York, her role in the 48 Hour Film Project, and her take on the state of independent filmmaking in the Big Apple. 

READ MORE

Meet the New NYWIFT Member: Kyle Hrabe

Welcome to NYWIFT, Kyle Hrabe! Kyle Hrabe is a Brooklyn-based creative currently writing for Scamfluencers from Wondery Podcasts. She has a background in scripted television writing, sketch comedy, and stand-up. Before moving to New York, Kyle lived in Los Angeles where she was the executive assistant for writer-director couple Angela Robinson and Alexandra Martinez Kondracke. Kyle was also a fellow for Outfest Film Festival’s emerging filmmaker program OutSet. She received her BFA in Writing for Screen and Television from USC where she showran the campus cooking show, DELISH, despite only eating a bag of chips for dinner every night.

READ MORE
JOIN OUR NEWSLETTER
css.php