By Ozzi Ramirez
Welcome to NYWIFT, Mohana Rajakumar! Mohana is a South Asian American scholar, novelist, screenwriter, and stand-up comic whose work regularly explores feminist themes. Some of her most notable literary accomplishments include winning the She Writes New Novelist Award in 2011 for her coming-of-age novel An Unlikely Goddess and the Best Indie Book Award for Romance in 2013 for Love Comes Later.
Additionally, Mohana’s work has been featured in AudioFile Magazine, Explore Qatar, and Woman Today. And her one-woman show Being Brown is My Superpower was accepted to the Edinburgh Fringe and United Solo Festivals. She co-wrote and appeared in the short film Me Against the World, directed by Kali Bailey, which appeared in NYWIFT’s “Women in Film Night” at the 2022 Montauk Film Festival.
Mohana has resided in Qatar since 2005.
She spoke to us about working across various art forms, her writing process, and the special honor that comes with writing a banned book!

NYWIFT member Mohana Rajakumar
Tell us about yourself – give us your elevator pitch!
I’m a novelist turned screenwriter who was bored during the pandemic and started adapting my own stories into screenplays.
You’ve explored many avenues in your career! As an artist, scholar, novelist, screenwriter, and stand-up comic what are some of the recurring themes in your work?
I tell women-centric stories that occur in unusual settings. Regardless of what genre I’m writing in and whether it’s in the form of a joke, novel, or film script, my audiences can experience what it means to be brown and female in a supposedly post-racial era.

NYWIFT member Mohana Rajakumar
How is your creative process influenced by the art form that you are immersed in at any given moment? What are the similarities and differences between developing a novel, play and comedy sketch?
The process is sort of the same – I sit at the desk and bleed a little! Haha! No seriously. Writing is a solitary task and while I’m an extrovert, I spend a lot of time alone outlining, brainstorming, and planning. And then there is the actual writing itself.
All of my work starts with a central question: What’s it like to be a modern person with traditional values (my romance series)? Or what if an aspiring journalist stumbled into a terrorist recruitment network (my crime thriller)? The script or book then becomes the answer.
Your novel Love Comes Later, which deals with the subject of arranged marriages, was praised in some circles while also banned in your home country of Qatar. What was your initial response to the controversy?
Being banned is a special mark of distinction as an artist. It means that your work is fresh, relevant, and interesting. I took it as the highest compliment. Books are banned in the Middle East all the time – and increasingly in the United States. I hope this inspires people to keep reading.

