By Tammy Reese
The Good House follows Hildy Good (Sigourney Weaver), a New England realtor and descendant of the Salem witches, who loves her wine and her secrets. Her compartmentalized life begins to unravel as she rekindles a romance with her old high-school flame, Frank Getchell (Kevin Kline), and becomes dangerously entwined in one person’s reckless behavior. Igniting long-buried emotions and family secrets, Hildy is propelled toward a reckoning with the one person she’s been avoiding for decades: herself.
Directed by Maya Forbes and Wallace Wolodarsky
Written by Maya Forbes, Wallace Wolodarsky, and Thomas Bezucha
Based on the best-selling novel by Ann Leary
Starring Sigourney Weaver, Kevin Kline, Morena Baccarin, and Rob Delaney
Tammy Reese, NYWIFT blogger and podcast team member obtained a 1:1 interview with Sigourney. Over the course of Sigourney’s career she has received two Golden Globe Awards, and a Grammy Award, in addition to nominations for three Academy Awards, four Primetime Emmy Awards, and a Tony Award.
Listen to the interview on our podcast:
Here is Tammy’s reaction to the The Good House:
Sigourney Weaver delivers a stellar performance as Hildy Good. The Good House is a multifaceted portrait of a proud, resilient woman who wouldn’t think of asking for help…and whose life won’t change until she does.
When the audience first sees Hildy, she is showing a house to her new clients. “She’s in her ‘realtor’ uniform, very well put together, and wants to impress her clients. The appearance of seeming put together is just a mask to hide from her children and the town folks that she’s not put together. As Hildy’s drinking escalates, the care she takes of herself and her clothing diminishes.
Hildy’s two daughters, Tess and Emily, are played by Rebecca Henderson and Molly Brown. They both have issues with their mother’s behavior, but even during mother-daughter arguments, their love and concern are apparent.
I feel that this is the best display of acting that one of the best actresses of all time could possibly bring us. Sigourney Weaver portrays the role of Hildy Good in an authentic way. I was always routing for Hildy throughout the film even with her secrets, lies, alcoholism, and the downward spiral that she was experiencing as a mother, in her career, and personal life. At age 72 Sigourney has shown that women in this particular age range can still have lead roles that have meaning, are in demand, and do it so beautifully.
The chemistry between Kevin and Sigourney is outstanding. Brace yourself for the love scenes, and the bond that they captured to perfection. I felt I was watching what we all need in our lives….A true friendship that is unconditional through our ups and downs, flaws and all.
The film is distributed by Lionsgate and Roadside Attractions. I highly recommend watching The Good House. It’s a very GOOD movie! Check your local listings to see when the movie is showing in your area beginning on September 30th, 2022.
(Photo Credit: Michael Tompkins Courtesy of Lionsgate and Roadside Attractions)
Tammy Reese
Tammy Reese is CEO of Visionary Minds PR & Media, and a New York award winning Actress, Writer, and Journalist.
Related Posts
Meet the New NYWIFT Member: Lindsey Lambert
Lindsey Lambert is a Brooklyn-based filmmaker originally from Austin, Texas. She works as a location scout for film and television in the NYC area, currently on Law & Order: Organized Crime. After receiving her Master’s Degree in Human Rights from John Jay College of Criminal Justice in the spring of 2022, she began directing and producing her debut feature documentary Teaching Social Studies about public school education and the anti-critical race theory laws in Texas. It is currently in production and she hopes the film will be completed by the summer of 2025. In our interview, she discusses her decision to go back to school, her work on the new Amazon Prime series Étoile, how to educate young people about our challenging history, and the most memorable location she's scouted to date.
READ MORECracking the Code on Film Fundraising: Insights from NYWIFT’s Winter Film Festival Panel
On a brisk February afternoon, I found the perfect escape from the cold—diving into an eye-opening discussion at the 2025 Winter Film Festival. One of the standout moments? Navigating Film Fundraising with NYWIFT, a must-attend panel for any filmmaker tackling the most daunting part of filmmaking: raising money. Leading the conversation were Easmanie Michel, NYWIFT’s Director of Artists Programs and Finance, and NYWIFT Member Joanna Rudolph, executive producer of Burning Annie and The Co-op: The Kids of Dorie Miller. Their wealth of knowledge made for a powerful session, packed with real-world success stories and actionable strategies. Marchelle Thurman summarized some key takeaways to help you fund your next film.
READ MOREMeet the New NYWIFT Member: Melody Gilbert
Welcome to our new NYWIFT member, Melody Gilbert! Melody is an Emmy-nominated and Alfred I. duPont award-winning documentary filmmaker. Over the course of her career, Melody has directed and produced 20 documentaries that have been screened at several film festivals and distributed internationally. Melody is also an educator committed to teaching new and emerging filmmakers. She has been on the faculty at several universities (including the American University in Bulgaria), teaching documentary production, multimedia, and journalism. Currently, Melody is traveling the world and spreading her love for film by teaching pitch training workshops and conducting her “Documentary Boot Camp” while working on her new documentary about the scandalous topless monokini bathing suit in 1964. The most recent documentary she helped produce, Queendom, was shortlisted for an Oscar in the feature documentary category. In our interview, Melody discusses her move from chilly Minnesota to NYC, her unconventional documentary subjects, and key lessons she shares with film students.
READ MOREMeet the New NYWIFT Member: Amanda Deering Jones
Welcome to NYWIFT, Amanda Deering Jones! Amanda Deering Jones is the director of the new short film Little Mother Lies. She is also the Producer of the Academy Award-nominated animated short film Borrowed Time. She has over 20 years of experience working with Dreamworks Animation and Blue Sky Studios and is currently at Pixar. Her career began in Cooperstown, NY, as House Manager at Glimmerglass Opera before transitioning to film. Amanda is a zero-waste advocate and a published writer for the Producer’s Guild Magazine. She is an active member of the Producers Guild of America, Women in Film, Women in Animation, a Governor of the Emmy’s Northwest Chapter Board, and now a NYWIFT member. Amanda discusses her theatrical roots, getting into animation (without drawing!), and how she creates work that elevates our thinking and highlights the complexities of being human!
READ MORE
Comments are closed