Meet the New NYWIFT Member: Rianne Pyle

By Ozzi Ramirez 

Welcome to NYWIFT, Rianne Pyle! Rianne an award-winning filmmaker whose New York City upbringing greatly influences her film projects, some of which raise awareness of societal issues and focus on providing an outlet for people of color to share their stories.

In addition to directing documentaries such as Vic Barrett: Youth Voice, which centers on a young climate change activist intending to sue the U.S. government, Rianne has also contributed her directorial talents to the short film Burning, along with several music videos, which have acquired more than five million views collectively, while featured on platforms such as BET Jams and Lyrical Lemonade.

Rianne spoke to us about the intersection of film and social change, her approach to documentary filmmaking, how gentrification has impacted her filmmaking as a native New Yorker.


NYWIFT member Rianne Pyle


As a born and raised New Yorker, can you describe any specific encounters that you experienced growing up that directly influenced your career interests?

Being a native New Yorker is such a novelty (says every New Yorker), but it’s true – the intersectionality of cultures, the art, fashion, and community are truly unique. Every corner of New York is filled with beautiful and engaging stories waiting to be told. Coming from the East Village, which is a predominantly Puerto Rican and African American community, I became invested in representing and telling the stories of people from these communities and communities just like it.

One of the reasons I focus on telling stories of people of color and underrepresented communities is because of the gentrification that I see happening in my own community. I don’t want people to forget about the abundance of mom-and-pop shops that once lined the streets but were replaced with beaming new high rises and franchise stores. Documenting these people and their community is an important way to pay homage to the same village that continues to inspire me.


There are numerous ways to tell stories. What is it about directing and writing specifically that sparks your interests?

With documentary directing especially, there’s such an inherent challenge. Not only are you thinking of the look and feel of the documentary, but you’re constantly trying on “new coats” to see how all the pieces can be threaded together.

I always feel like directing documentaries is similar to putting together a puzzle without the reference photo and the magic and thrill of documentary filmmaking exists within the trial-and-error period. You are able to stand inside as the story begins to tell itself.


Kirsty O’Donnell and Rianne Pyle at Montclair Film Festival Q&A


As an artist who has worked in a variety of mediums from documentaries to music videos and commercials to photography, from your perspective, are there any overlapping similarities between these art forms?

I would say the biggest crossover between the different mediums is the amount of planning and creativity that is required amongst all of them. There’s no shortage of dedicated teams, resourcefulness, and creative ideas to make each project happen. The collective energy of the team that makes each and every project great is found across every medium and I think that’s a beautiful thing!  


Two of the three documentaries that you directed, Freedom Day and Vic Barrett: Youth Voice, are centered on raising awareness on social issues. Do you see yourself more as an activist who directs documentaries or as a filmmaker who is interested in exploring current events? 

I am someone who cares deeply about social and cultural events and making sure that important historical moments are documented. I don’t want to say I’m an activist in that sense, but rather a filmmaker who feels obligated and deeply compelled to share these stories in order to wield some change in our communities.

I know that filmmaking doesn’t have to be created for the sole purpose of helping change the world, but after making these short docs, I would like my films to explore current events.



Kirsty O’Donnell (left) and Rianne Pyle at Montclair Film Festival for Millie Moon


What is the best and worst advice you ever received? 

The best advice I have received so far was from my college mentor who advised me to learn as many different skills and trades in the industry. It not only opens up more employment opportunities, but allows you to be a more informed filmmaker when making creative choices on your projects.

The worst advice I’ve received was that overworking is the only way to make it in this industry. It took me a while to truly unlearn that working hard and overworking are two separate things. And the latter can lead to a “burnout” that is hard to recover from.



What brings you to NYWIFT?

I was really looking for a sense of female community in the film industry. It can be hard to find your place at times and being able to network and collaborate with other female creatives is imperative as you learn how to navigate certain situations.  


Did the pandemic influence your work experience? If so, how?

The pandemic certainly influenced my work and shifted my film focal points. Prior to the pandemic, for my thesis film at SVA, I was set on making a documentary about a musician. With the pandemic halting all live events which were central to the story, I instantly had to switch gears.

