Meet the New NYWIFT Member: Vanessa Meyer

By Ozzi Ramirez 

Welcome to NYWIFT, Vanessa Meyer! Meyer is a filmmaker, programmer, and educator based in Brooklyn, NY. In addition to having earned a Ph.D. in Communications with a specialization in personal storytelling, she has worked at the Brooklyn Horror Film Festival, Kiss Off Entertainment, Reel Love Film Festival and most recently, Women in Film and Television Vancouver (WIFTV).

As an artist, she is interested in exploring the complexities of feelings, a theme that has repeatedly appeared in her work. In addition to her years of experience as a programmer, Vanessa has also directed the short films Sober Reflections, The Hemispheres, CUP U, and Foot Trouble.  

Meyer spoke to us about championing unique voices as a programmer, moving to NYC, and finding light in the darkness.


NYWIFT Member Vanessa Meyer (Photo Credit: Luke McCutcheon)


Tell us about yourself – Give us your elevator pitch!

Hi! My name is Vanessa Meyer and I’m a frustrated yet friendly filmmaker, academic, programmer and educator who loves to talk about storytelling and uncomfortable feelings. I also make music with my best friend and am a doctor (the kind that can’t save you if you’re having a heart attack!).


What are the best and most challenging parts of being a film programmer? 

Hands down, the best part of programming is being able to recognize and champion unique voices. There’s nothing like reading a script or watching a film that really grabs you and makes you feel like, “Yes. People must hear this voice!”

The most challenging part is realizing the limitations of the system that you’re working within (of which there are many) and doing your best to support the films and filmmakers you believe in within that system.


Vanessa Meyer directing on the set of Foot Trouble (Photo Credit: Matt Grady)


As a programmer and someone who markets other filmmaker’s projects, what qualities stand out to you while determining which films you’re going to promote?

For me, it’s all about a clear and unique vision. I also like to see storytelling that takes risks through honesty and vulnerability because I think that that’s what makes good filmmaking resonate with audiences. I work a lot in the genre world and so for me it doesn’t matter how fantastic a story may be, I need to feel the realness and the truth at the heart of it. That’s really what hooks me.


Vanessa Meyer “in performance mode” getting into costume (Photo Credit: Grace Lehman)


The subject of feelings and how to address them has been central to your work as a filmmaker. Can you tell us a little more about the projects you’ve created that have addressed this topic? Did you have a specific target audience in mind?     

Thank you for this question. Well, there are two main ones. The first is my autoethnographic thesis film called Everybody Gets Sad about my relationship with my mother. This project is really one film within a collection of three films, all of which are unfinished but culminated with my getting a Ph.D. in Communication Studies. The second is my first fiction short film that I directed this past year called Foot Trouble which is now being submitted to festivals.

The truth of the matter is that Foot Trouble wouldn’t exist without the many years I toiled away putting together my thesis films and grappling with ideas on how to come to terms with complicated relationships and emotions that we may not always show in obvious ways. That is why my short film is about dissociation, the teenage experience, and living in a society that doesn’t know how to process and recognize the pain and suffering that underlies it. But it’s a comedy…a dark one but a comedy nonetheless!

My target audience? Another good question! I’d say anyone who is down to get a little uncomfortable and weird while flexing their hearts and minds a bit. I think that’s the best answer I have for now.


Still from Foot Trouble (Dir. Vanessa Meyer)


What brings you to NYWIFT?

I recently became a resident of New York City and having participated at NYWIFT events through my previous work, I figured it was a great creative community. I am also the program director of The Genre Film Lab for WIFTV in Canada, so I thought it would be appropriate to join the team here as well!


How did the pandemic shape and influence your work experience?  

Well, I defended my Ph.D. on Zoom while sitting in a closet the week the pandemic hit and the city went into lockdown. I also lost my previous job and got kicked out of my apartment. So during the pandemic, I found myself living in a strange new apartment all alone with no job, no money, a doctorate I had no idea what to do with, and a bunch of unfinished films about my relationship with my mother. Needless to say, things were quite dark.

