NYWIFT Blog

Meet the New NYWIFT Member: Courtney DeStefano

By K. Page Stuart Valdes

Welcome to NYWIFT, Courtney DeStefano!

Courtney grew up in a small town, where she spent hours devouring old movies and pouring through every indie-film magazine she could get her hands on. She graduated with a BFA in Film & Television from NYU Tisch School of the Arts before embarking on her editing career where she worked with clients like CBS, Bravo, Showtime, BET, NatGeo, Discovery & TLC.

She’s spent the last several years dividing her time between chasing after her three young sons and hiding in her home office to write.

Her work has been recognized by the Los Angeles International Screenplay Awards, PANO Network, Hollyshorts and the PAGE Awards, among others.

In our interview, Courtney discussed her small-town inspirations, how editing informs her writing and directing, and her latest short film.   

 

NYWIFT Member Courtney DeStefano

 

What brought you to NYWIFT?

I’ve been seeking a deeper connection to a creative community—specifically one that uplifts and champions women in the industry. NYWIFT felt like the perfect place to find inspiration, mentorship, and camaraderie with others navigating similar paths.

 

How has your small-town upbringing influenced your work as a filmmaker?

Growing up in a small town, film was my window to a bigger world. It opened up connections to parts of myself that I didn’t regularly see in the world around me. As a filmmaker I want to offer that same feeling of connection and catharsis to others.

 

Courtney on set

How does your work as an editor support the way you envision your own work?

My 20 years as an editor has made me a better writer and a better storyteller overall. I was really drawn to editing in college because it’s where the story truly comes together.

It’s not just about connecting pieces of video; it’s about reshaping and molding the narrative, using things like pacing and performance to determine how the audience experiences the story. 

Those instincts now inform every step of my process, whether I’m writing a script, directing a scene, or planning coverage. I know what I’ll want in the edit and, just as importantly, what I won’t need.

Courtney on set

 

How does your life as a mother influence your work as a filmmaker?

It influences everything – from the logistics of balancing my schedule, to the themes I’m drawn to exploring in my work. The cyclical nature of parenthood, and the way patterns echo across generations, was a central theme in the short film I just completed. It’s deepened my empathy and sharpened my lens as a storyteller.

 

What is the best filmmaking advice you ever received?

I once read a quote that I think was attributed to Tarantino that was along the lines of “Make it personal enough that you feel uncomfortable sharing it,” and I think that’s great advice.

If you aren’t digging deep to access something personal, you are missing an opportunity to connect with an audience. It reminds me of James Joyce’s idea that “in the particular is contained the universal.” When you tap into something deeply specific, it often resonates the most widely.

Still from Bench Seats

 

What projects are you currently working on?

I recently locked picture on Bench Seats, a 15-minute short about Dani, a woman at an emotional crossroads after a fight with her wife. A song on the radio sends her spiraling back to the summer of 1989, riding shotgun in her mom’s oversized Buick in the wake of her parents’ divorce.

Through a series of nostalgic vignettes, we see young Dani’s world unfold and transform as she grapples with change, independence, and the weight of unspoken worries. I’m currently submitting the film to festivals and working on the treatment for a feature version.

 

Since our interview, Bench Seats screened at the Imagine This Women’s International Film Festival in September 2025.

Learn more about Courtney DeStefano’s work on her website www.courtneyjoydestefano.com  and connect with her on Instagram at @courtneyjoydestefano.

 

(all images courtesy of Courtney DeStefano)

PUBLISHED BY

K. Page Stuart Valdes

K. Page Stuart Valdes K.Page Stuart Valdes is an award winning filmmaker, writer, musician and educator whose work explores tensions between power, culture, and the capacity of the human voice to effect change. Learn more at kpsvaldes.net.

View all posts by K. Page Stuart Valdes

Comments are closed

Related Posts

Meet the New NYWIFT Member: Samantha Herrera

Welcome to NYWIFT, Samantha Herrera! Samantha Herrera is a queer Filipina artist born and raised in Queens, NY. Her roots began in theatre with training at LaGuardia High School of Music & Art and Performing Arts, The Neighborhood Playhouse, and LAMDA. Saint Vegas is the first narrative film she has directed, written, and produced. It will internationally premiere in the Philippines hosted by Cine Balikbayan. This November, she played one of the lead roles in Diwata, directed by Shea Formanes. Aside from filmmaking, Samantha works at her alma mater - The Neighborhood Playhouse - and runs a Filipino food pop-up business with her partner. In our interview, Samantha discussed the mentors who shaped her artistry, her inspirations, and her upcoming work.

READ MORE

Meet the New NYWIFT Member: Joyce Hills

Welcome to NYWIFT, Joyce Hills! Joyce Hills is a recent graduate of NYU Tisch, where she co-wrote and directed the culturally-rich epic Viking short film The Feather, featuring out-of-this-world SFX hair and makeup, practical stunts, and generative workflows on a virtual production volume. She was the First Assistant Director and VFX Supervisor on the Seed & Spark-awarded short film Night of Melancholia, interned in Virtual Production at Gum Studios in Brooklyn, and performed as Sugarsop, The Widow, and assorted household servants in Will Kempe’s Players’ The Taming of the Shrew. Joyce is developing her first feature film, a dark fantasy inspired by mystical quests, heroes’ journeys, and time and destiny in popular culture. She is also developing a science fiction feminist short, and is pursuing additional education in XR mediamaking and STEM. In our interview, she discussed her childhood inspirations, emerging technologies, and the future of storytelling.

READ MORE

NYWIFT Member Spotlight: Kelcey Edwards

NYWIFT Member Kelcey Edwards found her way into documentary filmmaking through Iron Gate Studios, a nonprofit gallery and artist workspace she cofounded in her early twenties in Austin, Texas. At the time, she was making small narrative films alongside many other Austin-based filmmakers involved in the “mumblecore” scene; her first film, Letter, screened at SXSW in 2006. Since cameras and equipment were always present in the gallery, she began interviewing many of the artists who visited the space. Over time, the habit of recording conversations and documenting artists’ lives became a steady part of her practice. That interest eventually led her to pursue an MFA in Documentary Film at Stanford and later to move to New York, where she continued developing their work. About a decade later, she directed The Art of Making It, a feature documentary about the art world, which won the Audience Award at SXSW in 2022. It’s currently available on most streaming platforms.   Kelcey’s films have received support from the MacArthur Foundation, Sundance, and Tribeca Film Institute, among others, have been broadcast internationally, and have screened at top-tier festivals including SXSW, Berlinale, and Hamptons International. In our interview, Kelcey discussed her teaching philosophy, approach to filmmaking, and upcoming projects. 

READ MORE

Meet the New NYWIFT Member: Therese Cayaba-Jones

Welcome, Therese Cayaba-Jones, to NYWIFT.  Therese is a filmmaker with over 15 years of experience with films, documentaries, and series across the Philippines, Singapore, and the U.S.  She just finished the feature screenplay for UnMarry, which was recently announced as one of the entries for the Metro Manila Film Festival 2025.  Currently, Therese is producing the film Tales My Father Told, and raising money through NYWIFT fiscal sponsorship.  Read on to see Therese’s story of moving to New York, her role in the 48 Hour Film Project, and her take on the state of independent filmmaking in the Big Apple. 

READ MORE
JOIN OUR NEWSLETTER
css.php