NYWIFT Blog

State of the Industry: A Conversation with Film Festival Alliance

Throughout the coming weeks, NYWIFT will sit down with members of the film and television community for a look at how the global COVID-19 pandemic is affecting the industry, particularly those who work in the indie and art house world. And how women are adapting, evolving, and growing creatively. If you would like to share your story please contact us at communications@nywift.org. We are compiling a NYWIFT Emergency Resource Directory on our homepage – please continue to check back as we update it with the latest information. 


 

By Heidi Philipsen

Film festivals are hurting during the COVID-19 pandemic, as well. I interviewed the female leaders behind the Film Festival Alliancea collaborative global community for mission-driven film festivals – to learn more about how they are not just coping, but evolving through the challenges.

Lela Meadow-Conner, Executive Director, and Barbara Twist, Director of Membership, shared their thoughts. 

 

Barbara Twist, Director of Membership (left), and Lela Meadow-Conner, Executive Director of the Film Festival Alliance

 

How has the COVID-19 pandemic affected your organization?

Film festivals are unique, place-based cultural traditions rooted in communities gathering. Historically, this means gathering in-person to watch movies, meet filmmakers, and come together around our shared love of cinema. For now, however, festivals are forced to postpone, cancel, or quickly reimagine themselves as an online gathering. The COVID-19 pandemic has had a major impact on the film festival industry, with more than 180 regional and national festivals already affected by postponement or cancelation. For our Fall festivals, they face uncertainty of a virus resurgence, overcrowding of the calendar, and an economic toll.

 

How are people/businesses/films affected by the social distancing?

Many of our Film Festival Alliance member organizations have already suffered economic impacts, from a reduction in sponsorships, loss of ticket revenue from festival or year-round events, and a downtick in submission fees as filmmakers are unable to complete their films. Our festivals are diverse in geography, budget, and scale; yet regional film festivals are a majority constituency for the FFA. While all of our festivals are affected, our regional festivals will suffer greatly. Many of these festivals operate with 1-3 (or all-volunteer) staff and each year feels like a start-up as [they] finish one festival only to [immediately] begin fundraising for the next year’s festival.

 

The Ann Arbor Film Festival was one of several local festivals that quickly pivoted to an online format as the coronavirus pandemic swept the nation.

 

What are some of the way the Film Festival Alliance has been hit by the COVID-19 pandemic, but is coming up with “out of the box” solutions?

For many Americans, regional festivals are their gateway to independent film and filmmakers. Sure, those films might land on a streaming service, but with the cluttered landscape of SVOD, how will they ever make those discoveries? It cannot be stressed enough how important the festival circuit is to both filmmakers and audiences. For many filmmakers, playing at and attending festivals around the country, networking with other filmmakers, and connecting with new audiences is a critical part of their distribution plan.

We want to highlight our festivals who are diving in and reinventing themselves overnight. Did you hear about the Ann Arbor Film Festival who hosted their 58th Festival through live-streaming on Vimeo? Or about the Oscar-qualifying Aspen ShortsFest who ran their 2020 festival online? These festivals are working hard every day to bring people together and showcase the myriad ways these successful organizations solve the same problems. We’ve found with many different efforts that there isn’t really a one-size-fits-all solution to many of our day-to-day challenges.

 

What are ways in which the public can help?

COVID-19 will have an impact on the film festival of the future. When will audiences want to gather in a dark room? When will filmmakers be ready to travel? When will local economies be able to provide the financial means to sustain their cultural arts entities? Will festivals of the future be a hybrid of in-person and online? It’s too soon to tell, but in the meantime, if your local film festival means something to you – as an audience member, as a filmmaker, as someone with pride of place – make a small donation, attend a virtual screening they’re hosting or simply reach out and let them know that they’re important to your quality of life and you’ll support them upon their return.

 

Learn more about Film Festival Alliance at www.filmfestivalalliance.org.

And follow them on Facebook, Instagram, and Twitter

 

PUBLISHED BY

Heidi Philipsen

Heidi Philipsen Heidi Elizabeth Philipsen-Meissner is a producer, writer, actress & director with 20 years of professional experience in international film, television and communications. Follow her on Twitter at @heidiphilipsen.

View all posts by Heidi Philipsen

Comments are closed

Related Posts

Meet the New NYWIFT Member: Ginelle Bamfo

Welcome to NYWIFT, Ginelle Bamfo! Ginelle is a talented young filmmaker and recent graduate from NYU Tisch’s Film and TV school. With a background in acting and theater, Ginelle has expanded her creative pursuits into many realms of the filmmaking industry. Having won NYU’s Best Undergraduate Film award for her project Talk Yo’ Shit, her talents and ambitions have quickly proven worthwhile. Ginelle is a staunch advocate of amplifying diverse voices. Her role as President of The Collective at NYU – a club which connects and highlights the work of Black students – is only one example of her commitment to this goal. Ginelle is a flexible and dynamic creative, drawing inspiration from ever-evolving sources. Always excited to learn and collaborate, she is an exciting addition to the entertainment industry. In our interview, Ginelle discusses what her journey to filmmaking has looked like and her current artistic ambitions.

READ MORE

Meet the New NYWIFT Member: Dolores Diaz

Welcome to NYWIFT, Dolores Diaz! Dolores Diaz is a Queens, NY native who grew up in a theater and musical theater world through Once Upon a Time in Richmond Hill. She later attended the American Academy of the Dramatic Arts and joined Angry Jellow Bubbles, an all-female sketch comedy group directed by Eva Minemar. While attending the MA Media and Social Change program at CUNY Queens College, Dolores served as an assistant to media theorist Douglas Rushkoff and co-produced the 1st Annual Queens College Arts Festival. She founded the production company Mulberry Queens Films LLC with Eva Minemar in 2018, and the duo has worked together on features, shorts, music videos, and documentaries. Dolores is now the Chair of the Board for Once Upon a Time Inc. and the Co-League Director for NICA (National Interscholastic Cycling Association), NY. In our interview, Dolores discussed her production company, transitioning from theater to film, and the project that left the biggest impact on her.

READ MORE

Meet the New NYWIFT Member: Gabriela Coronel

Welcome to NYWIFT, Gabriela Coronel! Gabriela Coronel is an up-and-coming filmmaker and visual artist who recently graduated from Ithaca College. Driven and inspired by the diversity of the human experience, Gabriela tells stories through various mediums. Her talent and vision has been appreciated by the likes of Westchester Magazine and Tiny Studios, where she worked on a variety of creative projects and events. Gabriela strives to push herself creatively. She draws from her personal experiences throughout each project she pursues, allowing her to continuously explore new ideas and challenge old ones. In our interview, Gabriela discusses her background and the origins of her creative inspiration.

READ MORE

Meet the New NYWIFT Member: Juanita Umaña

Welcome to NYWIFT, Juanita Umaña! Juanita Umaña is a filmmaker from Bogotá, Colombia, who divides her time between the Bay Area and the East Coast. Her films and documentaries explore intimate moments of family life, often with a focus on social commentary. Her autobiographical short film, Before the World Was Big, about her relationship with her mother, was recognized by the Sundance Institute in 2021, earning her a spot in the Adobe x Ignite Fellowship. In addition to directing and writing, Juanita enjoys working on studio sets and recently assisted on Paul Thomas Anderson’s One Battle After Another in California's remote desert. She has produced and shot short films, documentaries, and music videos in Colombia, Nicaragua, and the U.S., focusing on stories from underrepresented communities and American subcultures. Her goal is to bring these narratives to mainstream cinema.

READ MORE
JOIN OUR NEWSLETTER
css.php