NYWIFT Blog

FOUND: Highlights from an interview with the Director Amanda Lipitz and Producer Anita Gou (Part 1)

 By Christina Kiely

 

Found is the story of Chloe, Lilly and Sadie, who were all born in China and adopted by white American families. At the age of 16, through the DNA service 23andMe, the girls learn that they are cousins. The documentary beautifully explores the complex emotions of every person involved in each of the adoptions. Found is a compassionately told story of the girls finding one another, finding their homeland, and finding themselves.

Director Amanda Lipitz and Producer Anita Gou spoke with me about the experience of making the film and the powerful and often unexpected stories that emerged in the process.

 

Still from Found (Netflix, 2021)

 

Christina Kiely: Tell me how the film came about, and about the moment you knew you had a documentary.

Amanda Lipitz: So with all of my films I start with one image that really inspires me – Chloe is my niece and my brother told me that she was having her Bat Mitzvah at The Wall in Jerusalem. And the image of my niece, surrounded by our big Jewish family… I knew I wanted to film that. Around the same time they’d discovered Chloe had a cousin. So I started to capture their stories.

 

The fact that you had one girl raised Jewish, one raised Catholic, and one raised Baptist… it seemed meant to be.

Amanda Lipitz: So many things about the film were meant to be. Even in the discovery of Liu Hao the genealogist, for example, she is such an amazing woman and she became our fourth girl, in such an amazing moment for the film.

 

Still from Found (Netflix, 2021)

 

At what point did she become that for you? Was it a surprise or were you looking for someone to fill that role?

Amanda Lipitz: Anita and I would talk about – that it would be amazing if the girls could talk to someone in China, that was a young woman who grew up during the one child policy in China and give us that perspective. It would be so great if that could happen organically. So when Liu Hao was introduced to us, all we knew was that she was from the same hometown as the girls. We did not know her story. That moment on the bridge was the first time we heard her whole story.

 

You did an incredibly sensitive job at looking at this story from all these different points of view. Being so understanding of everybody  from the people who gave up their children, the girls, to the adoptive parents  is that just who you are or did you have to think that through?

Amanda Lipitz: I would say that’s the type of storyteller I am, it wasn’t something I had to think through. I just wanted to tell the story of these girls. And see them come of age and see those dormant questions grow louder. As long as I stayed true to that everything else fell into place.

Anita Gou (Producer): When I first met Amanda she’d been following Chloe, Lily, and Sadie for a couple of years. I start talking to her about the story she was trying to tell through these girls, I felt this drive to explore – no matter statistics or the history, she goes for what is the human experience behind all of that. In this case, I was drawn to her desire to unpack a lot these inherent stereotypes that we’re attached to: Asian Women’s experiences, Asian American experiences or being a teenager. And there’s much more to these identities and the back-stories that we often don’t get to see. I think the girls in their journeys organically lead us to these places in the same way, with Liu Hao and the families in China did as well.

 

The other people I found so moving where the nannies. Can you tell me about how you included them and what you were expecting?

Amanda Lipitz: I’ve always been interested in the nannies. You see in that video, when Li Lan hands Chloe to my sister in-law for the first time. I looked at this woman and she had this smile on her face but there was sadness in her eyes. There were tears there. Chloe was 15 months old. She had cared for this child for 15 months. I wondered who that woman was. In the film she says, “You know we nannies are not coldhearted.” It’s just a beautiful moment. We found the most incredible group of nannies and women and they really are, as Liu Hao says, the frontline workers.

 

They were incredible and NOT coldhearted – such as the one who went to medical school to make sure the children had proper medical care and the other one who took the children home because there wasn’t enough space at the orphanage – it was incredible. And you felt that they genuinely remembered the girls?

Amanda Lipitz: You know some people feel like, how could they remember? We didn’t really think about that because the nannies wanted to remember and the girls needed to be remembered. They had all had the silent trauma and we as outsiders needed to bear witness to it – the silent trauma that they can’t always verbalize.

 

Read Part 2 of Christina’s conversation with the Found team here

NYWIFT presented and Industry Screening of Found, followed by a Q& with Anita Gou and Amanda Lipitz on November 9, 2021. Watch the full recording of the conversation below:

PUBLISHED BY

Christina Kiely

Christina Kiely Christina Kiely has been producing and directing documentaries for over 23 years. Most recently she wrote and produced ABC News’ first digital documentary series, A Murder On Orchard Street. Kiely also co-produced the accompanying podcast to the seven-part series. In 2004 she was nominated for an Emmy for her work on the ABC News documentary series NYPD 24/7. While at ABC she also produced for the series In the Jury Room and the weekly news magazine Primetime Mondays. Outside of ABC, Christina has produced and directed numerous programs, including the A&E Biography of Yo-Yo Ma, 12 hours of the TLC series Code Blue, the PBS weekly news magazine Rights & Wrongs: Human Rights Television, as well as various documentaries for the International Labor Organization of the United Nations, including a co-production on migrant farm workers with the PBS series NOW. She recently directed a PSA for Rebuilding Together NYC.

