By Daryl Bright Clay
Sydney Giacomazzi is a writer and producer re-cultivating her Idaho roots in Brooklyn, NY. Her pilot script, Hidden Springs placed 2nd at the 2022 Shore Scripts Pilot Competition. It was also featured on Coverfly’s RedList, landing in the top 20 and top 1% for all TV half-hour pilots. Starved, her debut as a director, was nominated for “Best Original Story” at Cannes Shorts and won “Best Experimental Film” at the New York Short Film Festival.
When she’s not writing, Sydney spends her time worrying about how she’s not writing. She calms her angst by people watching over a plate of diner pancakes.
Get to know her in our latest interview!
What inspired you to pursue a career in producing and writing, and how did your early experiences shape your storytelling approach?
As a kid, I would sneakily watch sitcoms from the top of the stairs, long after I was supposed to be in bed. Soon enough, my evenings of Scooby Doo turned into Three’s Company reruns, late night talk shows and the holy grail itself on Saturday nights. A TV nerd too, my dad would tell me all about production magic. “Did you know that ice cream is actually mashed potatoes? That way it won’t melt!” I was enthralled.
You mention enjoying mornings with a cappuccino and croissant while working on scripts. Can you describe your creative process and how you cultivate inspiration during those early hours?
I love dawn. A favorite quote of mine is from the show Modern Love: “Dawn is for bakers and lovers.” I’d add “and writers.” Most of the world is still sleeping, so I can hit pause on reality and live in my script for a bit. Before I punch on any keys, I vividly daydream by watching the scene in my head. I encourage everyone to start their morning daydreaming with a buttery croissant in hand!
Your pilot Hidden Springs received notable recognition, including placing second at the 2022 Shore Scripts Pilot Competition. What was the creative process behind that project, and what do you think contributed to its success?
Like most ideas, it was originally nothing special. I wrote a version of it that was Boring (capital B intended). After bouncing the premise around again, my NYU professor at the time, Dee La Duke, gave me a note that I instinctively wanted to reject…“The stakes aren’t high enough for this story to matter.” Addressing this note would mean the entire story, plot and main character would need a rewrite. It proved to be a note that made the script as successful as it’s been. And, it gave me a great lesson in letting go of old drafts in service of a better version.
How do you balance comedy and drama in your storytelling, and what do you think makes this blend particularly impactful?
I write with the idea that humor is the result of drama. Not its opposite, but rather its regenerative form. Still, a comedy needs to have laughs on every page. I’m looking at you, The Bear.
Can you share the story behind your debut film Starved and what it felt like to receive nominations and awards at film festivals?
It seems off base that a self-proclaimed comedy writer would have a dramatic, experiential debut film right? I felt inspired by this idea of a one shot, stage play-esque short to cathartically express the imagined struggle of an addict, after learning a loved one was addicted to opioids. Starved is the fly-on-the-wall (well, fish-in-the-tank) perspective of a high, the inevitable withdrawal and the impact it has on an addict’s livelihood.
It was gratifying to receive nominations and awards at festivals for a piece of work that not only related to a poignant time in my personal life, but was also the product of talented filmmakers working in a small room, on an even smaller budget. Special thanks is always due to David St. John (Production Designer) and Justin Lee (Director of Photography) for their genius and time.
As a bonus parent and a partner to a touring musician, how do your personal experiences inform your writing and producing?
Kids truly say the darnedest things. I hear the most creative thinking from my second grader at 7am on the way to school. I’ll owe her a writing credit some day.
Following my partner’s career has been a master class in the music industry. I’ve based at least a handful of characters on some fascinating people he has met while touring across the country. Real stories and real people make the best stories and people.
What brought you to NYWIFT?
NYWIFT has been mentioned since the start of my NYC career as a vital resource to women filmmakers. I’m looking forward to continuing to connect with other members and I’m hopeful to collaborate with the talent in this community.
What do you hope audiences take away from your films, especially regarding the themes of humor and resilience?