But darkness was everywhere and like with many others, that darkness ultimately showed me the light and I’m better for it. Having to sit with myself and my work forced me to confront some fears and showed me who I am and who I want to be. So I wrote a feature about that experience which I hope to move forward with during the coming year.


Vanessa Meyer with Producer Bea Santos on the set of Foot Trouble (Photo Credit: Matt Grady)


Do you have any upcoming projects in the works?

Yes! There’s the feature I mentioned, which I am currently developing as a third draft.

I am also working on a second short that loosely plays with the notion of perspective in the art world. With this project, I hope to push my visual style further and experiment with some things I’d like to expand on in the feature.

And last but not least, I’m attempting to turn my doctoral work (including the unfinished films) into a live performance piece, kind of like an in-your-face redemption of my closet thesis defense. I’m hoping for a productive 2023!


Connect with Vanessa Meyer on LinkedIn.


Ozzi Ramirez

Ozzi Ramirez Ozzi Ramirez is a current intern at NYWIFT and aspiring film producer and programmer. He studied English Literature and Theater at the University of Vermont and later received a Master's Degree in Mass Communications from Florida International University in Miami. Having moved to NYC in 2019, his interests include moseying through Manhattan with his headphones on full blast, most dogs and cats, coffee, discovering good deals on theater tickets, politics, traveling, and of course, experiencing great storytelling through movies, TV shows, and books.

View all posts by Ozzi Ramirez

Comments are closed

Related Posts

Meet the New NYWIFT Member: Mariluz Guerra

Let’s give a warm NYWIFT welcome to Mariluz Guerra! Originally from Colombia, she is a proud indigenous Kankuaman filmmaker with experience directing, scriptwriting, producing, and editing. Her commitment to helping others heal through art is channeled in her films Body Stories: Suraj & Julieta and Body Stories: Together. Learn more about Mariluz as we discuss how her cultural roots are an ongoing influence on her projects, the innovative filmic style of Body Stories: Together, and the significant role that smartphones contributed towards helping her create an original and cost-efficient film!


Live from the Red Carpet: “The Walking Dead: The Ones Who Live”

From NYWIFT blogger Tammy Reese: Stepping onto the red carpet at The Walking Dead: The Ones Who Live premiere at the Linwood Dunn Theater in Los Angeles, California was a surreal moment, one that AMC graciously offered me. As I navigated through the glitz and glamour of the evening, the honor to meet my favorite television actor, Andrew Lincoln as well as the iconic actress Danai Gurira, both beloved actors and executive producers of the new spinoff, became the highlight of an unforgettable experience. Join me as I delve into the heart of this extraordinary journey, weaving together personal and professional reflections from this once-in-a-lifetime opportunity.


NYWIFT @ Sundance: In Conversation with Laela Kilbourn

In a time when women’s reproductive rights are at the forefront of the political and cultural conversation, a group of teenage girls gather to assert their power, prepare for their futures, and determine the best way forward together. Following the smash hit success of their documentary Boys State at the 2020 Sundance Film Festival, directors Amanda McBaine and Jesse Moss returned to Park City in 2024 with the companion piece Girls State. NYWIFT Member Laela Kilbourn was one of seven cinematographers on Girls State, assigned to follow one of the protagonist’s throughout her week-long journey. She spoke to us about her experience working on the documentary.


NYWIFT @ Sundance: In Conversation with Amanda Culkowski

During the 40th edition of The Sundance Film Festival, Tammy Reese interviews fellow NYWIFT member Amanda Culkowski, the Executive Producer of As We Speak, a thought-provoking documentary that delves into the intersection of art and justice. Focusing on Bronx rap artist Kemba, the film sheds light on the alarming trend of rap lyrics being weaponized within the United States criminal justice system and beyond.