NYWIFT Blog

Meet the New NYWIFT Member: Natalie Bailey

By Ozzi Ramirez

Let’s give a big welcome to Natalie Bailey as she joins the NYWIFT community! Natalie is a communication specialist whose career path includes working as the Director of Communications at the Dysautonomia Foundation, as an Advocacy Strategist at UNICEF, and more recently, as a Communication and Advocacy Coordinator at the World Health Organization (WHO).

Having received a bachelor’s degree in Writing and Mass Communication from Saint Mary’s College and a Master’s in Journalism from Northwestern University, Natalie has also contributed her freelance writing and editing skills to various publications such as the Forbes Travel Guide, GOOD Magazine, Reader’s Digest, and Boston Globe Sunday.

She lives in Brooklyn with her husband and daughter.

Find out more about Natalie as we discuss the value of Corporate Social Responsibility, some film and television shows that raise awareness on relevant social issues, and that one time when she came to the rescue at work through faking a British accent!

 

NYWIFT Member Natalie Bailey

 

Describe yourself. Give us your elevator pitch!

I am a former humanitarian reporter and luxury hotel & spa reviewer who now works in advocacy and international development at the United Nations. Currently, I am coordinating communication across the sexual and reproductive health team at the World Health Organization.

  

The concept of Corporate Social Responsibility (CSR) is commonly used within the realm of communications to assess the extent to which companies are honoring relations with its stakeholders. What does CSR mean to you?  What are some examples of organizations that you consider are currently exhibiting great CSR practices?

In my experience, great CSR tends to use a company’s talents and value-add for good. Some examples would be a media company that incorporates storylines or disseminates important information in a way that will resonate with their audience or a tech company willing to offer their goods and services to non-profit organizations or to people in resource-poor settings, such as a phone company offering data to support remote learning and help kids access information.

 

Natalie Bailey in Thailand

 

Can you describe some instances when you’ve needed to think outside of the box and apply some less traditional communications tactics to reach a project goal?

When I was based in Bangkok, I covered 12 countries in South and Southeast Asia and would make calls to Bangladesh, Indonesia, and Papua New Guinea. One day, I called Sri Lanka and spoke English in my American accent, but the receiver who spoke English in a very proper British accent, said they could not understand me. Befuddled, I put on a British accent, and everything went well afterwards, although I did have to explain myself to my officemates once I hung up.

Then there was the time I was tasked with launching a website at a huge venue with a world leader, but did not have a reliable internet connection. The launch simply could not fail, so I had to get really creative. Let’s grab a cocktail if you want to hear the end of that story!

 

Natalie Bailey in Nepal

 

Film and television can be used as mediums to communicate with target audiences thereby educating them on an array of topics/social causes. As a communication specialist, what are some films or TV projects (fictional or non-fictional) that you believe really succeeded in delivering a socially-conscious message to viewers? Why were they successful?

The Act of Killing, directed by Joshua Oppenheimer, is one of the most mind-blowing films or documentaries I have ever seen. The way this movie told the story of genocide in Indonesia was horrifyingly effective and damning, especially since those implicated and bragging about the killings still sat in power. I watched it about ten years ago and think about it often.

More recently, I found Maid, the limited drama series about a young woman stuck in a cycle of poverty and abuse, incredibly immersive. This series does a great job of showing how various forces and seemingly small decisions can add up to an impossible situation. I also appreciated how the series plays with race and privilege in ways that are not often shown. Maid makes a strong case for uncomplicated government assistance, and safe and anonymous shelters for people who need to escape abuse, but also calls for showing everyday kindness to others who might be going through so much more than we know.

 

Natalie Bailey in Kenya

 

What advice would you offer to newer organizations that aren’t established and may have limited resources, in terms of developing their “brand” and/or a solid foundation? 

Be strategic and intentional. These days, there is a pressure and drive to be everywhere doing everything all at once. There are so many potential platforms to take advantage of, but before going too far, it’s best to ask the question, “Why?” Do you really need to be on Twitter? Maybe. How about TikTok? Maybe not. LinkedIn? Probably.

Remember that you are using these platforms to build your brand over time. I think the days of creating the next “Ice Bucket Challenge” are over. Occasionally, organizations will strike gold, but your bread and butter in brand building will be a steady, consistent stream of content tailored to a particular platform and audience.

 

 

What brings you to NYWIFT?

Members of NYWIFT encouraged me to join because they know that I am working on a project and looking to find my way into the industry, which is new to me.

 

What is the best and worst advice that you’ve received?

The best advice comes in the form of open-ended questions that help guide you to your answer.

Often the worst advice comes from someone who has an opinion about the outcome. Maybe this is someone who has gone through something similar but has a different worldview or goals. Taken with that understanding, this kind of advice can still be a valuable litmus test of how I am feeling and what I should do.

 

Natalie Bailey and her family

 

How did the pandemic influence your work life?

