By Terry Greenberg
There I was, in Durham, North Carolina, visiting my husband’s relatives for the weekend. While strolling through town Friday afternoon, we stopped into the Durham Hotel for a moment to check out the lobby. Lo and behold, I saw a camera crew, a small crowd, and a sign that said, “Full Frame Documentary Film Festival.” Although I was familiar with the festival, I had no idea it was taking place that weekend. I was very excited! I thought to myself, “Surely, I must know someone in this NYC-looking group,” and a moment later, I spotted the documentary filmmaker Doug Block. I went up to him and introduced myself and we had a lovely chat about the festival.

(Photos by Terry Greenberg)
As we were only there for the weekend and our flight home was at 2:47PM Sunday afternoon, my husband and I quickly perused the film schedule to see what we could possibly squeeze in between relative visits and the beautiful Duke Gardens, which were in full spring splendor. There was a great sounding film from the 1960’s on Sunday morning at 10:00AM (SYMBIOPSYCHOTAXIPLASM: TAKE ONE), which we managed to snag tickets for, and off we went!

Left: Terry Greenberg in the Duke Gardens; Right: The “last minute line” was key to getting into last minutes screenings!
Before the screening started, there was a mention onscreen of a tribute honoring the late documentary filmmaker and Pulitzer Prize-winning photo editor of The New York Times, Nancy Buirski, who had founded the Full Frame Documentary Film Festival 26 years ago. Nancy was also a NYWIFT member, and I was very lucky to have met her during the New York Film Festival several years ago. This was especially moving to me as we had just included her in the “In Memoriam” presentation at the Muse Awards in March.
To sum up my serendipitous film weekend experience, Durham is a lovely town, and Full Frame was a lot of fun. Next year, I plan to get my tickets in advance!
Related Posts
NYWIFT at Tribeca 2025: In Conversation with Mattie Akers
NYWIFT member and seasoned archival producer Mattie Akers is making a powerful mark at the 2025 Tribeca Festival, where the documentary For Venida, For Kalief will have its world premiere as part of the Documentary Competition lineup. Directed by Sisa Bueno, the film explores the enduring impact of Kalief Browder and his mother Venida Browder, whose lives were tragically shaped by systemic injustice. Told through poetry, activism, and powerful archival material, the film is a deeply moving reflection on loss, resilience, and legacy. With over two decades in the documentary field, Akers brings her passion for social issues, historical research, and storytelling to the forefront in this timely and emotional project.
READ MORENYWIFT at Tribeca 2025: In Conversation with Director, Producer, and Screenwriter Toby Perl Freilich
Award-winning filmmaker, writer, and NYWIFT member Toby Perl Freilich returns to the spotlight with her latest documentary, Maintenance Artist, making its world premiere in the Documentary Competition at the 2025 Tribeca Festival. Known for her deeply researched and socially resonant films such as Moynihan and Inventing Our Life: The Kibbutz Experiment, Freilich turns her lens to pioneering feminist artist Mierle Laderman Ukeles, whose groundbreaking concept of “maintenance art” challenged the boundaries between art, labor, and gender. In this compelling new work, Freilich not only brings Ukeles’ vision to life but also preserves a vital historical record of performance art. In our exclusive interview, she opens up about the inspiration behind the film, the importance of platforms like Tribeca, and her journey as a multi-hyphenate creator paving the way for women in documentary filmmaking.
READ MORENYWIFT at Tribeca 2025: In Conversation with Producer Marcella Steingart
Emmy and Peabody Award-winning producer Marcella Garcia Steingart is making waves at the 2025 Tribeca Festival with the world premiere of her latest project, Barbara Walters: Tell Me Everything, directed by Jackie Jesko. Produced in collaboration with ABC News Studios and Imagine Documentaries, the film offers a compelling and intimate look at the pioneering career of broadcast journalism icon — and 1997 NYWIFT Muse Honoree — Barbara Walters , the first woman to break into network evening news. With rare archival footage and powerful insights from cultural figures like Oprah Winfrey, Katie Couric, Andy Cohen, Joy Behar, Bette Midler, Connie Chung, and Cynthia McFadden, the documentary not only charts Walters’ trailblazing path but also explores deeper themes of sexism, ambition, and the high cost of public success. A proud NYWIFT member, Steingart brings her signature emotional depth and narrative artistry to the project. Her journey as a celebrated storyteller has earned her accolades across the industry — and Tell Me Everything may be her most powerful work to date.
READ MOREMeet the New NYWIFT Member: Chantel Simpson
Let's give a warm welcome to our newest NYWIFT member, the incredibly talented Chantel Simpson! Based in Brooklyn, Chantel is a writer, director, and producer with a true passion for amplifying underrepresented voices through compelling storytelling. Her diverse portfolio spans documentaries, branded content, and photo campaigns, showcasing her ability to connect with audiences on a deep level. From capturing the vibrant energy of NYC's breakdancing culture in Children of the Zulu Kings to exploring the brotherhood within a lowrider club in A Drastic Tale (screening next month at the Tribeca Festival), Chantel's work is both captivating and culturally resonant. She's even collaborated with major brands like Nike, Meta, and JPMorgan Chase, bringing their visions to life with her unique creative touch. As a new member of New York Women in Film & Television, Chantel is eager to connect with fellow creatives, find inspiration, and continue to grow as an artist. Join us as we delve into Chantel's creative journey and discover what motivates this dynamic storyteller.
READ MORE
Comments are closed