NYWIFT Member Mohana Rajakumar on set
What brings you to NYWIFT?
I’m a female filmmaker who is relatively new to the industry, so NYWIFT has been a great way to learn more about what opportunities are out there, network, and in general, make a big pond feel a lot smaller.
How did the pandemic influence your work experience?
One of the pandemic’s silver linings was having my whole family forced into the house with me. I needed my own mental space and a new way to get a creative boost. I got both of these things by taking on the new and creative challenge of understanding how scripts work.
The energy and interest required while adapting a short story into a script helped propel me through one of the most uncertain times in modern history. Writing can be like that!
Do you have any upcoming projects in the works?
I am currently developing my feature and revising many other scripts. I’m also the director of a short film lab for teen girls that creates more opportunities for women in the industry from the ground up.
Connect with Mohana Rajakumar on her website www.mohadoha.com and on Twitter @moha_doha.
Additional reporting by Katie Chambers
Related Posts
Meet the New NYWIFT Member: Madeleine Rotzler
Welcome to NYWIFT, Madeleine Rotzler! Madeleine Rotzler is an Emmy® Award-winning director and producer of documentaries and narrative feature films. Fiction films include the upcoming O Horizon and O.G., currently on HBO. Non-fiction films include HBO’s Emmy-nominated It’s a Hard Truth Ain’t It, Emmy-winning Dangerous Acts Starring the Unstable Elements of Belarus, and Oscar-shortlisted The Lottery. Her most recent film, O Horizon, was described as “bound to be one of the season's sweetest charmers.” The film premiered at the Santa Barbara International Film Festival in 2025 where it won the Panavision Spirit Award for Independent Cinema. O.G., Madeleine’s narrative feature debut, and It’s a Hard Truth Ain’t It were both filmed inside a maximum-security prison in Indiana in collaboration with men incarcerated there. Most of the cast of O.G. were incarcerated. It’s a Hard Truth Ain’t It marked the first time incarcerated directors were nominated for an Emmy. In our interview, Madeleine discussed her award-winning films and her perspective on the impact of filmmaking.
READ MOREMeet the New NYWIFT Member: Samantha Herrera
Welcome to NYWIFT, Samantha Herrera! Samantha Herrera is a queer Filipina artist born and raised in Queens, NY. Her roots began in theatre with training at LaGuardia High School of Music & Art and Performing Arts, The Neighborhood Playhouse, and LAMDA. Saint Vegas is the first narrative film she has directed, written, and produced. It will internationally premiere in the Philippines hosted by Cine Balikbayan. This November, she played one of the lead roles in Diwata, directed by Shea Formanes. Aside from filmmaking, Samantha works at her alma mater - The Neighborhood Playhouse - and runs a Filipino food pop-up business with her partner. In our interview, Samantha discussed the mentors who shaped her artistry, her inspirations, and her upcoming work.
READ MOREMeet the New NYWIFT Member: Joyce Hills
Welcome to NYWIFT, Joyce Hills! Joyce Hills is a recent graduate of NYU Tisch, where she co-wrote and directed the culturally-rich epic Viking short film The Feather, featuring out-of-this-world SFX hair and makeup, practical stunts, and generative workflows on a virtual production volume. She was the First Assistant Director and VFX Supervisor on the Seed & Spark-awarded short film Night of Melancholia, interned in Virtual Production at Gum Studios in Brooklyn, and performed as Sugarsop, The Widow, and assorted household servants in Will Kempe’s Players’ The Taming of the Shrew. Joyce is developing her first feature film, a dark fantasy inspired by mystical quests, heroes’ journeys, and time and destiny in popular culture. She is also developing a science fiction feminist short, and is pursuing additional education in XR mediamaking and STEM. In our interview, she discussed her childhood inspirations, emerging technologies, and the future of storytelling.
READ MORENYWIFT Member Spotlight: Kelcey Edwards
NYWIFT Member Kelcey Edwards found her way into documentary filmmaking through Iron Gate Studios, a nonprofit gallery and artist workspace she cofounded in her early twenties in Austin, Texas. At the time, she was making small narrative films alongside many other Austin-based filmmakers involved in the “mumblecore” scene; her first film, Letter, screened at SXSW in 2006. Since cameras and equipment were always present in the gallery, she began interviewing many of the artists who visited the space. Over time, the habit of recording conversations and documenting artists’ lives became a steady part of her practice. That interest eventually led her to pursue an MFA in Documentary Film at Stanford and later to move to New York, where she continued developing their work. About a decade later, she directed The Art of Making It, a feature documentary about the art world, which won the Audience Award at SXSW in 2022. It’s currently available on most streaming platforms. Kelcey’s films have received support from the MacArthur Foundation, Sundance, and Tribeca Film Institute, among others, have been broadcast internationally, and have screened at top-tier festivals including SXSW, Berlinale, and Hamptons International. In our interview, Kelcey discussed her teaching philosophy, approach to filmmaking, and upcoming projects.
READ MORE
Ozzi Ramirez is a current intern at NYWIFT and aspiring film producer and programmer. He studied English Literature and Theater at the University of Vermont and later received a Master's Degree in Mass Communications from Florida International University in Miami. Having moved to NYC in 2019, his interests include moseying through Manhattan with his headphones on full blast, most dogs and cats, coffee, discovering good deals on theater tickets, politics, traveling, and of course, experiencing great storytelling through movies, TV shows, and books.
Comments are closed