I started working remotely in 2017 after having a baby and not wanting to commute for hours every day, or spend all my time being pulled into meetings and side conversations. I established an incredibly efficient workflow from home. However, when the pandemic happened, and everything became remote, I became extremely busy because of the subject matter and where I work, but also because everyone was online and boundaries seemed to evaporate. I now marvel at the fewer phone calls I receive since everything is a face-to-face video call.

Pain points aside, I love how the pandemic has opened up remote options for people. I also appreciate how it normalized being a professional and a parent at the same time.

 

Natalie Bailey sailing

 

Do you have any projects in the works?

Yes! It’s a drama-thriller series in which an untethered young woman accepts a job in Bangkok to promote a five-star hotel, but by the time she discovers her employer is exploiting people, it might be too late to save herself.

The storyline is drawn from my experience working in the luxury hotel industry and humanitarian space. On a macro-level, it’s about the issue of human trafficking and forced labor, but on a micro level, it’s about what we do every day that reinforces a system of exploitation.

 

Connect with Natalie Bailey on LinkedIn.

PUBLISHED BY

Ozzi Ramirez

Ozzi Ramirez Ozzi Ramirez is a current intern at NYWIFT and aspiring film producer and programmer. He studied English Literature and Theater at the University of Vermont and later received a Master's Degree in Mass Communications from Florida International University in Miami. Having moved to NYC in 2019, his interests include moseying through Manhattan with his headphones on full blast, most dogs and cats, coffee, discovering good deals on theater tickets, politics, traveling, and of course, experiencing great storytelling through movies, TV shows, and books.

View all posts by Ozzi Ramirez

Comments are closed

Related Posts

Meet the New NYWIFT Member: Tiána Lynn

Welcome to NYWIFT, Tiána Lynn! Tiána Lynn is the Founder and CEO of Wholistic Vibes Wellness (WVW), a neuroinclusive consulting and training firm focused on Black mental health, workplace culture, and systems-level change. With a background in case management, HR, and operations, she specializes in psychological safety frameworks, burnout prevention infrastructure, and trauma-aware leadership development. Through WVW Academy she is advancing accredited workforce training—particularly for Community Health Workers. Tiána is also the host of the Wholistic Vibes Podcast, where she explores Black mental health, identity, and healing through storytelling. Her work centers on building sustainable environments where people are supported, valued, and able to thrive. We spoke to her about her fascinating work at the intersection of media and wellness.

READ MORE

Meet the New NYWIFT Member: Esther Casas Roura

Welcome to NYWIFT, Esther Casas Roura! Esther is an award-winning filmmaker known for blending metaphorical storytelling with animation. Originally from Barcelona, Spain, she began her career as a molecular biologist before moving to New York and transitioning into filmmaking, focusing on animation while working across both commercial and narrative projects. She later founded Claymaniak Studios (now ECR Films) to create emotionally resonant films across stop-motion, traditional animation, and motion graphics. Her animated shorts—Check Date: An Underdog Love Story, Creamen, and FLOCKY—have screened internationally at over 150 film festivals. FLOCKY was recently shortlisted for the Goya Awards in Spain, has received 18 international awards, and has gained international recognition for its social impact. Esther is currently developing her fourth short, The Melody Within, and her first animated feature, TAO.

READ MORE

NYWIFT at Tribeca Festival: “APART” Animated Short Explores Friendship, Courage, and the Human Cost of Division

At the 25th Anniversary of the Tribeca Festival, the Shorts Program curated by Whoopi Goldberg delivered a powerful lineup of animated storytelling that continues to expand the boundaries of the medium. One of the standout selections, APART, made its world premiere at Spring Studios, offering audiences a deeply emotional lens into apartheid-era South Africa through the eyes of two young boys whose friendship is tested by a divided world. Tammy Reese and LaKisa Renee bring us exclusive interviews with writer Spike Lee and director Pola Maneli.

READ MORE

Meet the New NYWIFT Member: Christina Brennan

Welcome to NYWIFT, Christina Brennan! Christina is a New York–based filmmaker whose work explores the emotional complexity of young womanhood through bold, conversation-driven storytelling. She is particularly drawn to dystopian, psychological thriller, and comedy genres, often blending tension and humor. As a recent graduate, she made her directorial debut with the short film Dear Nora, which won first place at AGBO’s No Sleep ’Til Film Festival—marking an exciting start to her creative career. In addition to her work behind the camera, Christina is the founder of Onore Films, a community dedicated to supporting and connecting young women in film through collaboration and shared resources. With experience across multiple areas of production, she approaches filmmaking as both a creative practice and a way to foster meaningful connection. In our interview, Christina discussed her journey into filmmaking, the inspiration behind Dear Nora, and her passion for building community among emerging women in film.

READ MORE
JOIN OUR NEWSLETTER
css.php