Throughout the coming weeks, NYWIFT will sit down with members of the film and television community for a look at how the global COVID-19 pandemic is affecting the industry, particularly those who work in the indie and art house world. And how women are adapting, evolving, and growing creatively. If you would like to share your story please contact us at communications@nywift.org. We are compiling a NYWIFT Emergency Resource Directory on our homepage – please continue to check back as we update it with the latest information.
By Heidi Philipsen
Film festivals are hurting during the COVID-19 pandemic, as well. I interviewed the female leaders behind the Film Festival Alliance – a collaborative global community for mission-driven film festivals – to learn more about how they are not just coping, but evolving through the challenges.
Lela Meadow-Conner, Executive Director, and Barbara Twist, Director of Membership, shared their thoughts.

Barbara Twist, Director of Membership (left), and Lela Meadow-Conner, Executive Director of the Film Festival Alliance
How has the COVID-19 pandemic affected your organization?
Film festivals are unique, place-based cultural traditions rooted in communities gathering. Historically, this means gathering in-person to watch movies, meet filmmakers, and come together around our shared love of cinema. For now, however, festivals are forced to postpone, cancel, or quickly reimagine themselves as an online gathering. The COVID-19 pandemic has had a major impact on the film festival industry, with more than 180 regional and national festivals already affected by postponement or cancelation. For our Fall festivals, they face uncertainty of a virus resurgence, overcrowding of the calendar, and an economic toll.
How are people/businesses/films affected by the social distancing?
Many of our Film Festival Alliance member organizations have already suffered economic impacts, from a reduction in sponsorships, loss of ticket revenue from festival or year-round events, and a downtick in submission fees as filmmakers are unable to complete their films. Our festivals are diverse in geography, budget, and scale; yet regional film festivals are a majority constituency for the FFA. While all of our festivals are affected, our regional festivals will suffer greatly. Many of these festivals operate with 1-3 (or all-volunteer) staff and each year feels like a start-up as [they] finish one festival only to [immediately] begin fundraising for the next year’s festival.

The Ann Arbor Film Festival was one of several local festivals that quickly pivoted to an online format as the coronavirus pandemic swept the nation.
What are some of the way the Film Festival Alliance has been hit by the COVID-19 pandemic, but is coming up with “out of the box” solutions?
For many Americans, regional festivals are their gateway to independent film and filmmakers. Sure, those films might land on a streaming service, but with the cluttered landscape of SVOD, how will they ever make those discoveries? It cannot be stressed enough how important the festival circuit is to both filmmakers and audiences. For many filmmakers, playing at and attending festivals around the country, networking with other filmmakers, and connecting with new audiences is a critical part of their distribution plan.
We want to highlight our festivals who are diving in and reinventing themselves overnight. Did you hear about the Ann Arbor Film Festival who hosted their 58th Festival through live-streaming on Vimeo? Or about the Oscar-qualifying Aspen ShortsFest who ran their 2020 festival online? These festivals are working hard every day to bring people together and showcase the myriad ways these successful organizations solve the same problems. We’ve found with many different efforts that there isn’t really a one-size-fits-all solution to many of our day-to-day challenges.
What are ways in which the public can help?
COVID-19 will have an impact on the film festival of the future. When will audiences want to gather in a dark room? When will filmmakers be ready to travel? When will local economies be able to provide the financial means to sustain their cultural arts entities? Will festivals of the future be a hybrid of in-person and online? It’s too soon to tell, but in the meantime, if your local film festival means something to you – as an audience member, as a filmmaker, as someone with pride of place – make a small donation, attend a virtual screening they’re hosting or simply reach out and let them know that they’re important to your quality of life and you’ll support them upon their return.
Learn more about Film Festival Alliance at www.filmfestivalalliance.org.
And follow them on Facebook, Instagram, and Twitter.
Related Posts
Meet the New NYWIFT Member: Danielle Bancroft
Welcome to NYWIFT, Danielle Bancroft! Danielle is a recent Chapman University graduate who earned a BFA in Film Production, with an emphasis in Production Design and a minor in Entrepreneurship. Throughout her undergrad years, Danielle was able to design many short films including her thesis, Protégé, where she was able to build 1950s French ateliers utilizing her schools scene shop and sound stage. In addition to building sets, Danielle co-founded The Portal Productions, a student-led non-profit dedicated to getting students real world experience while providing small businesses in Orange County with affordable media production. Danielle was also a stylist intern at Macy's, working on print, digital, and video ads, and she recently went back to work as an assistant stylist for the 99th Macy’s Thanksgiving Day Parade. With her entrepreneurial spirit and natural creativity, Danielle is excited to assist designers with anything from solving logistical issues to fabricating furniture, props, or set pieces.
READ MOREMeet the New NYWIFT Member: Ashley Bacon
Welcome to NYWIFT, Ashley Bacon! Ashley is an actor and producer in New York. She leads the 80s thriller Something of a Monster which was released in December on AppleTV, and her claim to fame is a recurring arc on Orange is the New Black. She was nominated for Best Actor at Cindependent for her work in The Flip Side (2023). Upcoming projects include leading the film A Matchmaker’s Christmas, a star-studded community fundraiser of A Midsummer Night’s Dream, and raising her small child. She lives in Brooklyn with - in her words - "two cats, one daughter, and one husband." We welcome actor and producer Ashley Bacon to NYWIFT! In her New Member Spotlight, we discussed the famous RDJ scene that inspired Ashley to become an actor, the community garden motivating her next project, and her favorite film she’s worked on so far.
READ MORENYWIFT at Sundance: In Conversation with Louis E. Perego Moreno
For NYWIFT Member Louis E. Perego Moreno and the team behind TheyDream, the road to the 2026 Sundance Film Festival was 18 years long. The feature documentary is a deeply personal tale from Writer, Director, Producer, DP, Animator, Editor and fellow NYWIFT Member William D. Cabellero. After 20 years of chronicling his Puerto Rican family, Cabellero and his mother face devastating losses. Through tears and laughter, they craft animations that bring their loved ones back to life, discovering that every act of creation is also an act of letting go. Consulting Producer Moreno has been with the project since it started as a short film nearly two decades ago. And there is extra sweetness to the team’s Sundance success: TheyDream, which debuted in the Next category, won the NEXT Special Jury Award for Creative Expression. He spoke to us about TheyDream’s journey to Park City and its timely cultural message.
READ MOREMeet the New NYWIFT Member: Ginelle Bamfo
Welcome to NYWIFT, Ginelle Bamfo! Ginelle is a talented young filmmaker and recent graduate from NYU Tisch’s Film and TV school. With a background in acting and theater, Ginelle has expanded her creative pursuits into many realms of the filmmaking industry. Having won NYU’s Best Undergraduate Film award for her project Talk Yo’ Shit, her talents and ambitions have quickly proven worthwhile. Ginelle is a staunch advocate of amplifying diverse voices. Her role as President of The Collective at NYU – a club which connects and highlights the work of Black students – is only one example of her commitment to this goal. Ginelle is a flexible and dynamic creative, drawing inspiration from ever-evolving sources. Always excited to learn and collaborate, she is an exciting addition to the entertainment industry. In our interview, Ginelle discusses what her journey to filmmaking has looked like and her current artistic ambitions.
READ MORE
Comments are closed