View all posts by Christina Kiely

1 Comment

Related Posts

Meet the New NYWIFT Member: Alex Kokenis

Welcome to NYWIFT, Alex Kokenis! Alex Kokenis (she/her) is a queer filmmaker and editor living in Brooklyn, NY. Her last short film, A Pickle and a Coke, is currently in its festival run, recently winning Best Script at Chicago Film Frenzy. Through her production company, It’s a Long Story Productions, Alex has co-written and co-directed two short films, Wednesday, and The Root, as well as directed and edited music videos. When she is not creating her own work, she is a passionate editor and loves to bring others’ stories to life. Alex is currently an Assistant Editor for narrative features and a proud member of IATSE Local 700. She cites Steven Soderbergh and the Duplass Brothers as her main inspirations for storytelling. She loves a good vest and to go bowling.

READ MORE

Meet the New NYWIFT Member: Sara Newton

Welcome to NYWIFT, Sara Newton! Sara is a director and cinematographer based in New York and Los Angeles. She is the creator of the MDR Sketch Comedy Show on PBS and has recently returned from an expedition in Antarctica, where she filmed a documentary. Her digital comedy sketches, produced under brands like Made by Tom and Sara, Nightpantz, and Conservation Comedy, have collectively garnered over 5 million views. With a strong foundation in television production, Sara has coordinated hit reality shows such as Love & Hip Hop (VH1), Bridezillas (WEtv), and Nellyville (BET). Her extensive experience in physical production led her to spend six years at Gunpowder & Sky, where she managed production across various platforms and developed sizzle reels for network pitches. Additionally, she served as the cinematographer for the experimental film Dust Flow: A Meditative Experience, also produced by Gunpowder & Sky. As of 2025, Sara is Head of Content for the Sea Shepherd Conservation Society and is set to direct a feature film this fall. Sara shares her journey as an unconventional storyteller who is not afraid to explore new platforms and storytelling formats.

READ MORE

Meet the New NYWIFT Member: Stephanie Lynn Jones

Welcome to NYWIFT, Stephanie Lynn Jones! Stephanie is a filmmaker, TV writer, and multi-disciplinary creative with two decades in screen and stage storytelling. She directed the short doc memoir The Jones Twins: Bebop Souls in a Muzak™ World (BRIC TV) and launched her film career on Spike Lee’s production teams. An Emmy nominee for Nickelodeon’s Gullah Gullah Island, she has developed her own TV projects with Universal Kids, PBS Kids, and TIME Studios.  With her twin, Suzanne, The Jones Twins’ performance work has appeared at major venues in NYC and beyond; they also lent their vocals to the Slamdance Festival award-winning film System Noise. Stephanie holds a B.A. from Howard University and an MFA from NYU Tisch. Read on to get to know Stephanie, learn about her roots in the industry, and get a preview of her short documentary film, The Jones Twins!

READ MORE

Meet the New NYWIFT Member: Elizabeth K. Budion

Welcome to NYWIFT, Elizabeth K. Budion! A member of SAG-AFTRA since 2014, Elizabeth got her taste of the film industry by doing background and stand-in work for notable shows such as Orange is the New Black, Broad City, How to Be Single, and The Path. After several years in that space, she dabbled in casting for shows such as Law & Order: SVU, before switching gears to join the Peace Corps in 2018.  While living in The Gambia, she focused on elevating the societal status of women, expanding their horizons and potential through education. Elizabeth also built a library and wrote various water grants, while learning the local language of Wolof. Returning to the states in 2020, Elizabeth then received her Master's from New York University, in Global Affairs with a focus on international development and women’s rights.  Returning to film, Elizabeth recently wrote, produced, and edited a short animated film titled You. Matter.. starring Tony Award winner Laura Benanti. In addition, Elizabeth is currently collaborating with her filmmaker husband to pen a feature titled RetroViewer. When not working on films, Elizabeth enjoys having new adventures with her adorable 16-month-old son Louis Joseph, or “LouJay!” Read on to learn more about Elizabeth, how she got started in the film industry, and her experience in the Peace Corps!

READ MORE
JOIN OUR NEWSLETTER
css.php