Humor is the resiliency to life’s darkness. Comedy and drama are intrinsic to one another. I want audiences to see that absurd duality of real life in my scripts and films.
Connect with Sydney Giacomazzi on Instagram and Twitter at @SydneyGiac, or via her website: https://www.sydneygiacomazzi.com/
(All images courtesy of Sydney Giacomazzi)
Related Posts
Meet the New NYWIFT Member: Courtney DeStefano
Welcome to NYWIFT, Courtney DeStefano! Courtney grew up in a small town, where she spent hours devouring old movies and pouring through every indie-film magazine she could get her hands on. She graduated with a BFA in Film & Television from NYU Tisch School of the Arts before embarking on her editing career where she worked with clients like CBS, Bravo, Showtime, BET, NatGeo, Discovery & TLC. She’s spent the last several years dividing her time between chasing after her three young sons and hiding in her home office to write. Her work has been recognized by the Los Angeles International Screenplay Awards, PANO Network, Hollyshorts and the PAGE Awards, among others. In our interview, Courtney discussed her small-town inspirations, how editing informs her writing and directing, and her latest short film.
READ MOREMeet the New NYWIFT Member: Alex Kokenis
Welcome to NYWIFT, Alex Kokenis! Alex Kokenis (she/her) is a queer filmmaker and editor living in Brooklyn, NY. Her last short film, A Pickle and a Coke, is currently in its festival run, recently winning Best Script at Chicago Film Frenzy. Through her production company, It’s a Long Story Productions, Alex has co-written and co-directed two short films, Wednesday, and The Root, as well as directed and edited music videos. When she is not creating her own work, she is a passionate editor and loves to bring others’ stories to life. Alex is currently an Assistant Editor for narrative features and a proud member of IATSE Local 700. She cites Steven Soderbergh and the Duplass Brothers as her main inspirations for storytelling. She loves a good vest and to go bowling.
READ MOREMeet the New NYWIFT Member: Sara Newton
Welcome to NYWIFT, Sara Newton! Sara is a director and cinematographer based in New York and Los Angeles. She is the creator of the MDR Sketch Comedy Show on PBS and has recently returned from an expedition in Antarctica, where she filmed a documentary. Her digital comedy sketches, produced under brands like Made by Tom and Sara, Nightpantz, and Conservation Comedy, have collectively garnered over 5 million views. With a strong foundation in television production, Sara has coordinated hit reality shows such as Love & Hip Hop (VH1), Bridezillas (WEtv), and Nellyville (BET). Her extensive experience in physical production led her to spend six years at Gunpowder & Sky, where she managed production across various platforms and developed sizzle reels for network pitches. Additionally, she served as the cinematographer for the experimental film Dust Flow: A Meditative Experience, also produced by Gunpowder & Sky. As of 2025, Sara is Head of Content for the Sea Shepherd Conservation Society and is set to direct a feature film this fall. Sara shares her journey as an unconventional storyteller who is not afraid to explore new platforms and storytelling formats.
READ MOREMeet the New NYWIFT Member: Stephanie Lynn Jones
Welcome to NYWIFT, Stephanie Lynn Jones! Stephanie is a filmmaker, TV writer, and multi-disciplinary creative with two decades in screen and stage storytelling. She directed the short doc memoir The Jones Twins: Bebop Souls in a Muzak™ World (BRIC TV) and launched her film career on Spike Lee’s production teams. An Emmy nominee for Nickelodeon’s Gullah Gullah Island, she has developed her own TV projects with Universal Kids, PBS Kids, and TIME Studios. With her twin, Suzanne, The Jones Twins’ performance work has appeared at major venues in NYC and beyond; they also lent their vocals to the Slamdance Festival award-winning film System Noise. Stephanie holds a B.A. from Howard University and an MFA from NYU Tisch. Read on to get to know Stephanie, learn about her roots in the industry, and get a preview of her short documentary film, The Jones Twins!
READ MORE
Comments are closed