As Oscars snub female directors yet again, a grassroots women-in-film initiative launches in LA

Photo by Afiya Yearwood, courtesy of Women’s Weekend Film Challenge
By Katrina Medoff
On January 13, 2020, the same day that the 2020 Oscars nominations were released — with not a single woman nominated for Best Director for the 87th time in 92 years — the founders of Women’s Weekend Film Challenge (WWFC) opened up applications for their first Los Angeles-based event to advance women in the film industry.
“This year’s Oscar nominations really underscore how much our initiative is needed,” WWFC co-founder Katrina Medoff said. “There are so many incredibly talented women in every role of production, but even those who do make it up the ranks of the industry aren’t given the acknowledgement they deserve. And the Oscars snubs prove once again the extent to which women are shut out.”
This year’s Oscar nominations come just 11 days after the Annenberg Inclusion Initiative released a report showing that the percentage of female directors of top-grossing films had doubled in the last year — from 4.5% in 2018 to 10.6% in 2019. That’s progress, but not enough.
Among the organizations working to fix the gender imbalance in the film industry is the grassroots initiative Women’s Weekend Film Challenge, which places professional filmmakers on teams to write, shoot and edit a short film in just one weekend. It’s free to apply to and participate in the challenge and the organization provides top-of-the-line equipment.
In just two years, WWFC has held three challenges in New York City, working with 500 women to produce 24 short films that have been accepted to more than 60 film festivals. One WWFC film won The Spy Who Dumped Me Female Storyteller Film Contest and was screened before the blockbuster movie starring Mila Kunis and Kate McKinnon in LA.
Now, for the first time, Medoff and WWFC co-founder Tracy Sayre are bringing their initiative to Los Angeles. The challenge weekend will take place Feb. 20-23, and filmmakers in every role of production can apply between Jan. 13 and 26.

Photo by Shahed Khaddash, courtesy of Women’s Weekend Film Challenge
“If you live in LA and you want to be on a crew with women in every role of production, this is the perfect opportunity for you,” Sayre said. “You finish the weekend not only with a highly professional short film but also with a broad network of motivated, talented women.”
The organization’s goals are to provide an intensive networking opportunity for female filmmakers while telling women’s stories on screen. WWFC founders say that the reason so many women apply to the challenge is because they know that the film industry revolves around connections — and WWFC provides the perfect opportunity to make them.
“If you’ve only worked with a male cinematographer, for example, when it comes time to hire or refer a cinematographer for a gig, you’re going to hire or refer a man,” Medoff said. “That’s how gender inequality self-perpetuates. WWFC gives participants the opportunity to work with women in every role of production, so it breaks that cycle.”
WWFC thoroughly reviews each application and places accepted individuals onto crews in order to ensure that each team has the talent necessary to make a stellar short film. Top-of-the-line equipment, production insurance, production stipends and film festival submission stipends are provided courtesy of WWFC and its sponsors, including HBO, Zeiss, RED and Final Draft.
“Financial barriers are one of the main reasons women are unable to reach higher levels in their careers, and we work to remove as many barriers to success as possible,” Sayre said.
One past participant, Molly McGaughey, said of the challenge, “Not only would it have cost me thousands of dollars to produce something of this caliber [on my own], the network, community and friendships I gained from this challenge are priceless.”
WWFC will host a private screening of the completed LA films on March 5 at the Hollywood location of ArcLight Cinemas.
Experienced, LA-based filmmakers in every role of production and post-production can apply for free by visiting womensweekendfilmchallenge.com/apply. The deadline to apply is Jan. 26.
About Women’s Weekend Film Challenge:
Women’s Weekend Film Challenge (WWFC) works for gender equity by creating opportunities for women to bring their leadership, talents and stories to the forefront of the film industry. WWFC places professional filmmakers on teams to write, shoot and edit a short film in just one weekend, creating intensive networking opportunities while telling women’s stories on screen. In just two years, WWFC held three film challenges in NYC, working with more than 500 women to produce 24 short films, which have already been accepted to more than 60 film festivals. WWFC is holding its first LA-based film challenge Feb. 20-23, 2020.
Related Posts
Meet the New NYWIFT Member: Jaime Schwarz
Welcome to NYWIFT, Jaime Schwarz! Jaime Schwarz grew up in NJ, the daughter of a Korean immigrant mother and son of Holocaust- survivors, father. Jaime earned her BFA in Acting from PACE University in NYC, appearing Off- Broadway in The Doctor at the Park Avenue Armory and on TV in Difficult People (Hulu), Younger (Paramount+), Jane the Virgin (The CW), Sorry for Your Loss, and Elsbeth (CBS). She is the director, writer, and star of the short film The Sandwich Line, which premiered at the Oscar-qualifying Indy Shorts International Film Festival, and her other writing work has been published in Mixed Asian Media and JoySauce. She’s currently developing several projects and is repped by Gersh + MJ Management. In our interview, Jaime discussed her journey from acting to directing and shared her experience of working in TV.
READ MOREMeet the New NYWIFT Member: Esther Casas Roura
Welcome to NYWIFT, Esther Casas Roura! Esther is an award-winning filmmaker known for blending metaphorical storytelling with animation. Originally from Barcelona, Spain, she began her career as a molecular biologist before moving to New York and transitioning into filmmaking, focusing on animation while working across both commercial and narrative projects. She later founded Claymaniak Studios (now ECR Films) to create emotionally resonant films across stop-motion, traditional animation, and motion graphics. Her animated shorts—Check Date: An Underdog Love Story, Creamen, and FLOCKY—have screened internationally at over 150 film festivals. FLOCKY was recently shortlisted for the Goya Awards in Spain, has received 18 international awards, and has gained international recognition for its social impact. Esther is currently developing her fourth short, The Melody Within, and her first animated feature, TAO.
READ MOREFrom Set to Screen: Katherine Filaseta and Ellie Sachs Celebrate Lucy Shulman at Tribeca
The 25th anniversary of the Tribeca Festival is shining a spotlight on bold storytelling, unforgettable voices, and films that capture the spirit of New York City — and Lucy Shulman is doing exactly that. Premiering as part of the festival’s prestigious U.S. Narrative Competition, the sharply funny and deeply heartfelt feature follows a young woman navigating heartbreak, family dynamics, bad dates, and the complicated journey of finding herself again. Written, directed by, and starring filmmaker Ellie Sachs, the film blends humor with emotional honesty in a way that feels both intimate and universally relatable.
Behind the scenes, NYWIFT member Katherine Filaseta played a vital role as Second Assistant Director, helping keep the ambitious production moving while supporting the creative vision that brought the story to life. In this exclusive conversation, Ellie Sachs and Katherine Filaseta open up about collaboration, creative trust, independent filmmaking, the realities of balancing multiple roles on set, and what it means to premiere a deeply personal New York story at one of the city’s most celebrated film festivals.
NYWIFT Member Spotlight: Shahnaz Mahmud
When award-winning journalist Shahnaz Mahmud set out to write and direct her first narrative film, she landed on a deeply personal story inspired by her parents’ own arranged marriage. And when it came time to a select an editor to collaborate with, she turned to the NYWIFT membership directory, where she found veteran editor Susan B. Ades – the perfect match for her project. Members Shahnaz and Susan sat down with us to discuss their adventures (and misadventures!) making the short film The Blossom, how their partnership brought new elements of the story to light, and the unique path to bringing such an intimate tale to the screen.
READ MORE
Comments are closed