New York Women in Film & Television recently celebrated the 40th anniversary of the NYWIFT Muse Awards honoring women of outstanding vision and achievement both in front of and behind the camera in film, television, and digital media. This year’s honorees included some extraordinary women: Gloria Estefan, Ann Dowd, Kasi Lemmons, Jane Rosenthal, Anjali Sud and Shoshannah Stern.
Take a look back as we introduce you to what our Muse Honorees consider a Muse:
Kasi Lemmons
Director / Writer / Actress
NANCY MALONE DIRECTING AWARD

Muse Honoree Kasi Lemmons [Photo: Flor Blake]
Kasi Lemmons received the Nancy Malone Directing Award, which is named for Nancy Malone, an Emmy Award-winning producer and director, one of the first female directors in television, and a founding member of Women in Film in Los Angeles who dedicated her life to women’s advancement in TV, film and digital media.
Lemmons is an award-winning director, writer, actress and professor who has been a staple in Hollywood for nearly three decades. She began her career with the acclaimed 1997 feature directorial debut, “Eve’s Bayou”, which was recently inducted into the National Film Registry. She received the Independent Spirit Award for ‘Best First Feature’, and a special first-time director award by the National Board of Review. Lemmons’ sophomore feature, “The Caveman’s Valentine,” opened the 2002 Sundance Film Festival, while her third film, “Talk to Me,” earned the 2008 NAACP Image Award for outstanding directing. She also adapted Langston Hughes’ musical “Black Nativity” for the big screen in 2013. Her latest opus is “Harriet,” a deeply resonant drama based on the life of American icon Harriet Tubman starring Cynthia Enviro.
As an actress, Lemmons appeared in such notable films as Jonathan Demme’s “Silence of the Lambs”, John Woo’s “Hard Target”, and Spike Lee’s “School Daze.” Lemmons has worked extensively as a mentor and educator and currently serves as an Associate Arts Professor in the Graduate Film Department at New York University’s Tisch School of the Arts. She has shared her passion for writing and teaching with institutions across the world, including Yale University, MIT, USC, UCLA, Los Angeles Film School, and The University Pristina Film School in Kosovo. She has served on the board of Film Independent since 2004. Along with Academy-Award nominated composer Terrence Blanchard, Lemmons recently added librettist to her formidable body of work, creating the stage adaptation of Charles Blow’s New York Times bestselling memoir “Fire Shut up in My Bones,” for the Opera Theater of Saint Louis.
*Photo by Flor Blake
*Video shot by Terrence Romney
Related Posts
Meet the New NYWIFT Member: Samantha Herrera
Welcome to NYWIFT, Samantha Herrera! Samantha Herrera is a queer Filipina artist born and raised in Queens, NY. Her roots began in theatre with training at LaGuardia High School of Music & Art and Performing Arts, The Neighborhood Playhouse, and LAMDA. Saint Vegas is the first narrative film she has directed, written, and produced. It will internationally premiere in the Philippines hosted by Cine Balikbayan. This November, she played one of the lead roles in Diwata, directed by Shea Formanes. Aside from filmmaking, Samantha works at her alma mater - The Neighborhood Playhouse - and runs a Filipino food pop-up business with her partner. In our interview, Samantha discussed the mentors who shaped her artistry, her inspirations, and her upcoming work.
READ MOREMeet the New NYWIFT Member: Joyce Hills
Welcome to NYWIFT, Joyce Hills! Joyce Hills is a recent graduate of NYU Tisch, where she co-wrote and directed the culturally-rich epic Viking short film The Feather, featuring out-of-this-world SFX hair and makeup, practical stunts, and generative workflows on a virtual production volume. She was the First Assistant Director and VFX Supervisor on the Seed & Spark-awarded short film Night of Melancholia, interned in Virtual Production at Gum Studios in Brooklyn, and performed as Sugarsop, The Widow, and assorted household servants in Will Kempe’s Players’ The Taming of the Shrew. Joyce is developing her first feature film, a dark fantasy inspired by mystical quests, heroes’ journeys, and time and destiny in popular culture. She is also developing a science fiction feminist short, and is pursuing additional education in XR mediamaking and STEM. In our interview, she discussed her childhood inspirations, emerging technologies, and the future of storytelling.
READ MORENYWIFT Member Spotlight: Kelcey Edwards
NYWIFT Member Kelcey Edwards found her way into documentary filmmaking through Iron Gate Studios, a nonprofit gallery and artist workspace she cofounded in her early twenties in Austin, Texas. At the time, she was making small narrative films alongside many other Austin-based filmmakers involved in the “mumblecore” scene; her first film, Letter, screened at SXSW in 2006. Since cameras and equipment were always present in the gallery, she began interviewing many of the artists who visited the space. Over time, the habit of recording conversations and documenting artists’ lives became a steady part of her practice. That interest eventually led her to pursue an MFA in Documentary Film at Stanford and later to move to New York, where she continued developing their work. About a decade later, she directed The Art of Making It, a feature documentary about the art world, which won the Audience Award at SXSW in 2022. It’s currently available on most streaming platforms. Kelcey’s films have received support from the MacArthur Foundation, Sundance, and Tribeca Film Institute, among others, have been broadcast internationally, and have screened at top-tier festivals including SXSW, Berlinale, and Hamptons International. In our interview, Kelcey discussed her teaching philosophy, approach to filmmaking, and upcoming projects.
READ MOREMeet the New NYWIFT Member: Therese Cayaba-Jones
Welcome, Therese Cayaba-Jones, to NYWIFT. Therese is a filmmaker with over 15 years of experience with films, documentaries, and series across the Philippines, Singapore, and the U.S. She just finished the feature screenplay for UnMarry, which was recently announced as one of the entries for the Metro Manila Film Festival 2025. Currently, Therese is producing the film Tales My Father Told, and raising money through NYWIFT fiscal sponsorship. Read on to see Therese’s story of moving to New York, her role in the 48 Hour Film Project, and her take on the state of independent filmmaking in the Big Apple.
READ MORE
Comments are closed