When the social and cultural shift happened in 2020 after the murder of George Floyd, I wanted to find some way to use my art and become involved. I felt compelled by the story of the Freedom Day Foundation because it reflects the tale of so many activists and leaders in our community who set up protests and programs to help enact social change. I aspired to seek out projects and subjects that have cultural and social significance.


Rianne Pyle on set


Do you have any upcoming projects in development?

Yes, I’m currently working on developing my first feature doc that follows a beloved New York basketball coach’s journey into coaching, as well as helping my very close collaborator develop her first feature film based on a book she recently read!


Learn more about Rianne Pyle on her website www.riannepyle.com and connect with her on Instagram at @ri_pyle and Twitter at @pylerianne.


Ozzi Ramirez

Ozzi Ramirez Ozzi Ramirez is a current intern at NYWIFT and aspiring film producer and programmer. He studied English Literature and Theater at the University of Vermont and later received a Master's Degree in Mass Communications from Florida International University in Miami. Having moved to NYC in 2019, his interests include moseying through Manhattan with his headphones on full blast, most dogs and cats, coffee, discovering good deals on theater tickets, politics, traveling, and of course, experiencing great storytelling through movies, TV shows, and books.

View all posts by Ozzi Ramirez

Comments are closed

Related Posts

Meet the New NYWIFT Member: Colleen Hughes

Welcome to NYWIFT, Colleen Hughes! As an intimacy director and coordinator, Colleen brings a trauma-informed and human-first approach to scenes of simulated sex, nudity, and hyperexposure. Through her collaboration with trusted colleagues, she is at the vanguard of a movement to bring increased agency and transparency to the entertainment industry. She has collaborated with artists from around the globe, including Maya Hawke on the official music video for “Thérèse,” with over 5 million views on YouTube (also available on Apple Music); Samantha Shay at Tanztheater Wuppertal Pina Bausch in Germany; and immersive work with Virgin Atlantic’s cruise line in the Mediterranean, and Punchdrunk’s Sleep No More in NYC. Colleen is part of a team of thought leaders in the field of consent and intimacy work. As Director of Core Training at Intimacy Directors and Coordinators (IDC), Colleen led the development of the company’s groundbreaking Consent-Forward Artist training program. She is currently working on a book entitled A Volunteer from the Audience: Consent Work in Interactive Performance that examines the role of agency in immersive performance.


Meet the New NYWIFT Member: Ise White

Places everyone. Roll camera. Action…Time to welcome our new NYWIFT member, Ise White! Ise is a New York based director and writer who has directed commercials and narrative work spanning action and drama for film and TV. She grew up traveling the world and is trained in the indigenous martial arts of Silat, Wing Chun and Kali. Ise worked for FLOTUS Michelle Obama, became one of the top luxury fashion editors in the world, and has choreographed fight scenes. Read our full interview with Ise below to learn more about her career pivots, guiding principles, and inspiring volunteer work.


Meet the New NYWIFT Member: Doris Martinez

Welcome to NYWIFT, Doris Martinez! Martinez brings over 20 years of experience in Partnerships & Business Development/Entrepreneurship within the US Hispanic and LATAM markets, with notable roles at HBO and DIRECTV Latin America. Her expertise spans programming strategy, content negotiations, and fostering successful partnerships. Martinez shares insights on her career journey and industry advice, emphasizing the importance of bringing innovative ideas to the table and treating everyone with respect. With a track record of revamping programming strategies and facilitating strategic content partnerships, Martinez discusses the evolving landscape of content partnerships, emphasizing the shift towards collaboration among networks and the rise of content democratization through platforms like FAST channels.


Meet the new NYWIFT Member: Jennifer Buzzelli

Welcome to NYWIFT, Jennifer Buzzelli! Jennifer Buzzelli is a New York-based producer, international distributor and co-producer. With involvement in the film industry since the 90s, she is the founder of production house Jimmy B Media. Read more to discover her experience in leading film distribution and about her most recent project, producing the upcoming documentary, Long Live the Tyrant.